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Wesleyan Artist Market 2024: Students Bree Hill and Esther Cooper

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The Wesleyan Artist Market takes place in Peachtree Corners on April 26-27, 2024

Join us as we dive into the creative worlds of Esther Cooper and Bree Hill, two young student artists showing at this year’s Wesleyan Artist Market with their unique talents and passions. From Esther’s tasty cake pops to Bree’s emotionally charged artwork, we explore the stories behind their inspiration, dedication, and drive to showcase their creativity. Listen in as we discuss the power of self-expression and passion in the world of art and baking. Tune in for a dose of inspiration and creativity that will leave you eager to explore your own artistic talents and passions. Hosted by Rico Figliolini

Resources:
Wesleyan Artists’ Market Website: https://www.artistmarket.wesleyanschool.org/
Bree’s Instagram: @bubblycreationsbybreehill

Timestamp:
00:00:00 – Introduction
00:01:37 – Expanding Artistic Horizons at Wesleyan Market
00:03:38 – Discovering Passion and Mediums in Art Creation
00:05:13 – Expressing Emotions Through Art and Beyond
00:10:53 – Preparing for the Artist Market at Wesleyan
00:13:24 – Finding Inspiration Through Music and Fantasy Books
00:16:01 – Dreams of Opening a Family-Friendly Bakery
00:17:42 – Interviewing a Creative Baker and Graphic Designer
00:19:43 – The Art of Evolving a Painting
00:21:45 – Baking Creations for Holidays and Parties
00:24:08 – Bree’s Artistic Process and Finding Joy in Sculptures
00:26:37 – Art Commissions and Wesleyan Artist Market Update
00:28:20 – Closing Thoughts

Podcast Transcript

Transcript:

Rico Figliolini 0:00:01

Hi everyone. This is Rico Figliolini, host of Peachtree Corners Life here in the city of Peachtree Corners, Gwinnett County. I have a couple of great guests with me today. They are student artists at the upcoming Wesleyan Artist Market. But before I introduce them quickly, let me just say thank you to EV Remodeling, Inc. Who is a sponsor of not only this podcast, but the publications that we do, including Peachtree Corners magazine and Southwest Gwinnett magazine. So I want to thank them for being a strong sponsor, a community member as well. And if you want to find out more about EV remodeling Inc. Just go to their website, which is easy, evremodelinginc.com. So thank you for that. Our guest today is on the left. Depending on how you’re viewing this, Esther Cooper from 7th grade. Say hi, Esther.

Esther Cooper 0:00:48

Hi.

Rico Figliolini 0:00:49

And Bree Hill from 10th grade. Hey Bree.

Bree Hill 0:00:52

Hey.

Rico Figliolini 0:00:53

Both from Wesleyan school. And for one, she’s going to be at the Wesleyan Artist Market the second time, I believe. And for another, this is her first time. So let’s start with Esther Cooper, who’s interested in culinary arts. So, Esther, tell us a little bit about yourself.

Esther Cooper 0:01:13

Well, like you said, my name is Esther and I really enjoy baking and I’m going to be selling probably mostly cake pops at the artist market. So I’ve been working on kind of perfecting that technique for a while, so I think they’ll be pretty good.

Rico Figliolini 0:01:30

Cool. Bree Hill, why don’t you tell us a little bit about yourself?

Bree Hill 0:01:35

My name is Bree Hill. This is my second year in the Wesleyan Artist Market. I have experience in different things with watercolor, acrylic paint, oil paint, and even mixed media and pottery. I’ve done animals in different subjects.

Rico Figliolini 0:01:53

Excellent. So last year, if I remember correctly from what I’ve read, you participated and submitted ceramic and clay sculptures last year.

Bree Hill 0:02:01

Yes.

Rico Figliolini 0:02:02

Cool. And this year you’re going to do something a bit different, right? Using different medium. You want to tell us a little bit about why you chose that medium to introduce this year?

Bree Hill 0:02:12

So I did a little bit of acrylic paint last year. I was more focusing on ceramics because I did different animals like elephants and dogs, swans, that sort. But I have the most experience at acrylic paint and I wanted to expand the things that I did. Like I’ve done graphite self portraits so far. I will use acrylic with cars, flower bouquets. I wanted to show people something that I’ve been doing for a long time.

Rico Figliolini 0:02:47

Okay, cool. Artists can do whatever they please as long as it inspires right, Esther, let’s talk a little bit about what you’re doing. The type of art themes that inspire you best, what inspires you. What do you look at when you’re thinking of culinary arts and deciding what to make or bake?

