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High Museum of Art to Present “Sally Mann: A Thousand Crossings” This Fall

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For more than 40 years, Sally Mann (American, b. 1951) has made experimental, elegiac and hauntingly beautiful photographs that explore the overarching themes of existence: memory, desire, death, the bonds of family and nature’s indifference to human endeavor. This fall, the High Museum of Art will present the first major survey of her work to travel internationally, “Sally Mann: A Thousand Crossings” (Oct. 19, 2019–Feb. 2, 2020).

Sally Mann (American, born 1951), Triptych, 2004, 3 gelatin silver prints, The Sir Elton John Photography Collection

Organized by the National Gallery of Art in Washington, D.C., and the Peabody Essex Museum, Salem, Massachusetts, the exhibition presents figure studies, landscapes and architectural views that are united by their common origin and inspiration in the American South. Using her deep love of her homeland and her knowledge of its historically fraught heritage, Mann asks powerful, provocative questions—about history, identity, race and religion—that reverberate across geographic and national boundaries.

The exhibition is co-curated by the High’s recently appointed Donald and Marilyn Keough Family Curator of Photography Sarah Kennel (previously with the Peabody Essex Museum), who developed the project with Sarah Greenough, senior curator of photographs at the National Gallery.

“I’m thrilled to launch my tenure at the High with ‘A Thousand Crossings,’ an exhibition that is not only dear to my heart, but also makes perfect sense for the museum, which awarded Sally Mann the first ‘Picturing the South’ commission in 1996. Mann’s drive to ask the big questions—about love, death, war, race and the fraught process of growing up—coupled with her ability to coax powerful emotional resonances from the materials of her art make her one of today’s most compelling artists.”

“With this exhibition we continue to recognize of the importance of Mann’s work, which explores themes that will strongly resonate with our regional audience but that also addresses universal human concerns,” said Rand Suffolk, the High’s Nancy and Holcombe T. Greene, Jr., director. “We are delighted to have Sarah on board to lead the project, and we look forward to bringing these powerful photographs to Atlanta.”

“Sally Mann: A Thousand Crossings” investigates how Mann’s relationship with the South—a place rich in literary and artistic traditions but troubled by history—has shaped her work. The exhibition brings together 109 photographs, including new and previously unpublished work, and is accompanied by a fully illustrated catalog that offers an in-depth exploration of the evolution of Mann’s art.

Organized into five sections—Family, The Land, Last Measure, Abide with Me and What Remains, the exhibition opens with works from the 1980s, when Mann began to photograph her three children at the family’s remote summer cabin on the Maury River near Lexington, Virginia. Made with an 8-x-10-inch view camera, the family pictures refute the stereotypes of childhood, offering instead unsettling visions of its complexity. Rooted in the experience of the natural environment surrounding the cabin—the Arcadian woodlands, rocky cliffs and languid rivers—these works convey the inextricable link between the family and their land and the sanctuary and freedom that it provided them.

The exhibition continues in The Land with photographs of the swamplands, fields and ruined estates Mann encountered as she traveled across Virginia, Georgia, Louisiana and Mississippi in the 1990s. Hoping to capture what she called the “radical light of the American South,” Mann made pictures in Virginia that glow with a tremulous light, while those made in Louisiana and Mississippi are more blasted and bleak. In these photographs, Mann also began to experiment with her process, employing antique lenses, high-contrast Ortho film and the 19th-century wet plate collodion process. The resulting photographic effects, including light flares, vignetting, blurs, streaks and scratches, serve as metaphors for the South as a site of memory, violence, ruin and rebirth.

Mann used these same techniques for her photographs of Civil War battlefields in the exhibition’s third section, Last Measure. These brooding and elusive pictures evoke the land as history’s graveyard, silently absorbing the blood and bones of the many thousands who perished in battles such as Antietam, Appomattox, Chancellorsville, Cold Harbor, Fredericksburg, Manassas, Spotsylvania and the Wilderness.

In the early 2000s, Mann continued to reflect on how slavery and segregation had left their mark on the landscape of Virginia and, in turn, shaped her own childhood. The fourth section, Abide with Me, explores these entwined histories. Two groups of photographs imagine the physical and spiritual pathways for African Americans in antebellum and post–Civil War Virginia: the rivers and swamps that were potential escape routes for enslaved people and the churches that promised safe harbor, communion and spiritual deliverance. This section also includes photographs of Virginia Carter, the African American woman who served as Mann’s primary caregiver. 

A defining and beloved presence in Mann’s life, Carter taught Mann about the profoundly complicated and charged nature of race relations in the South. The last component of this section is a group of pictures of African American men rendered in large prints (50 x 40 inches) made from collodion negatives. Representing the artist’s desire to reach across what she described as “the seemingly untraversable chasm of race in the American South,” these powerful photographs explore Mann’s own position in relation to the region’s fraught racial history.

