Since his groundbreaking solo show at the High Museum of Art in 2012, acclaimed artist KAWS (Brian Donnelly) has taken the world by storm with major exhibitions across the United States, Europe, Australia, Asia and the Middle East. Meanwhile, his monumental sculptural installations, augmented reality sculptures, design collaborations, toys, editioned objects and related works have seized the attention of a massive and diverse audience. Drawing exclusively from the High’s collection, “KAWS PRINTS” (Dec. 3, 2021-March 27, 2022) features all the artist’s editioned silkscreen prints in the Museum’s holdings along with a selection of drawings, color charts and rare early prints.
“The High is proud to have been among the first to present KAWS’ work to a museum-going public. That early engagement and his generosity hastened a relationship that has resulted in an astonishingly comprehensive public collection of his graphic work,” said Rand Suffolk, the High’s Nancy and Holcombe T. Green, Jr., director. “This is the first time our KAWS prints will be exhibited together, and we’re thrilled to give our audience an opportunity to familiarize themselves with this important facet of his work.”
KAWS made his first screenprints in the late 1990s and has since continued to maintain a printmaking practice alongside his production of paintings, sculpture and editioned objects (both real and virtual). Through the syntax of silkscreen printing established by such preeminent and illustrious forebears as Keith Haring, Roy Lichtenstein and Andy Warhol, which in part obscured distinctions between high and low, KAWS brings into conflict and accord the worlds of fine art, industrial design, technology and popular culture. Like his pop art predecessors, KAWS also has applied his printmaking practice to the advocacy and allyship of causes and cultural institutions.
Grounding his work in a deep and sustained involvement with graphic art and printmaking, from his early “subvertisements” to the sumptuous, painstakingly crafted screenprints created in the last decade, KAWS embraces the democratic principle of making art and culture accessible to all audiences. “KAWS PRINTS” is the first comprehensive exhibition featuring almost his entire output of editioned prints spanning more than 20 years.
Michael Rooks, the High’s Wieland Family curator of modern and contemporary art, noted, “KAWS has exponentially expanded the reach of art through his practice, broadening the democratizing effect of the multiple in various ways, incorporating new technologies, but always paying respect to the powerful influence of screenprinting in postwar America.”
“KAWS PRINTS” will feature the single-image edition print “PAPER SMILE”(2013), which he made for his 2012 exhibition at the High, as well as the print portfolios “UPS AND DOWNS” (2013), “BLAME GAME”(2014), “NO REPLY”(2015), “MAN’S BEST FRIEND”(2015), “THE NEWS”(2017), “TENSION”(2019) and “URGE” (2020), bringing the pop art tradition of silkscreen printmaking — from Warhol, Lichtenstein and Haring to KAWS — full circle.
“KAWS PRINTS” will be presented on the second level of the High’s Anne Cox Chambers Wing.
The special exhibition of the Medford and Loraine Johnston Collection will run January 17 through May 25, 2025
In the mid-1970s, artist and Georgia State University professor Medford Johnston, along with his wife and collaborator Loraine, began collecting works by artists who were in the vanguard of contemporary art. Today, they hold one of the finest collections of postwar American drawings and related objects of its kind, now numbering more than 85 works.
In 2025, the High Museum of Art will present Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection, featuring their collected works, which is a promised gift to the museum. Featuring artists such as Sol LeWitt, Brice Marden, Elizabeth Murray, Martin Puryear, Ed Ruscha, Al Taylor, Anne Truitt, Stanley Whitney and Terry Winters, among others, the exhibition will demonstrate how establishing the parameters of an art collection requires infinite patience, focus, discipline and a keen eye.
“The Johnstons have been friends of the High for a very long time. They’ve also built an impressive collection featuring works by many of the 20th century’s most significant abstract artists,” said the High’s Director Rand Suffolk. “We are honored that they have promised to leave their collection to the Museum where it will be preserved for future generations — and we are delighted that they are sharing it with our audiences now, hopefully inspiring the next generation of art collectors and supporters.”
A curated collection
The Johnstons’ story is a testament to, in the words of the High’s Wieland Family Senior Curator of Modern and Contemporary Art, Michael Rooks, “knowing the difference between what is right and what is almost right” when building a collection.
Although the Johnstons acquired several paintings and objects when they first began collecting in 1972, they quickly narrowed their focus to drawing, primarily by artists working on the frontlines of abstraction in the mid-1960s during a time of great innovation and experimentation.
Rooks added, “Med and Loraine’s collection struck me at once by its single-minded focus on a specific moment in time, which was essentially the time of their contemporaries. The artists in their collection are like close friends to the Johnstons — in fact many are or were. What is equally astonishing about the collection is the Johnstons’ dogged pursuit of quality. Their in-depth knowledge of each artist’s practice combined with their understanding of specific qualities to look for — or more appropriately, to hold out for — will be a revelation to emerging collectors.”