Esther Cooper 0:03:06

Well, I would say that I’m not going to lie. I actually do draw a little bit of inspiration from baking shows. That’s actually how I kind of got started with baking. Like, I saw these baking shows and I was like, wait, this is so cool. So I kind of picked up baking. So I get inspired by that. I get inspired by Pinterest.

Rico Figliolini 0:03:29

So you’re on Pinterest also building a board.

Esther Cooper 0:03:32

Not really building a board.

Rico Figliolini 0:03:34

I just scrolling through.

Esther Cooper 0:03:36

Yeah.

Rico Figliolini 0:03:38

All right, that’s fine. You have to discover your passion and your inspiration in a lot of different places. Right. When you’re creating your treats, your sweets, is there particular ingredient, favorite ingredients you have that you like.

Esther Cooper 0:03:59

I mean. Can’t go wrong with?

Rico Figliolini 0:04:00

No, no. Can’t go wrong there. Probably sugar too, I would imagine, but, yeah, for sure. All right, cool. Bree on yours, shifting from sculpture to painting, obviously you’ve used different mediums along the way. How do you explore what you want to do in oil painting or watercolors? Do you decide what medium you want? Depending on what inspires you, depending on the picture you’re doing, how does that work?

Bree Hill 0:04:27

It depends on what I’m painting. So normally, if it’s like a plant nature of some sort, I will use watercolor for different depths because I like layering. If it’s normally a person, I would either use pencil or acrylic paint and more. If it can turn into three d, I would effectively use clay.

Rico Figliolini 0:04:51

Got you. There was a part where I think you mentioned about expressing yourself without judgment. You mentioned that to be able to share time, creating art helps to communicate something that you feel or that you want to express that can’t be expressed in words. Is that something that you continue to strive to? How do you see yourself doing that?

Bree Hill 0:05:16

I have a really hard time explaining and reiterating myself in different ways, so I chose to do it through art. I like to choose an emotion and draw what I think that emotion would look like, what that person would look like in that emotion, or in that moment.

Rico Figliolini 0:05:35

All right, well, let me bring up one of your pieces. Actually, bear with me a second. We pop that out. Put that there. That’s one of your pieces, I believe, right? Yes. So when you drew that, when that came to you, when you inspired to do that, what are you trying to.

Bree Hill 0:05:55

Share here I was trying to show I chose a pretty complicated emotion because I feel like not a lot of people can put it into words. And this one was grief, where it’s slowly, each day, you wake up thinking about it, and you’re slowly getting tired. You’re getting exhausted of it. So she’s kind of laying there limp almost. And you always have a friend. You reach out to something, vent happens. So those are birds representing each thing. It’s not a finished artwork, but definitely in the middle of it.

Rico Figliolini 0:06:30

Gotcha. Okay, cool. Come back here now. So it mean. And that was the medium used. It was pencil.

Bree Hill 0:06:40

Yes, sir.

Rico Figliolini 0:06:43

Esther, we’ll come back to you for a little bit. When you’re doing desserts, baking, you’re in the kitchen, I’m assuming, right. And you’re doing your stuff, I’m assuming. You start almost off with the recipe. Right. But do you ever deviate from that recipe? Do you ever do something a little different, add a little bit more, a little less? What do you do?

Esther Cooper 0:07:06

Well, sometimes I do eyeball things. Not too much, because baking is kind of a science, but I think it’s definitely decorating, where I get very spontaneous, like, I’ll pull out all the sprinkles or the different ways to decorate a cake up.

Rico Figliolini 0:07:29

All right, that’s cool. And you were saying you find inspiration from tv shows in Pinterest. I’m assuming that life, any artist, when you go to a place that exhibits art or, like, a bakery, do you find things that, as you’re looking through, do you find inspiration there? Do you even buy the stuff to taste it and see how it came out and what you can do with that?

Esther Cooper 0:07:54

Much to my parents dismay, yes. They take me to a bakery, and I’m like, mom, I got to learn how to make that.

Rico Figliolini 0:08:05

That’s funny. True. Sweet tooth could do it, I guess. So when you’re finding, I guess, in your art is one thing, I guess, when you know the artist, maybe. But also, are there any particular bakers that you’re aware of or tv or personalities that you like?

Esther Cooper 0:08:25

There’s this guy named Jacques Torres who’s on this show called nailed it. I don’t think. I always thought he was pretty cool. He was always very good. Had a very good expertise in his field, which I think is pretty cool.

