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Wesleyan Artist Market Celebrates Its Silver Jubilee in 2023

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Wendy King

This spring ushers in the 25th annual Wesleyan Artist Market (WAM), our favorite local fine art, jewelry and fine wares show. It’s set for Friday, April 28, 10 a.m.-7 p.m., and Saturday, April 29, 10 a.m.-3 p.m. at the Wesleyan School in Peachtree Corners.

Enjoy scrumptious beverages and snacks while taking in the talents of 85 professional artists from all over the Southeast and 19 student artists. This two-day event is open to the public; parking and admission are free.

Engage with artists as you hunt for works that you’ll treasure for years to come. “Come to the Table,” Wesleyan’s hardcover cookbook with over 200 recipes, will be available for purchase. Proceeds help fund Wesleyan’s fine arts programs.

This year, your support will facilitate the purchase of a new truck for the marching band, the refurbishing of a Steinway piano, new chorus risers and upgraded lighting in Powell Theater.

From casual customers to avid collectors, WAM always delights. To preview participating artists, visit artistmarket.wesleyanschool.org. Cheers to 25 years, WAM!

Spotlight on three artists

Wendy King — Poppy and Jewel 

Wendy King
Wendy King

Inspirational jewelry that cuts the mustard

When Wendy King received a spherical, vintage charm containing a single mustard seed from her husband’s grandmother long ago, she had no idea it would be the catalyst for starting her own inspirational jewelry line one day, nor that it would have such a profound and far-reaching impact on others. 

In the 1950s and 60s, it was apparently customary to gift such charms, alluding to the parable of the mustard seed. Some were set in brooches, many hung on necklaces.

King found it was very effective to wear the sentimental trinket she had received as a reminder to walk in faith every day. She elected to sport the bauble on a stylish new bracelet and realized that women today would be more likely to benefit from continuing this tradition if the cherished charms of yesteryear with real mustard seeds inside were set in more contemporary, fashion-forward jewelry pieces. 

“A lot of the religious jewelry has a similar look. I wanted to elevate it, put a different spin on it,” King said.

She thought she could breathe new life into these vintage charms by using them to create contemporary jewelry pieces. “I went to antique stores, but it was like finding a needle in a haystack, especially to find them in good shape. That’s when I realized I’d have to make the charms myself too,” she added. 

Today, her Poppy and Jewel pieces are made with natural gemstone beads like white lace agate, amazonite, aquamarine, pearl, tiger’s eye, labradorite, hematite and river stone and her perfected bezels with metal finishes in silver, polished gold or antique brass. Each one contains a solitary, immortalized, goldish-brown mustard seed suspended in the center of a clear resin-filled charm. 

“You don’t have to see the whole staircase; just take the first step.” – Martin Luther King

It’s a powerful visual, to see how physically tiny a mustard seed really is. King painstakingly creates lovely earrings, necklaces and bracelets — vessels that spark the might of faith when worn.

Her jewelry line speaks with the promise that if you believe it, everything will work out for the best. Each distinctive piece comes with a card explaining the parable that inspired it. 

Faith can move mountains — pass it on 

Jesus says in Matthew 17:20, “For truly I tell you, if you have faith the size of a mustard seed, you will say to this mountain, ‘Move from here to there,’ and it will move; and nothing will be impossible for you.” 

It’s a message that transcends all faiths and provides comfort whether you’re religious or not. We all go through low points when digging deep to find the strength to triumph is vital. 

Even the smallest amount of faith in an all-powerful God, or an ever-just universe, results in great things. Sometimes life’s tests may seem insurmountable: divorce, job loss, infertility, illness.

That’s when you must believe in your heart, without a doubt, that God or the universe is bigger than those mountains. It’s hard to do in our we-have-to-see-it-now-to-believe-it society. Enter Poppy and Jewel. Cue “You Gotta Have Faith” (George Michael, 1987)

King has enjoyed witnessing the organic growth of the one-woman enterprise she started in 2016 named after her maternal grandparents who planted the seeds of faith in her. The ripple effect of customers sharing her pieces is special.

“I can’t tell you how many times I’ve had people tell me they hear stories that grip their hearts and give their bracelets away to comfort someone in need. Then I get an email, “Well, I gave another one off my wrist. I need to restock.” That’s what it’s for. You hear somebody going through a rough patch and you pass it on,” King smiled.

The evolution of an artisan

A bachelor’s degree in government administration didn’t exactly allow King a creative outlet. Nor did her 12-year stint as a fitness instructor at Country Club of the South. She founded Poppy and Jewel when her kids were still in school, and she was able to ramp production up or down as needed. “Now that they’re grown, I can devote so much more to it,” King said. 

Producing her pretty, handcrafted pieces took plenty of trial and error. “The first time I worked with the resin, I poured it, set the seed in and wondered why it was gooey. It took years of making charms that I can’t use. Those little boogers float around,” she laughed. 

Lately, King has been working with a company to replicate the vintage charm that started it all for her. They are three samples into tweaking a spherical bauble with a metal band around it that should be available in a few months.