The Johnstons have built their collection with the High in mind as the benefactor of their passion and discernment. For them, their collection “is a labor of love, pursued over more than 50 years, and we are delighted to be able to help the High Museum document and celebrate these important artists working during the same decades as our lives.”
About the exhibit
Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection will be presented in the Special Exhibition Galleries on the second level of the High’s Stent Family Wing.
The exhibit is organized by the High Museum of Art and made possible through the generosity of sponsors:
Premier Exhibition Series Sponsor Delta Air Lines, Inc.
Premier Exhibition Series Supporters Mr. Joseph H. Boland, Jr., The Fay S. and W. Barrett Howell Family Foundation, Harry Norman Realtors and wish Foundation
Benefactor Exhibition Series Supporters Robin and Hilton Howell
Ambassador Exhibition Series Supporters Loomis Charitable Foundation and Mrs. Harriet H. Warren
Contributing Exhibition Series Supporters Farideh and Al Azadi, Mary and Neil Johnson, Mr. and Mrs. Baxter Jones, Megan and Garrett Langley, Margot and Danny McCaul, Wade A. Rakes II and Nicholas Miller and Belinda Stanley-Majors and Dwayne Majors.
Support has also been provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, RJR Nabisco Exhibition Endowment Fund and USI Insurance Services.
About the High Museum of Art
Located in the heart of Atlanta, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs.
Housed within facilities designed by Pritzker Prize-winning architects Richard Meier and Renzo Piano, the High features a collection of more than 19,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from prehistory through the present; and significant holdings of European paintings and works on paper.
The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.
For more information about the High or to purchase tickets, visit high.org.
The megahit musical Jersey Boys makes its regional premiere in City Springs Theatre Company’s (CSTC) first-ever, five-week run at the Byers Theatre in Sandy Springs.
Directed by Atlanta’s-own Shane DeLancey, and choreographed by Meg Gillentine, Jersey Boys tells the rags-to-riches story of Frankie Valli and The Four Seasons. The show details their remarkable journey from the streets to the top of the charts, to their 1990 induction into the Rock and Roll Hall of Fame.
Leading the cast of Jersey Boys is Haden Rider as Frankie Valli. Rider is a City Springs Theatre Company veteran, with recent roles in both Legally Blonde (Emmett) and Fiddler on the Roof (Perchik).
Presented by Resurgens Spine Center, Jersey Boys runs from July 12 through August 11, and shines a special spotlight on home-grown talent, as the show’s four leading men are all Atlanta-area residents.
With phenomenal music, memorable characters and great storytelling, Jersey Boys follows the fascinating evolution of four blue-collar kids who became one of the greatest successes in pop-music history.
“City Springs Theatre Company is very proud to be the first in the southeast region to present Jersey Boys,” said CSTC Artistic Director and Tony Award-winner Shuler Hensley. “Our audiences have been asking for this particular show since we opened. The production is truly stacked with talent onstage and off, and we’re pulling out all the stops to bring audiences an experience that will rival any previous version of the show.”
Jersey Boys premiered at the La Jolla Playhouse in 2005, prior to its 13-year Broadway run, from 2005 to 2017. There have been productions of the show in Las Vegas, UK/Ireland, Toronto, Melbourne, Singapore, South Africa, the Netherlands, Japan, Dubai and China.
Jersey Boys features a book by Marshall Brickman and Rick Elice, with music by Bob Gaudio, and lyrics by Bob Crewe.
Individual tickets to see Jersey Boys are on sale now ($42 – $108), with discounts for seniors, students, groups and active and retired military personnel.
CSTC’s Box Office is open Monday through Friday from 10:00 a.m. – 5:00 p.m.
Courtney Escorza, Colleen Nikopour, Laura Hwang, Jennifer Jackson, Norcross. Laura ELizabeth Martin, Payton Hirschmann, Paul Duke HS
From May 11 through May 18, the Norcross Gallery & Studios kicked off a fantastic exhibition, Reflections at Rectory, which showcased the works of 36 rising stars: AP and IB art students from our local high schools.
The opening reception celebrated their creativity and dedication. Gallery director Anne Hall presented a dozen awards generously sponsored by the community, a testament to the local support for these young artists.
One prestigious award, the Terri Enfield Memorial Award, holds special significance.
Established by Terri’s daughters, it recognizes not just artistic excellence, but also leadership, work ethic and the spirit of collaboration. Last year’s winner, Aidan Ventimiglia, even played a part in selecting this year’s recipient Jasmine Rodriguez.
Reflections at Rectory
Congratulations to all the student artists.
Students in the second annual Reflections at the Rectory exhibit