Rico Figliolini 0:08:42

It’s good to have someone to look up to, to emulate a little bit. Bree, on your everyday life, walking through school, walking home, or however, wherever you are and whatever you’re doing. I don’t know. Do you do other things besides art. Like, are you into sports?

Bree Hill 0:09:04

I am a volleyball player.

Rico Figliolini 0:09:06

You’re what? Softball?

Bree Hill 0:09:08

A volleyball player.

Rico Figliolini 0:09:09

Oh, volleyball player. Okay, cool. So are you on the team then, or is this intramurals?

Bree Hill 0:09:15

This is year round volleyball, so it’s club.

Rico Figliolini 0:09:18

Oh, club volleyball. Okay. So when you’re out there and doing athletic work, do you find inspiration in what you’re doing there? Do you look at people and look at them as inspiration for maybe the next drawing or the next scene that you life?

Bree Hill 0:09:36

Definitely. And not just volleyball as well? If I travel anywhere, I will always have, like, a mini pocket watercolor to draw whatever scenes in front of me to kind of capture the moment, because I feel like it represents everything better than a picture because it’s how you saw the moment. It’s like how you read what was happening rather than it just being, oh, here’s a picture of what I saw.

Rico Figliolini 0:10:01

Right. The way you feel, I guess. So. I’m imagining you’re carrying a book and some watercolors with you.

Bree Hill 0:10:10

Definitely.

Rico Figliolini 0:10:11

Okay, so no digital stuff for you, or do you use an iPad too sometimes or one of those.

Bree Hill 0:10:19

Not really an iPad. No.

Rico Figliolini 0:10:21

Okay, so you’re not into Photoshop or using brushes on any of that procreate or anything?

Bree Hill 0:10:28

So I take my own pictures for my artwork. So the one you just showed up is actually a picture of me. I photographed it, and then I had to Photoshop some things with lighting and stuff. Then I drew it.

Rico Figliolini 0:10:41

Oh, wow. Excellent.

Bree Hill 0:10:44

It’s a long process.

Rico Figliolini 0:10:48

No, that’s good. You got to start somewhere, and using yourself as a subject is even better. You know what to do with yourself, right? That’s cool. So have you put together all your artwork yet for wham. For this year, or are you still working on stuff?

Bree Hill 0:11:06

Definitely still working. I have my inventory log done, and I have all the materials for it. But actually doing it is where it’s kind of a slow process, but definitely more than half are completed.

Rico Figliolini 0:11:19

All right, cool. Now, a little different for Esther, I bet, because it’s not like you can work on yours in advance unless you’re going to freeze it. So what’s the game plan for you? Are you going to be doing well.

Esther Cooper 0:11:32

We were talking about taking discretionary day, the day before the artist market, so I could just bake.

Rico Figliolini 0:11:39

I don’t wait. Discretionary days are those days you’re allowed to take off?

Esther Cooper 0:11:45

Yes, sir. You only get. Is it two, Bree?

Bree Hill 0:11:49

It’s two.

Rico Figliolini 0:11:51

You are invested in your art. I can tell. Putting those days off into that, that’s good. So you’re going to be working away in the kitchen, I’m assuming, getting things ready?

Esther Cooper 0:12:04

Yes, sir.

Rico Figliolini 0:12:05

All right, cool. What other interests do you have? I obviously, Bree does volleyball and sports. What interests do you have?

Esther Cooper 0:12:17

I played trumpet. I was in the Wesleyan marching band this fall. I participated in basketball this winter, and I have in the past participated in musicals, and I plan to try out again next year. It’s just this year, I want to do the artist market this year.

Rico Figliolini 0:12:38

Okay. All right, cool. Interesting. The Wesleyan student always is multifaceted, that’s for sure. So many different things are going on. I think I interviewed someone that had. She was doing club sport, school sport, and she had other things going on. It’s just like, I don’t even know how many hours in the day you have to do that. So when you’re finding inspiration, is there a special place or music you like to listen to? Other one can go.

Esther Cooper 0:13:07

Well, I just like to walk around my backyard a lot. It’s a fairly big backyard. I just walk around and kind of think about all sorts of things. But I definitely draw a lot of inspiration because it has kind of a forest area, so there’s a lot around me and a lot to draw inspiration from.

Rico Figliolini 0:13:30

So you’re not listening to anything. You’re just listening to nature and just walking around the backyard like that. Now, Bree, you’re laughing, but what about you? Where do you draw your inspiration from music, or where do you do that?

