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Major Rodin Exhibition at the High Museum of Art This Fall
Auguste Rodin (French, 1840-1917) is one of the most celebrated sculptors of the modern age, represented in museums and private collections across the globe. However, this was not always the case. From his first sculpture to enter an American museum in 1893 and culminating with his popular revival in the 1980s, “Rodin in the United States: Confronting the Modern” — on view at the High Museum of Art Oct. 21, 2022-Jan. 15, 2023 — follows Rodin’s rise to eminence in America due in large part to the collectors, critics and curators who helped make it happen. The exhibition will also reveal Rodin’s incredible daring and inventiveness as he continually pushed against and beyond traditional notions of sculpture.
“Though now holding pride of place in major American museum collections, and renowned for its distinctive aesthetic, it’s perhaps only in the last 40 years that Rodin’s work has become recognized as among the greatest achievements in Modern art,” said Rand Suffolk, Nancy and Holcombe T. Green, Jr., Director of the High. “This exhibition takes the audience on a journey, as Rodin’s reputation builds, declines and rises again. It’s a fascinating story, illustrated by many of Rodin’s most striking and beautiful works.”
The 45 sculptures and 25 works on paper in the exhibition encompass many of Rodin’s best-known compositions, including “The Thinker,” “Monument to Balzac” and “The Kiss,” as well as less-familiar subjects and an exceptional number of his expressive and probing drawings. The works show Rodin working across an array of media — from terracotta and plaster to bronze and marble — and illuminate his creative process, from studies and maquettes to completed works.
“All of us have stood awestruck in front of Rodin’s more-than-life-size figures, like the 9-foot ‘Monument to Balzac’ or the massive, 2,000-pound ‘Thinker’,” said Claudia Einecke, the High’s Frances B. Bunzl Family curator of European art. “But it is a testament to Rodin’s unsurpassed power of evocation that even diminutive figures, such as the 5-inch ‘Female Torso’ or a 6-inch portrait head of the actress Hanako, can impress us with the same physical energy and monumental presence. Visitors will be delighted to see the breadth of Rodin’s work in this exhibition and to learn how he came to be among the 20th century’s most revered artists.”
Rodin’s path to acceptance in the United States was a complicated, winding one, and the stories of the collectors and institutions that embraced his work reveal a desire to look beyond the conventional to confront, and embrace, the modern.
Rodin first gained significant attention in the United States in 1893, when the Metropolitan Museum of Art made the first acquisition of his artwork by an American institution. That same year, he made his controversial debut at Chicago’s World’s Columbian Exposition with three marble sculptures, which were quickly judged too provocative and moved to a private space that was only accessible by request. As the exposition progressed, however, the censorship propelled public interest in his work.
This notoriety sparked an early-20th-century collecting frenzy, promoted by noted philanthropist Katherine Seney Simpson, avant-garde performer Loïe Fuller, and collector Alma de Bretteville Spreckels, among others. The exhibition details the intriguing confluence of these Rodin enthusiasts and the roles they played in generating interest in his art.
In the 1920s and 1930s, many American museums made important acquisitions of Rodin’s work, further fueling avid interest in the artist. However, these institutions tended to display his more finished, narrative subjects. The majority of his seemingly unfinished, fragmented or more “erotic” works — appreciated today for their daring and modernity — were consigned to storage, where they languished for years. By the Second World War, enthusiasm for his work had waned and critical sentiment regarding his art shifted, leading museums to relegate his sculptures to less prominent places or remove them from the public eye.
In 1954, Museum of Modern Art Director Alfred H. Barr Jr. requested a bronze cast of Rodin’s “Monument to Balzac” for the museum’s collection, which spurred scholars and critics to reappraise Rodin’s works. Nearly 30 years later, the National Portrait Gallery’s 1981 exhibition “Rodin Rediscovered” ushered in a resurgence of appreciation for Rodin’s art in the United States, which continues today.
“Confronting the Modern” traces these ebbs and flows of Rodin’s American popularity and includes loans of key works from more than 30 museums and private collections across the country. These works include:
- The Metropolitan Museum of Art’s “Bust of St. John the Baptist” (bronze, original model 1880, cast 1883), the first Rodin work to enter an American museum collection.
- The marble bust “Katherine Seney Simpson” (1903), which immortalized Rodin’s early advocate, who was instrumental in developing the Met’s Rodin collection and donated her private collection of his art to the National Gallery of Art upon her death.