The final section of the exhibition, What Remainsexplores themes of time, transformation and death through photographs of Mann and her family. Her enduring fascination with decay and the body’s vulnerability to the ravages of time is evident in a series of spectral portraits of her children’s faces and intimate photographs detailing the changing body of her husband, Larry, who suffers from muscular dystrophy. The exhibition closes with several riveting self-portraits Mann made in the wake of an accident. Here, her links to Southern literature and her preoccupation with decay are in full evidence: the pitted, scratched, ravaged and cloudy surfaces of the prints function as analogues for the body’s corrosion and death. The impression of the series as a whole is of an artist confronting her own mortality with composure and conviction.

“Sally Mann: A Thousand Crossings” will be presented in the High’s Anne Cox Chambers Wing.

About Sally Mann
Born in 1951 in Lexington, Virginia, Mann continues to live and work in Rockbridge County. She developed her first roll of film in 1969 and began to work as a professional photographer in 1972. She attended Bennington College, Vermont, and graduated in 1974 with a Bachelor of Arts in literature from Hollins College, Roanoke, Virginia, where she earned a Master of Arts in creative writing the following year. She has exhibited widely and published her photographs in the books “Second Sight: The Photographs of Sally Mann” (1983), “Sweet Silent Thought: Platinum Prints by Sally Mann” (1987), “At Twelve: Portraits of Young Women” (1988), “Immediate Family” (1992), “Still Time” (1994), “Mother Land: Recent Landscapes of Georgia and Virginia” (1997), “What Remains” (2003), “Deep South” (2005), “Sally Mann: Photographs and Poetry” (2005), “Proud Flesh” (2009), “Sally Mann: The Flesh and the Spirit” (2010) and “Remembered Light: Cy Twombly in Lexington”(2016). Mann’s bestselling memoir, “Hold Still: A Memoir with Photographs”(2015), was a finalist for the National Book Award. In 1996, Mann was selected to inaugurate the High’s “Picturing the South” photography series, a distinctive initiative that creates new bodies of work inspired by the American South for the Museum’s collection. She has received numerous other honors as well as grants from the National Endowment for the Arts, the National Endowment for the Humanities and the Guggenheim Foundation. In 2011 Mann delivered the prestigious William E. Massey Sr. Lectures in the History of American Civilization at Harvard University.

Exhibition Catalog
Published by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts, in association with Abrams, this richly illustrated monograph constitutes an in-depth exploration of the evolution of Mann’s art through its five sections:Family, The Land, Last Measure, Abide with Me and What Remains. Plate sections are enriched by the inclusion of quotations from Mann herself and from her most beloved authors. Essays by curators Sarah Greenough and Sarah Kennel analyze Mann’s photographic development in concert with her literary interests and Mann’s family photographs, respectively. In their valuable contributions, Hilton Als, New Yorker staff writer and recipient of the 2017 Pulitzer Prize for Criticism; Malcolm Daniel, Gus and Lyndall Wortham Curator of Photography, The Museum of Fine Arts, Houston; and Drew Gilpin Faust, former president and Lincoln Professor of History, Harvard University, explore literary and photographic responses to racism in the South, Mann’s debt to 19th-century photographers and techniques, and the landscape as repository of cultural and personal memory. Featuring 230 color illustrations, the 332-page catalog will be available at the High Museum Shop.

Exhibition Organization and Support
“Sally Mann: A Thousand Crossings” is organized by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts. This exhibition is made possible by Premier Exhibition Series Sponsor Delta Air Lines, Inc.; Exhibition Series Sponsors Georgia Natural Gas, Northside Hospital and WarnerMedia; Premier Exhibition Series Supporters the Antinori Foundation, Sarah and Jim Kennedy, Louise Sams and Jerome Grilhot, and wish foundation; Benefactor Exhibition Series Supporter Anne Cox Chambers Foundation; Ambassador Exhibition Series Supporters Tom and Susan Wardell and Rod Westmoreland; and Contributing Exhibition Series Supporters Lucinda W. Bunnen, Marcia and John Donnell, W. Daniel Ebersole and Sarah Eby-Ebersole, Peggy Foreman, Robin and Hilton Howell, Mr. and Mrs. Baxter Jones, Margot and Danny McCaul, Joel Knox and Joan Marmo, and The Ron and Lisa Brill Family Charitable Trust. Generous support is also provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, and the RJR Nabisco Exhibition Endowment Fund.

About the High Museum of Art
Located in the heart of Atlanta, Georgia, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs. Housed within facilities designed by Pritzker Prize–winning architects Richard Meier and Renzo Piano, the High features a collection of more than 17,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from pre-history through the present; and significant holdings of European paintings and works on paper. The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process. For more information about the High, visit www.high.org.