Bree Hill 0:13:44

So I actually have over 40 playlists of different emotions and things, and they all have, like, a description of a scenario or something. I’m an avid reader of fantasy, so I’m quite literally always thinking of something new and something that isn’t really realistic.

Rico Figliolini 0:14:06

Okay. No, I’m not surprised then. Okay. When you were talking about emotion and drawing that out, that almost makes sense. That segues a little bit into one of my other questions. So you like to read? Sounds like fantasy novels. YA novels, I’m assuming. Do you have a few favorites that you would recommend?

Bree Hill 0:14:26

Probably the caraval series and the Lunar Chronicles are most likely my and angel fall. Those are my three favorite series in fantasy.

Rico Figliolini 0:14:39

Ya and playlists. Any particular artists on them that you’d like to share?

Bree Hill 0:14:46

Beyonce. I have, like, 30. I mainly listen to r and B. We’ll keep that as flat ground because artists.

Rico Figliolini 0:15:02

That’s cool. Okay, Esther, what about you? Are there any books or types of books or titles that you like that you would share?

Esther Cooper 0:15:12

I also do love to read. I’m kind of basic in some of my favorites. Like, I love the Harry Potter and the Percy Jackson series, but there’s this really good book that I read in this kind of group, and it was called Echo. So if any of y’all are looking for book suggestions, I would really recommend it because it’s very good. But it’s probably one of my favorite books.

Rico Figliolini 0:15:35

Actually. The Harry Potter. Have you heard that Warner Brothers is actually going to do a tv series now of the Harry Potter books, redoing the books into a tv? They are, yeah, ten episodes per book. It’s going to take them forever to get this done, but, yeah, they’re coming back. And JK Rowling is apparently all for it. I just heard that the other day. My kids grew up on it. I used to read it to them when they were younger until they got old enough to read it, because that’s how long, right. But, yeah, it’s a cool books. So what about playlists, then, Esther? What do you like listening to?

Esther Cooper 0:16:14

I like to listen to classical music a lot, but I really listen to pretty much all genres.

Rico Figliolini 0:16:21

Okay. That’s good. Eclectic. It’s good to be able to listen to different songs and different music. As far as we talked about inspiration a little bit and stuff. But let’s talk a little bit about. Let’s go back to Esther. I know that one of your dreams, apparently, is to have your own bakery. You’re still a young person, so who knows what may happen and transpire over time. But when you think of your dream bakery, what would you want in that dream bakery?

Bree Hill 0:16:54

Baked goods, probably. I don’t know. I’ve always really loved children, like, really young children. So I’d want it to be a place where parents could come with their young children and just kind of have a good time. Kind of be like a cozy little spot. I don’t know, like a family friendly place.

Rico Figliolini 0:17:19

Definitely. No, I can say that, yeah, that sounds good. When you travel, you’re in 7th grade, but have you gone anywhere to other cities that you may have stopped at a bakery or that might have inspired you in some way like that?

Esther Cooper 0:17:38

I do live by some very good bakeries. There’s some nearby. They can get very creative, which is something that obviously is very necessary for this sort of thing.

Rico Figliolini 0:17:55

Did you ever think of maybe seeing if you could get part time job working? I’m not necessarily, like, at a chocolatier or anything like that, but, yeah, that could be something you could do, I guess it’s funny because are you familiar with Peterbrook chocolatier?

Esther Cooper 0:18:12

Yes.

Rico Figliolini 0:18:12

In the Forum okay. Yes. Jeff, who manages the place, is very interesting person. He has summer camps usually, but he also hires high school kids to work for him when they want to work, I guess. And they’ll do anything in chocolate. It’s just totally amazing. And the things they come up with, I don’t even know how they do them. Bree on to you when you’re doing your artwork.

Bree Hill 0:18:38

I do layouts. I do magazine layouts. I do graphic design work like that. I’m not an illustrator or artist by far, but I do layouts and stuff. And sometimes when I get into something, I almost feel like I’m doing clay. I start with clay, and I’m molding it into a shape. And that 72 page magazine is getting molded right on the screen as I’m putting it together without a mockup, almost, which is not the way you should do these things, but this is the way I do it.

Rico Figliolini 0:19:14

Right. Do you find yourself doing things and you’re like, that’s not the way I should be doing it, but let me try it anyway. Let me see how it works.