- Bronze sculptures “The Thinker” (cast 1928) and “The Kiss” (cast 1888) from the Baltimore Museum of Art’s collection. “Rodin in the United States” marks the first time that the Baltimore Museum of Art has loaned “The Thinker” to an exhibition.
- The Museum of Modern Art’s “Monument to Balzac” (cast 1954), which instigated renewed interest in Rodin’s work.
- Drawings related to some of Rodin’s most famous compositions, such as “The Thinker” and “Ugolino and His Sons.”
- A group of diminutive plaster studies exploring the expressive power of the human hand, which were gifts from the artist to the Met’s Rodin Gallery, established in 1912.
“Rodin in the United States: Confronting the Modern” will be accompanied by a fully illustrated, 260-page catalogue edited by exhibition curator Antoinette Le Normand-Romain, with contributions by Christina Buley-Uribe, Patrick R. Crowley, C. D. Dickerson III, Laure de Margerie, Véronique Mattiussi, Elyse Nelson, Jennifer A. Thompson and Nora M. Rosengarten. The book is published by the Clark Art Institute and distributed by Yale University Press, New Haven.
The exhibition will be presented in the Cousins Family Special Exhibition Galleries on the Second Level of the High’s Wieland Pavilion.
Exhibition Organization and Support
“Rodin in the United States: Confronting the Modern” is organized by the Clark Art Institute, Williamston, Massachusetts, and guest curated by independent scholar Antoinette Le Normand-Romain.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Funding for this exhibition is provided by Troutman Pepper.
Encounter mythical creatures in a natural landscape when “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” opens March 29.
Immerse yourself in a breathtaking outdoor exhibit that intertwines Mexican cultures and contemporary art when “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” opens at Fernbank Museum.
From March 29 to August 3, guests can enter a supernatural world as they walk alongside towering, brightly colored and richly patterned sculptures in the natural landscape of Fernbank’s WildWoods.
Presented in both English and Spanish, this collection of brightly-colored fiberglass sculptures depicts imaginary hybrid animals and offers visitors an unparalleled journey into an imaginative take on the spiritual landscape of southern Mexico’s Indigenous traditions.
Inspiration and legend
In creating “Spirit Guides,” artists Jacobo and María Ángeles were inspired by an ancient Zapotec stone calendar. Indigenous to southern Mexico, Zapotec culture is deeply connected to plants, seasons and animals.
“Spirit Guides” beckons visitors to travel into the spiritual landscape of Mexico’s Indigenous traditions through these animal sculptures that act as both spirit guides and astrological embodiments of human character.
Some of the hybrid animals depicted include a combination of a deer-butterfly or a coyote-fish. These larger-than-life sculptures depict patterns and designs that symbolize different aspects of Zapotec life and culture, such as happiness, fertility and community.
The artists have previously stated that, according to a Zapotec legend, when you are born an animal comes to you to serve as your protector in this world. This animal is your tona, a being that shares your destiny and soul.
Along with your tona, you also have a nahual, which is assigned based on the year of your birth. This spirit animal embodies characteristics that mirror your own personality.
As guests stand before the sculptures in WildWoods — some of which stand nearly 8 feet tall and 9 feet wide — they are made conscious of the profound connection between the natural and cosmological worlds.
About the Artists
Jacobo and María Ángeles are a married artist team based in Oaxaca, Mexico.
Joyful, fanciful and distinctively patterned, the Ángeles’ animal sculptures embrace both contemporary art and folk-art traditions. They employ and teach more than 100 artisans in their workshop, which has created artworks shown in museums around the world.
Exhibit details
By drawing inspiration from the Zapotec calendar and their own imaginations, the Ángeles team sculpted their own mythical creations.
This exhibit features eight towering, vibrant fiberglass sculptures of hybrid animals, intersecting art, mythology and identity. The sculptures were designed through a multi-step process that included conceptual sketches, small wooden renderings and papier mâché molds before casting the fiberglass.
A team of artisans then helped to paint the sculptures with striking colors and intricate geometric patterns inspired by Zapotec and other Indigenous designs, each with their own unique meaning.
Organized by Denver Botanic Gardens, “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” is on view from March 29 – August 3, 2025. The exhibit is included with General Admission at Fernbank Museum and is free with CityPASS.