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The Mansions at Alpharetta hosting Virtual Bingo Night with Geoffrey Bodine

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The Mansions at Alpharetta Assisted Living & Memory Care will be hosting a Virtual Bingo night with celebrity 1986 Daytona 500 Champion Geoffrey Bodine serving as the caller. The event is scheduled for Friday, August 28 from 7-9 pm. This high-octane event is open to the public and will feature conversation and fun with the competitive NASCAR veteran for one night only. Registration is required due to the limited number of player slots available.

Geoffrey Bodine is a retired American motorsport driver and bobsled builder. Having driven for some of the best car owners in NASCAR history, Geoffrey had 565 starts, 37 poles and 18 wins – including the 1986 Daytona 500, and nearly $16 million in winnings during his Winston Cup/Nextel Cup career.  He was given the title of 1982 NASCAR Rookie of the Year and was honored as one of “NASCAR’s 50 Greatest Drivers” during NASCAR’s 50th anniversary celebration.  He holds the track record at Atlanta Motor Speedway for fastest qualifying speed of over 197 mph, set in 1997, as well as being named one of NASCAR’s Modified all-time Top 10 Drivers, and listed in the Guinness World Records for “most wins in one season” for his 55 modified victories in 1978.  Bodine is also the last driver to win a race having lapped the entire field, which he did in 1994 at North Wilkesboro Speedway.

“We are so pleased to have Geoff Bodine participating in our event. His commitment to giving back to the senior community is one-of-a-kind,” said Kristen Lockwood, Marketing Director for The Mansions. “I have known Geoff all my life, and he is really an amazing man, not just for his accomplishments on the track, but also for the contributions he has made to the sport of stockcar racing through the years in engineering and safety advancements – he’s truly one of a kind. Our residents and local community are so looking forward to “meeting him” online and are thankful for his willingness to be involved in this event!”

Sign up to attend virtual bingo at The Mansions with Geoffrey Bodine by August 25th before 5 pm by emailing Alpharetta.Assisted@TheMansionsAtAlpharetta.com. Instructions on how to play, bingo cards and Zoom information will be sent via email to those who register to attend.

Source:

The Mansions at Alpharetta

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Kemp Declares State of Emergency, Authorizes 1,000 Troops

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Following weeks of dramatically increased violent crime and property destruction in the City of Atlanta, the July Fourth weekend saw over thirty Georgians wounded by gunfire, including five confirmed dead. Governor Kemp issued Executive Order 07.06.20.01, which declares a State of Emergency across Georgia and authorizes the activation of as many as 1,000 Georgia National Guard troops.

“Peaceful protests were hijacked by criminals with a dangerous, destructive agenda. Now, innocent Georgians are being targeted, shot, and left for dead,” said Governor Kemp. “This lawlessness must be stopped and order restored in our capital city. I have declared a State of Emergency and called up the Georgia Guard because the safety of our citizens comes first. This measure will allow troops to protect state property and dispatch state law enforcement officers to patrol our streets. Enough with the tough talk. We must protect the lives and livelihoods of all Georgians.”

The Georgia Guard will provide support at state buildings, including the Georgia State Capitol, Georgia Department of Public Safety Headquarters, and Governor’s Mansion. This aid will allow state law enforcement personnel to increase patrols on roadways and throughout communities, especially those in the City of Atlanta.

Source: Press Release from the Office of Governor Kemp

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Gwinnett County PD PSA: Know When Fireworks May be Discharged

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The discharge of consumer fireworks is regulated by the State of Georgia and enforced by the local authorities (City of Peachtree Corners Code Enforcement Officers and the Gwinnett County Police Department).

Pursuant to O.C.G.A. 25-10-2, consumer fireworks can be used or ignited after 10: 00 A.M. and before 12:00 midnight on January 1, the last Saturday and Sunday in May, July 3, July 4, the first Monday in September, and December 31. On January 1, consumer fireworks can be use used or ignited from 12:00 midnight to 1:00 A.M.

The discharge or use of consumer fireworks on any other day (a date not listed above) must comply with the City’s noise ordinance. As a reminder, from 7:00 A.M. to 11:00 P.M. Sunday to Thursday and from 7:00 A.M. to 12:00 midnight on Friday and Saturday, the City’s noise ordinance prohibits the creation of noise or sounds which are plainly audible at distance of 300 feet or more from the source.

During overnight hours (11:00 P.M. to 7:00 A.M. Sunday to Thursday and 12:00 midnight to 7:00 A.M. Friday and Saturday), the City’s noise ordinance prohibits the creation of noise or sounds which are plainly audible at a distance of 100 feet or more from the source.

For residents that are governed by a Homeowners Associations, please check with your HOA for additional regulations.

For questions or to report a violation, contact the City, 678-691-1200 or the GCPD at 770-513-5000. To report an emergency, call 911.

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