Bree Hill 0:19:23

Definitely. This is where the phrase abstract and mixed media come into play, where you really don’t. You’ll start out with the plan. You’ll never stick with the plan. I rarely ever stick with the plan unless it’s a self portrait. The painting that you actually pulled up was not supposed to have birds. I was not supposed to be floating. There were not supposed to be ropes. But it felt whenever you feel like it needs something or you want something else into it, obviously you add it, but then it’s kind of like a domino effect, then you’ll want something else to go with that, and it kind of just keeps going.

Rico Figliolini 0:20:00

Right. All right, so let me throw this one up here. Hold on a second. That’s another one you did?

Bree Hill 0:20:09

Yes.

Rico Figliolini 0:20:09

You want to describe that a little bit to us?

Bree Hill 0:20:13

I think of this, like, as you’re in a sunroom, you’re kind of calm laying down flat on your back. Or even if you were like, if it was like a meadow and you were just laying on your back in the grass, tall grass with little dandelions around you, and the sun just reflects so many different shadows. And I like to not always do black and white. I really do like different colors in everything. I do, actually, most of my pieces, probably. You’ll find every single color in it, besides pencil, obviously, but I definitely felt this one as, like, a serene moment.

Rico Figliolini 0:20:54

It looks very serene. Let’s go with. There’s a couple of pictures I want to bring up of Esther’s. Try this one. Actually, let’s do both of these. I’m going to bring up three of them to tell us a little bit about these. What are they? And tell us what you want to show with that.

Esther Cooper 0:21:23

Well, I think the one with the m and Ms on it, that one was for. We were having a Christmas party for my basketball team, and I signed up to bring dessert, and I don’t know, I saw it on Pinterest or somewhere, and it kind of just looked like. It kind of looks like a barrel full of eminem. And I just thought that was a really fun concept. It was very fun.

Rico Figliolini 0:21:51

And those are kit kats on the outside, I guess.

Esther Cooper 0:21:54

Yes, sir. But another thing that you don’t see inside is that when you cut into the cake, it’s a red, green, and white in, like, a checkerboard pattern. So that was very fun.

Rico Figliolini 0:22:06

Cool. Yeah, that was complicated. I’m sure it’s set up like that. Right? What about the chocolate pops? If I’m looking at that correctly.

Esther Cooper 0:22:17

I made a fatal mistake when I started baking, and I told all my friends that I started baking, so they were all like, please bring in cake pops. So it feels like every other weekend I’m making cake pops to bring in for my friends. I think this one was probably, I made cake pops for my math class. I think this is probably those cake pops. I don’t remember.

Rico Figliolini 0:22:41

And this one.

Esther Cooper 0:22:43

That one, that one’s not looking so great. But I really liked the design. It was actually a cake I saw in a cookbook.

Rico Figliolini 0:22:53

Okay. You got a little patriotic, I think, on this one.

Esther Cooper 0:22:58

Oh, that one was really fun. That one was for 4th of July. You can’t tell. It was a s’mores dip. So there was Hershey’s chocolate bars under there. And then you would take graham cracker crackers and dip it in, and it was pretty good.

Rico Figliolini 0:23:16

That’s cool. That’s what you want. You want to be able to get creative and get it going like that. There’s definitely a lot of butter in that, I bet. Let’s go to brie. And we want to. This behaves. That’s the sculpture you did, I think, Bree, right?

Bree Hill 0:23:39

Yes.

Rico Figliolini 0:23:40

And tell me a little bit about the sculptures.

Bree Hill 0:23:46

So these are polar bears. The animals that I did, I was actually experimenting with different glazes. So the dogs that I did were almost oreo. They were light brown, dark brown, cream, and white all swirled into each other. And this one, I wanted to try different textures. And this is actually a different type of clay that leaves a really hoarse. It’s a gritty clay, a different texture, and it has little black dots in it. And it reminded me of a polar bear. And so this was one of the ones that I made with smooth fun.

Rico Figliolini 0:24:27

Cool. Was this at the Wesleyan artist market as well at some point or not?

Bree Hill 0:24:31

Yes. I did this with my elephant, swans and dogs. I had did my elephant, which actually took around a week and a half because I drew every individual aged line in the nose, the legs, the body.

Rico Figliolini 0:24:54

So let me ask you something. When something like that sells and goes off with someone, do you, like, cry a little bit? Is that like my baby’s left?

Bree Hill 0:25:08

I like to think more on the positive side. Like, someone else gets to experience my art. If someone else came into their house or wherever it’s being placed, it gives someone else another emotion, which is kind of life. The sense of spreading whatever I was doing in that moment. And I was actually having fun creating different animals. And I was really happy that someone liked it enough to one buy it, but also have in their home to show it.

