Around Atlanta
High Museum of Art Commissions New Accessible Piazza Installation, Continues Site-Specific Series
Published
4 years agoon
Working with advocates with disabilities and their allies, Bryony Roberts Studio will create an inclusive and immersive environment
This summer, the High Museum of Art will present an immersive maze of accessible, sensory environments by award-winning design and research practice Bryony Roberts Studio as its seventh site-specific installation on The Woodruff Arts Center’s Carroll Slater Sifly Piazza. Titled “Outside the Lines,” the installation continues the High’s multiyear series of inclusive and inviting commissions to activate the Museum’s outdoor space and encourage community engagement. On view July 10 through Nov. 28, 2021, “Outside the Lines” emerged from conversations between Bryony Roberts Studio and self-advocates with disabilities and their allies throughout Atlanta, with the goal of creating a space that is engaging for all.
“‘Outside the Lines’ builds on our tradition of attracting visitors of all ages with participatory art experiences and providing a gathering space for all Atlantans to stimulate their sense of wonder and play,” said Rand Suffolk, Nancy and Holcombe T. Green, Jr., director of the High. “We look forward to welcoming audiences with wide-ranging abilities to explore this year’s unique, outdoor installation.”
“Outside the Lines” provides an environment that is accessible and playful for those with physical, developmental and/or intellectual disabilities, supporting discovery and social connection through an array of tactile environments. The installation aims to present a richer environment for everybody by offering spaces that celebrate a range of sensory experiences.
“Bryony Roberts is a designer who understands the power and immense responsibility of public space by creating community-based projects involving multiple collaborators,” said Monica Obniski, the High’s curator of decorative arts and design. “For me, her research-driven methodology gives weight to the project’s objective, while the aesthetic ambitions of interlocking geometries and colorful tactile surfaces offer a visually stunning and joyful experience for all Atlantans.”
The gently curving steel structure of “Outside the Lines” supports thousands of hanging strands, along the rise and fall of the frame, that will form both small enclosures for quiet relaxation and open environments for social interaction. Emulating a forest-like atmosphere, the tactile materials, designed in collaboration with individuals who are blind and visually impaired, invite safe interaction and enable dynamic navigation through touch. The variety and height of the materials provide a spectrum of exploration within reach of all people, including those who use wheelchairs and mobility devices, and produce a range of intensity and stimulation, offering choice for people with sensory sensitivities.
Community engagement is a central part of the design process at Bryony Roberts Studio, with extensive conversations and interviews with local residents informing both the design and programming of a project. For this project at the High, Bryony worked alongside self-advocates with disabilities and their allies to collaboratively imagine a space that would be both inviting and playful. Representatives from the Center for the Visually Impaired suggested ideas for tactile navigation and exploration, while parent advocates from Parent to Parent of Georgia described the benefits of interactive materials and quiet spaces for children with intellectual and developmental disabilities. Self-advocates helped to brainstorm spaces both for social interaction and restorative calm, while doctors from the Marcus Autism Center and Emory Brain Health offered further insights into the relationship between materials, colors, textures and experience.
This project builds on the success of the six previous Piazza commissions: “Murmuration” by New York-based architectural firm SO – IL (2020); Japanese designer Yuri Suzuki’s “Sonic Playground” (2018); Spanish designer Jaime Hayon’s “Merry Go Zoo” (2017) and “Tiovivo” (2016); and 2014-2015’s “Mi Casa, Your Casa” and “Los Trompos” (“The Spinning Tops”) by Mexican designers Héctor Esrawe and Ignacio Cadena.
Community Partners
Greg Aikens, BEGIN Program Manager, Center for the Visually Impaired
Shelby Ball, STARS Program Manager, Center for the Visually Impaired
Victoria Dugger, Artist
Lindsay Flax, Advocate
Paula E. Forney, MMSc, RPT
Dr. Madeleine Hackney, Associate Professor, Emory University School of Medicine
Eric Jacobson, Executive Director, Georgia Council on Developmental Disabilities
Dr. Cheryl Kaiman, Program Director, Marcus Autism Center
Sitara Nayak, Vice President of Programs, Parent to Parent of Georgia
Mitzi Proffitt, Director of Support Services, Parent to Parent of Georgia
About the High’s Piazza Activation Initiative
The High’s Piazza activation initiative launched in 2014 to explore how engaging with art and design can extend beyond the Museum’s walls. Varied programs, art-making activities and other interactive features enliven these dynamic outdoor installations. More info at high.org
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Around Atlanta
Mike Schleifer to Leave Alliance for Lincoln Center Theater
Published
6 days agoon
March 26, 2025After leading Atlanta’s Alliance Theatre through two major renovation projects, a global pandemic and more than 100 productions over 11 years, Managing Director, Mike Schleifer, will leave the Alliance at the end of the year to become the managing director of Lincoln Center Theater in New York.
As managing director of the Alliance, Schleifer oversees all operational, marketing, financial, fundraising and shared services activities. In his new role, Schleifer will oversee LCT’s financial and operational health and ensure long-term sustainability and growth. He will also work to align strategic planning with artistic goals, manage the theater’s union relationships, lead budgeting, marketing and capital planning efforts and identify and develop new revenue opportunities.