It will also be on view select nights when the museum is open, including during Fernbank After Dark and Fernbank … but Later.
For more information, please visit fernbankmuseum.org.
“Ultimate Dinosaurs” will run from February 8–May 4, 2025
“Ultimate Dinosaurs,” a special exhibit that explores the fascinating species that evolved in isolation in South America, Africa and Madagascar, stomps into Fernbank Museum from February 8 to May 4.
Through the exhibit, guests will experience an impressive blend of skeletal displays and augmented reality as they learn about the changing prehistoric landscape of dinosaurs in a new, modernized way.
Journey through the Mesozoic
Based on groundbreaking research from scientists around the world, “Ultimate Dinosaurs” highlights dinosaurs typically unfamiliar to North Americans and seeks to answer the question: why are the unique and bizarre dinosaurs in the Southern Hemisphere so different from their North American counterparts?
Starting with the breakup of the supercontinent Pangaea, “Ultimate Dinosaurs” takes visitors on a journey through the Mesozoic Era (250-65 million years ago) and shows how continental drift affected the evolution of dinosaurs during the Triassic, Jurassic and Cretaceous periods.
“We are excited to have “Ultimate Dinosaurs” here at Fernbank and explore the unique ways that dinosaurs have evolved in isolation,” said program manager, Maria Moreno. “This exhibit combines rarely seen specimens with interactive stations for patrons of all ages to enjoy.”
“It is also very exciting to have an exhibit highlighting our mascot, the Giganotosaurus, one of the largest land predators to have ever lived,” Moreno added.
Dino displays and hands-on activities
Guests can view a variety of full-scale dinosaur displays from the Eoraptor, Malawisaurus, Suchomimus, Rapetosaurus and more, including 14 dinosaur skeletons. One highlight is the Giganotosaurus skeleton, which is also on view in Fernbank’s permanent exhibit, “Giants of the Mesozoic.”
This special exhibit will include several real fossils, some of which will be available to visitors to touch. Additionally, “Ultimate Dinosaurs” features several hands-on activities, one of which involves exploring the physical characteristics of dinosaurs’ stride patterns, crests and frills.
Another activity uses augmented reality to transform intricately detailed skeletons into moving, flesh-and-bone creatures.
Related programming
To celebrate the grand opening of “Ultimate Dinosaurs,” Fernbank is hosting a family-friendly Dino Day on Saturday, February 8 from 10 a.m. to 1 p.m. The event is included with general admission.
Additionally, the giant screen film, “T. REX 3D,” will be showing through May 16.
There will also be a lecture with Anthony (Tony) Martin, professor of practice in the Department of Environmental Sciences at Emory University, titled “On Frozen Ground Down Under: Polar Dinosaurs, Insects and other Cretaceous Fossils of Australia” this spring.
The details
Presented by the Science Museum of Minnesota, “Ultimate Dinosaurs” is open at Fernbank from February 8–May 4. The exhibit will be included with general admission tickets and is free with CityPASS.
For more information or to purchase tickets, visit fernbankmuseum.org.
Upcoming Spring Events You Won’t Want to Miss in April
Why Patient Experience Matters: A Conversation with Dr. Aristo Shyn
Burn The Ships: Alex Wright on Committing to Success & Helping Businesses Thrive
Fun for a Good Cause at Curiosity Lab’s Inaugural 5K Run/Walk
Expanding Horizons: How KGM Technologies Balances Defense, Medical, and Precision Manufacturing
Inside the Solicitor General’s Office: Lisamarie Bristol on Justice in Gwinnett County
Public Notice: Scheduled Maintenance on Town Center Parking Deck
Mike Schleifer to Leave Alliance for Lincoln Center Theater
Expanding Horizons: How KGM Technologies Balances Defense, Medical, and Precision Manufacturing
Mike Schleifer to Leave Alliance for Lincoln Center Theater
Public Notice: Scheduled Maintenance on Town Center Parking Deck
Inside the Solicitor General’s Office: Lisamarie Bristol on Justice in Gwinnett County
Why Patient Experience Matters: A Conversation with Dr. Aristo Shyn
Burn The Ships: Alex Wright on Committing to Success & Helping Businesses Thrive
Fun for a Good Cause at Curiosity Lab’s Inaugural 5K Run/Walk
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