Rico Figliolini 0:25:39

Sure. Sure. That makes sense. Esther has a different way of people enjoying hers than literally eat it and it disappears. So how do you feel about that? One stays a while and one is a momentary delight. Yeah, that must be. If I skipped anything. Is there anything, Bree, that you would like to share that we didn’t cover or that your experience that you’d like to share?

Bree Hill 0:26:18

I started something new this year. I do commissions in every medium, so I could also do animals. I’m doing self portraits of any picture. You would just send me a picture via email or phone. I would draw it or paint it. And that’s something new that I’m offering this year at the Wesleyan artist market.

Rico Figliolini 0:26:39

Wow. Okay. Very good. And, Esther, what about you? Anything that I’ve not touched upon that you’d like to share?

Esther Cooper 0:26:48

Not really.

Rico Figliolini 0:26:50

Okay, that’s fine. It’s all good. We have been speaking to Esther and Bree. From all you’ve been through the programs, I’m assuming, like, Bree, you’ve been through some of the art programs and stuff. And Esther, you’ve been through. Does Wesleyan have bakery, baking, cooking, any classes? Like. No. Right. It’s all academic. Academic and sports and science, of course. Cool. So if people want to follow you on social media to watch you, to see your work, or would they visit, is there anything you want to share that way? I don’t know if yours are private accounts or if you have an Instagram that’s open to the public.

Bree Hill 0:27:38

I have an Instagram. It’s called Bubbly Creations by Bree Hill. And obviously I’ll be at the Wesleyan artist market. Those are ways you could reach me.

Rico Figliolini 0:27:51

Cool. Esther, anything on your end other than being at the artist market?

Esther Cooper 0:27:55

No.

Rico Figliolini 0:27:59

Well, I’m having a great time talking to you, learning a little bit about your art and your passions. It’s always good to go through this. Every year we do this with a set of students just before the Wesleyan artist market. So it’s always fun to see different kids, different grades, doing different mediums and how they approach things. So I want to say thank you for sharing with us.

Bree Hill 0:28:22

Thank you for having us.

Rico Figliolini 0:28:24

Sure.

Esther Cooper 0:28:24

Thank you.

Rico Figliolini 0:28:25

Thank you. So hang in there for a minute. I’m just going to sign off. Say thank you again to EV Remodeling, Inc. For being a sponsor of this program, along with other things that we do. You can check them out at evremodellinginc.com. They’re based here, Peachtree Corners. Great family. Eli is a great guy. Check them out. They do great work. So feel free and also check us out at livinginpeachtreecorners.com. And our magazine, the upcoming issue of April, May, will have coverage of three Wesleyan artists, adult artists that will be at the show. And you can find out more information from us there. And certainly you can search the Wesleyan artist market and find out about all the great artists that will be there in April. So thanks again. Appreciate it.

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Around Atlanta

The High Museum to Showcase “Thinking Eye, Seeing Mind”

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Oil on paper artwork by Terry Winters. A large red circle with smaller blue circles on top of it and gold/yellow accents. All of it on a dark brown background.

The special exhibition of the Medford and Loraine Johnston Collection will run January 17 through May 25, 2025

In the mid-1970s, artist and Georgia State University professor Medford Johnston, along with his wife and collaborator Loraine, began collecting works by artists who were in the vanguard of contemporary art. Today, they hold one of the finest collections of postwar American drawings and related objects of its kind, now numbering more than 85 works.

In 2025, the High Museum of Art will present Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection, featuring their collected works, which is a promised gift to the museum. Featuring artists such as Sol LeWitt, Brice Marden, Elizabeth Murray, Martin Puryear, Ed Ruscha, Al Taylor, Anne Truitt, Stanley Whitney and Terry Winters, among others, the exhibition will demonstrate how establishing the parameters of an art collection requires infinite patience, focus, discipline and a keen eye.

“The Johnstons have been friends of the High for a very long time. They’ve also built an impressive collection featuring works by many of the 20th century’s most significant abstract artists,” said the High’s Director Rand Suffolk. “We are honored that they have promised to leave their collection to the Museum where it will be preserved for future generations — and we are delighted that they are sharing it with our audiences now, hopefully inspiring the next generation of art collectors and supporters.”

A curated collection

The Johnstons’ story is a testament to, in the words of the High’s Wieland Family Senior Curator of Modern and Contemporary Art, Michael Rooks, “knowing the difference between what is right and what is almost right” when building a collection.