“While it’s rare to find a managing director who is equally brilliant at the operational and financial part of the job, it’s simply unheard of to find one who excels on those fronts and leads with such unabashed heart, vision and humor,” said Jennings Hertz Artistic Directors Tinashe Kajese-Bolden and Christopher Moses in a joint statement.
“For the past 11 years, we had the unfathomably good fortune to have all that and more in Mike Schleifer. Mike’s willingness to bet on our mission and invest in the extraordinary talent of the Alliance staff allowed us to realize aspirational dreams we never would have dared to dream without his encouragement and faith. We’ll miss him daily but cannot wait to witness the joy he’ll bring to the Lincoln Center Theater.”
During his tenure
During his tenure with the Alliance, Schleifer led the administrative and producing teams on over 100 productions and moved four shows to Broadway, including last season’s “Water for Elephants” and this season’s “Maybe Happy Ending.”
He spearheaded the $36 million renovation of the award-winning Coca-Cola Stage and is currently leading the $26 million renovation of the Goizueta Stage for Youth and Families. Under his leadership, the Alliance more than doubled its operating budget, tripled its endowment and continued to lead the country in work developed for young audiences.
“It’s been a true honor and privilege to work, lead and learn at the Alliance Theatre for the last eleven years,” said Schleifer. “I’m deeply grateful to the staff, artists and audiences of the Alliance Theatre and Woodruff Arts Center who have made this journey so rewarding.”
“We’ve achieved remarkable milestones — from moving productions to Broadway to completing transformative capital projects,” he continued. “I’m excited for what’s next, but I won’t be leaving until we cut the ribbon on the new Goizueta Stage for Youth and Families — a project that reflects the Alliance’s deep commitment to the next generation of theatergoers, both with the physical theater space and with the endowment we’re raising to make the work on that stage financially accessible for all.”
Additional roles
In addition to his work at the Alliance, Schleifer serves on the boards of the League of Resident Theatres and True Colors Theatre Company. In 2018 he co-founded Volute Partners, a theatre consultancy focused on capital projects and the subsequent operational support and budgets needed to sustain them.
“We are immensely grateful for Mike’s leadership and tireless dedication to the Alliance Theatre. His vision, passion, and expertise have left an indelible mark on this organization,” said Hala Moddelmog, president and CEO of Woodruff Arts Center.
“We take great pride in seeing him step into this well-deserved opportunity, knowing he will make a lasting impact at Lincoln Center Theater.”
New leadership
The leadership of the Woodruff Arts Center, with support from members of the Alliance Theatre Board of Directors, will conduct a national search for the Alliance’s next managing director, led by executive search firm, Corps Team.
“On behalf of the Alliance’s board of directors, we want to thank Mike for more than a decade of service to the Alliance and Atlanta community,” said Kendrick Smith, Alliance Theatre Board of Directors chair. “He oversaw a period of unprecedented growth with a spirit of collaboration and unwavering commitment to the theater’s artistic vision.”
“As we begin the national search for his successor, we remain dedicated to the theater’s mission of expanding hearts and minds, on stage and off.”
About the Alliance Theatre
Founded in 1968, Alliance Theatre is the leading producing theater in the Southeast, reaching more than 165,000 patrons annually.
The Alliance is led by Jennings Hertz Artistic Directors Tinashe Kajese-Bolden and Christopher Moses and Managing Director Mike Schleifer and is a recipient of the Regional Theatre Tony Award® for sustained excellence in programming, education and community engagement.
In January 2019, the Alliance opened its new, state-of-the-art performance space, The Coca-Cola Stage at Alliance Theatre.
Known for its high artistic standards and national role in creating significant theatrical works, the Alliance has premiered more than 140 productions, including eleven that have transferred to Broadway.
Additionally, the Alliance education department reaches more than 90,000 students annually through performances, classes, camps and in-school initiatives designed to support teachers and enhance student learning.
The Alliance Theatre values community, curiosity, collaboration and excellence and is dedicated to representing Atlanta’s diverse community with the stories they tell, the artists, staff and leadership they employ and the audiences they serve.
For more information, visit alliancetheatre.org.
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Encounter mythical creatures in a natural landscape when “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” opens March 29.
Immerse yourself in a breathtaking outdoor exhibit that intertwines Mexican cultures and contemporary art when “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” opens at Fernbank Museum.
From March 29 to August 3, guests can enter a supernatural world as they walk alongside towering, brightly colored and richly patterned sculptures in the natural landscape of Fernbank’s WildWoods.
Presented in both English and Spanish, this collection of brightly-colored fiberglass sculptures depicts imaginary hybrid animals and offers visitors an unparalleled journey into an imaginative take on the spiritual landscape of southern Mexico’s Indigenous traditions.
Inspiration and legend
In creating “Spirit Guides,” artists Jacobo and María Ángeles were inspired by an ancient Zapotec stone calendar. Indigenous to southern Mexico, Zapotec culture is deeply connected to plants, seasons and animals.