Although the Johnstons acquired several paintings and objects when they first began collecting in 1972, they quickly narrowed their focus to drawing, primarily by artists working on the frontlines of abstraction in the mid-1960s during a time of great innovation and experimentation.

Ink drawing by Anne Truitt, rectangular lines and shapes made with black ink on off-white background
Anne Truitt (American, born 1921), Ink Drawing ’59 [11], 1959, ink on paper, The Johnston Collection. © Estate of Anne Truitt / The Bridgeman Art Library / Courtesy Matthew Marks Gallery, New York.

Rooks added, “Med and Loraine’s collection struck me at once by its single-minded focus on a specific moment in time, which was essentially the time of their contemporaries. The artists in their collection are like close friends to the Johnstons — in fact many are or were. What is equally astonishing about the collection is the Johnstons’ dogged pursuit of quality. Their in-depth knowledge of each artist’s practice combined with their understanding of specific qualities to look for — or more appropriately, to hold out for — will be a revelation to emerging collectors.”

The Johnstons have built their collection with the High in mind as the benefactor of their passion and discernment. For them, their collection “is a labor of love, pursued over more than 50 years, and we are delighted to be able to help the High Museum document and celebrate these important artists working during the same decades as our lives.”

About the exhibit

Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection will be presented in the Special Exhibition Galleries on the second level of the High’s Stent Family Wing.

The exhibit is organized by the High Museum of Art and made possible through the generosity of sponsors:

  • Premier Exhibition Series Sponsor Delta Air Lines, Inc.
  • Premier Exhibition Series Supporters Mr. Joseph H. Boland, Jr., The Fay S. and W. Barrett Howell Family Foundation, Harry Norman Realtors and wish Foundation
  • Benefactor Exhibition Series Supporters Robin and Hilton Howell
  • Ambassador Exhibition Series Supporters Loomis Charitable Foundation and Mrs. Harriet H. Warren
  • Contributing Exhibition Series Supporters Farideh and Al Azadi, Mary and Neil Johnson, Mr. and Mrs. Baxter Jones, Megan and Garrett Langley, Margot and Danny McCaul, Wade A. Rakes II and Nicholas Miller and Belinda Stanley-Majors and Dwayne Majors.

Support has also been provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, RJR Nabisco Exhibition Endowment Fund and USI Insurance Services.

About the High Museum of Art

Located in the heart of Atlanta, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs.

Housed within facilities designed by Pritzker Prize-winning architects Richard Meier and Renzo Piano, the High features a collection of more than 19,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from prehistory through the present; and significant holdings of European paintings and works on paper.

The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.

For more information about the High or to purchase tickets, visit high.org.

Top image: (from the collection) Terry Winters (American, born 1949), Orb, 2020, oil on paper, The Johnston Collection. © Terry Winters, Courtesy Matthew Marks Gallery, New York.

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Around Atlanta

City Springs Theatre Company Presents the Hit Musical Jersey Boys

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The megahit musical Jersey Boys is making its regional premiere with the City Springs Theatre Company in a five-week run.

The megahit musical Jersey Boys makes its regional premiere in City Springs Theatre Company’s (CSTC) first-ever, five-week run at the Byers Theatre in Sandy Springs.

Directed by Atlanta’s-own Shane DeLancey, and choreographed by Meg Gillentine, Jersey Boys tells the rags-to-riches story of Frankie Valli and The Four Seasons. The show details their remarkable journey from the streets to the top of the charts, to their 1990 induction into the Rock and Roll Hall of Fame.

Leading the cast of Jersey Boys is Haden Rider as Frankie Valli. Rider is a City Springs Theatre Company veteran, with recent roles in both Legally Blonde (Emmett) and Fiddler on the Roof (Perchik).

Presented by Resurgens Spine Center, Jersey Boys runs from July 12 through August 11, and shines a special spotlight on home-grown talent, as the show’s four leading men are all Atlanta-area residents.

With phenomenal music, memorable characters and great storytelling, Jersey Boys follows the fascinating evolution of four blue-collar kids who became one of the greatest successes in pop-music history.

“City Springs Theatre Company is very proud to be the first in the southeast region to present Jersey Boys,” said CSTC Artistic Director and Tony Award-winner Shuler Hensley. “Our audiences have been asking for this particular show since we opened. The production is truly stacked with talent onstage and off, and we’re pulling out all the stops to bring audiences an experience that will rival any previous version of the show.”

Jersey Boys premiered at the La Jolla Playhouse in 2005, prior to its 13-year Broadway run, from 2005 to 2017. There have been productions of the show in Las Vegas, UK/Ireland, Toronto, Melbourne, Singapore, South Africa, the Netherlands, Japan, Dubai and China.

Jersey Boys features a book by Marshall Brickman and Rick Elice, with music by Bob Gaudio, and lyrics by Bob Crewe.

Individual tickets to see Jersey Boys are on sale now ($42 – $108), with discounts for seniors, students, groups and active and retired military personnel.

CSTC’s Box Office is open Monday through Friday from 10:00 a.m. – 5:00 p.m.

Call 404-477-4365 or visit CitySpringsTheatre.com for more information.

This production contains adult language and is recommended for mature audiences.

Performance schedule:

Friday, July 12 | 8:00 p.m.
Saturday, July 13 | 2:00 p.m. & 8:00 p.m.
Sunday, July 14 | 2:00 p.m. & 7:30 p.m.
Tuesday, July 16 | 7:30 p.m.
Wednesday, July 17 | 7:30 p.m.
Thursday, July 18 | 8:00 p.m.
Friday, July 19 | 8:00 p.m.
Saturday, July 20 | 2:00 p.m. & 8:00 p.m.
Sunday, July 21 | 2:00 p.m. & 7:30 p.m.
Tuesday, July 23 | 7:30 p.m.
Wednesday, July 24 | 7:30 p.m.
Thursday, July 25 | 8:00 p.m.
Friday, July 26 | 8:00 p.m.
Saturday, July 27 | 2:00 p.m. & 8:00 p.m.
Sunday, July 28 | 2:00 p.m. & 7:30 p.m.
Tuesday, July 30 | 7:30 p.m.
Wednesday, July 31 | 7:30 p.m.
Thursday, August 1 | 8:00 p.m.
Friday, August 2 | 8:00 p.m.
Saturday, August 3 | 2:00 p.m. & 8:00 p.m.
Sunday, August 4 | 2:00 p.m. & 7:30 p.m.
Tuesday, August 6 | 7:30 p.m.
Wednesday, August 7 | 7:30 p.m.
Thursday, August 8 | 8:00 p.m.
Friday, August 9 | 8:00 p.m.
Saturday, August 10 | 2:00 p.m. & 8:00 p.m.
Sunday, August 11 | 2:00 p.m. & 7:30 p.m.

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Arts & Literature

Local Students Show Off Their Artistic Creations

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Courtney Escorza, Colleen Nikopour, Laura Hwang, Jennifer Jackson, Norcross. Laura ELizabeth Martin, Payton Hirschmann, Paul Duke HS

From May 11 through May 18, the Norcross Gallery & Studios kicked off a fantastic exhibition, Reflections at Rectory, which showcased the works of 36 rising stars: AP and IB art students from our local high schools.

The opening reception celebrated their creativity and dedication. Gallery director Anne Hall presented a dozen awards generously sponsored by the community, a testament to the local support for these young artists.

One prestigious award, the Terri Enfield Memorial Award, holds special significance. 

Established by Terri’s daughters, it recognizes not just artistic excellence, but also leadership, work ethic and the spirit of collaboration. Last year’s winner, Aidan Ventimiglia, even played a part in selecting this year’s recipient Jasmine Rodriguez

Reflections at Rectory

Congratulations to all the student artists.

Students in the second annual Reflections at the Rectory exhibit

Norcross High School:

  • Gustavo Benumea-Sanchez
  • Maycol Cruz Padilla 
  • Dorie Liu
  • Harlet Martinez Castro
  • Paulina Santana
  • Gisela Rojas Medina
  • Clare Fass 
  • Ava Netherton
  • Ubaldo Diaz
  • Katia Navas-Juarez
  • Mariah Ingram 
  • Arisdelcy Juan
  • Max Kaiser
  • Dani Olaechea
  • Christina Bonacci 
  • Diana Ortiz Ventura 
  • Katie Yerbabuena-Padierna 

Paul Duke High School:

  • Adamu Abdul-Latif 
  • Salma Noor Alabdouni 
  • Samrin Zaman
  • Camryn Vinson 
  • Liz Damian
  • Cecelia Berenguer
  • Jasmine Rodriguez
  • Angelina Bae 
  • Dahyana Perez
  • Jonah Swerdlow
  • Kyra Allicock
  • Anni Brown 
  • Kaleb Fields 
  • Destiny Jones
  • Gabriela Leal-Argueta
  • Madisyn Mathis 
  • Ashley McDonough 
  • Ahtziri Pinones
  • Alondra Valiente-Torres

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