“Spirit Guides” beckons visitors to travel into the spiritual landscape of Mexico’s Indigenous traditions through these animal sculptures that act as both spirit guides and astrological embodiments of human character.
Some of the hybrid animals depicted include a combination of a deer-butterfly or a coyote-fish. These larger-than-life sculptures depict patterns and designs that symbolize different aspects of Zapotec life and culture, such as happiness, fertility and community.
The artists have previously stated that, according to a Zapotec legend, when you are born an animal comes to you to serve as your protector in this world. This animal is your tona, a being that shares your destiny and soul.
Along with your tona, you also have a nahual, which is assigned based on the year of your birth. This spirit animal embodies characteristics that mirror your own personality.
As guests stand before the sculptures in WildWoods — some of which stand nearly 8 feet tall and 9 feet wide — they are made conscious of the profound connection between the natural and cosmological worlds.
About the Artists
Jacobo and María Ángeles are a married artist team based in Oaxaca, Mexico.
Joyful, fanciful and distinctively patterned, the Ángeles’ animal sculptures embrace both contemporary art and folk-art traditions. They employ and teach more than 100 artisans in their workshop, which has created artworks shown in museums around the world.
Exhibit details
By drawing inspiration from the Zapotec calendar and their own imaginations, the Ángeles team sculpted their own mythical creations.
This exhibit features eight towering, vibrant fiberglass sculptures of hybrid animals, intersecting art, mythology and identity. The sculptures were designed through a multi-step process that included conceptual sketches, small wooden renderings and papier mâché molds before casting the fiberglass.
A team of artisans then helped to paint the sculptures with striking colors and intricate geometric patterns inspired by Zapotec and other Indigenous designs, each with their own unique meaning.
Organized by Denver Botanic Gardens, “Spirit Guides: Fantastical Creatures from the Workshop of Jacobo and María Ángeles” is on view from March 29 – August 3, 2025. The exhibit is included with General Admission at Fernbank Museum and is free with CityPASS.
It will also be on view select nights when the museum is open, including during Fernbank After Dark and Fernbank … but Later.
For more information, please visit fernbankmuseum.org.
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Around Atlanta
Fernbank Museum Roars with Excitement for New Exhibit
Published
2 months agoon
January 21, 2025“Ultimate Dinosaurs” will run from February 8–May 4, 2025
“Ultimate Dinosaurs,” a special exhibit that explores the fascinating species that evolved in isolation in South America, Africa and Madagascar, stomps into Fernbank Museum from February 8 to May 4.
Through the exhibit, guests will experience an impressive blend of skeletal displays and augmented reality as they learn about the changing prehistoric landscape of dinosaurs in a new, modernized way.
Journey through the Mesozoic
Based on groundbreaking research from scientists around the world, “Ultimate Dinosaurs” highlights dinosaurs typically unfamiliar to North Americans and seeks to answer the question: why are the unique and bizarre dinosaurs in the Southern Hemisphere so different from their North American counterparts?
Starting with the breakup of the supercontinent Pangaea, “Ultimate Dinosaurs” takes visitors on a journey through the Mesozoic Era (250-65 million years ago) and shows how continental drift affected the evolution of dinosaurs during the Triassic, Jurassic and Cretaceous periods.
“We are excited to have “Ultimate Dinosaurs” here at Fernbank and explore the unique ways that dinosaurs have evolved in isolation,” said program manager, Maria Moreno. “This exhibit combines rarely seen specimens with interactive stations for patrons of all ages to enjoy.”
“It is also very exciting to have an exhibit highlighting our mascot, the Giganotosaurus, one of the largest land predators to have ever lived,” Moreno added.
Dino displays and hands-on activities
Guests can view a variety of full-scale dinosaur displays from the Eoraptor, Malawisaurus, Suchomimus, Rapetosaurus and more, including 14 dinosaur skeletons. One highlight is the Giganotosaurus skeleton, which is also on view in Fernbank’s permanent exhibit, “Giants of the Mesozoic.”
This special exhibit will include several real fossils, some of which will be available to visitors to touch. Additionally, “Ultimate Dinosaurs” features several hands-on activities, one of which involves exploring the physical characteristics of dinosaurs’ stride patterns, crests and frills.
Another activity uses augmented reality to transform intricately detailed skeletons into moving, flesh-and-bone creatures.
Related programming
To celebrate the grand opening of “Ultimate Dinosaurs,” Fernbank is hosting a family-friendly Dino Day on Saturday, February 8 from 10 a.m. to 1 p.m. The event is included with general admission.
Additionally, the giant screen film, “T. REX 3D,” will be showing through May 16.
There will also be a lecture with Anthony (Tony) Martin, professor of practice in the Department of Environmental Sciences at Emory University, titled “On Frozen Ground Down Under: Polar Dinosaurs, Insects and other Cretaceous Fossils of Australia” this spring.
The details
Presented by the Science Museum of Minnesota, “Ultimate Dinosaurs” is open at Fernbank from February 8–May 4. The exhibit will be included with general admission tickets and is free with CityPASS.
For more information or to purchase tickets, visit fernbankmuseum.org.
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