Behind the scenes

Removing air bubbles in the resin, stringing smaller beads one by one with a needle and thread, perfectly positioning the seeds — it’s tedious work. 

If the resin mixture isn’t spot on and perfectly timed, it doesn’t cure correctly. It’s all part of learning what works. “I’m very methodical now. I follow the same steps every time. I don’t want any mishaps,” King explained.

This jewelry line is a true labor of love for King who has since fine-tuned her two-step resin pouring process. Still, every phase of a successful batch of charms has to be completed within a certain window. She purchases the bezels (the empty metal part), mixes the resin with hardener, pours it and positions the itty-bitty mustard seed in the center while wearing glasses and a magnifying glass.

King patiently allows it to cure, but she must also check on them at exactly the right time to be able to redirect any seeds that may have drifted. Once that stage has cured properly, a second round of resin is poured.

King prefers to work on small batches of about 100 charms at a time. “When inspiration hits, I’ll go to my studio down the hall and work while those juices are flowing and I’m in that creative mindset, whether it’s crack of dawn:30 or late at night,” she said. 

Shop Poppy and Jewel

Shop King’s handcrafted jewelry in person at WAM, The Red Hound in Norcross and Alpharetta, Under the Palm Tree in Dunwoody, and Josephine’s Antiques in Roswell. Electronically, visit her website, poppyandjewel.com, or Instagram account, @poppy_and_jewel. 

Customizations include requests for particular colors, smaller or larger sizes. Some people bring their own beads or a broken necklace to be used. If you find a vintage charm after rifling through your family’s jewelry boxes, you can have it added to Poppy and Jewel bijouterie. 

“If it brings a sense of joy or hope to somebody, if I touch one person’s life, then I’ll keep doing what I’m doing,” King declared.  

Shane Miller — Artist

Shane Miller
Shane Miller

Stumble into art

Maryland native Shane Miller did just that, and he’s been swimming since 2016. Miller transferred to Nashville in 2013. He always knew he’d do something creative full time, but he didn’t realize it would be painting until a chance encounter at an art crawl with Paul Polycarpou, then CEO of Nashville Arts Magazine, changed his instrument from guitar to paintbrush.

Miller had already hung up his physical therapist hat after six years in the field to pursue music. His father introduced him to guitar early. He took lessons at age 10 and was giving them by 15.

Strumming for a living wasn’t much of a stretch. For most, it would be a giant stretch. For musical Miller, easy peasy. 

Touring on weekends with an independent artist, his year in the life of a professional musician allowed more time for painting. Eventually, the music volume decreased as the painting volume amplified.

A natural knack

“I had a watercolor tutor in high school. Before that, I’d draw on the back of my worksheets in elementary school. I have a natural knack for it,” Miller stated. 

Miller clearly paid attention in watercolor class where he learned the fundamentals of color theory and composition. Through college and thereafter, he painted in his spare time.

After trying different styles, he settled on creating what most resonated with him: abstract, atmospheric landscapes influenced by tonalism like those one might recall from a reverie or a distant memory, using oils on canvas.

Miller took Polycarpou up on his open-door policy for local artists. The executive was open to critiquing artists’ work and had offered to introduce Miller to a gallery in town when he believed him to be ready.

True to his word, Polycarpou provided direction and in a short time, Miller signed with the Rymer Gallery. Others ensued.

Needless to say, the painter isn’t missing his regimented physical therapy days. He considers his flexible schedule a dream. “I’m happy with my career. It was an interesting road getting here,” he said. 

The sway of social media

Curating a cohesive Instagram story and posting regularly paid off for the promising artist. The platform revealed a market for his work. Miller was both astonished and assured by people’s readiness to buy paintings online.

“I’ve shipped work all over the world: the UK, Australia, Japan, the Philippines, Germany — all through the power of the internet,” Miller said.

Studio space

Miller works out of his Germantown studio with soaring ceilings, a massive north-facing window and skylight in an old flour mill that’s been converted into a business collective north of downtown Nashville.

A believer in being disciplined, he reports to his atelier daily, inspired or not, “You have to be consistent with showing up. Diving in allows creativity to start flowing.”

The painter’s process

Miller finds inspiration in his travels. He doesn’t work from reference photos; he finds them restrictive. Surprisingly, he doesn’t aim to depict any particular panorama. He paints from his imagination.

More interested in expressing himself and capturing feelings, he seeks to take viewers on a spiritual voyage. “Painting is a subconscious process for me, like meditation,” he explained.

Miller paints bodies of water because, besides being visually interesting, they create lines leading the eye into the composition. It evokes turning a chapter, especially flowing rivers.

His monochromatic, non-specific landscapes act as a bridge to tap into emotions. He’s pleased when people feel like they’ve been to “that place” in any of his paintings. 

A prolific painter, his preference is to juggle about six pieces at once. “I paint skies on different days than the foreground, working in batches. I’ll mix a certain color and carry it throughout multiple paintings so I’m not wasting paint. It’s a nice way to streamline things and jump around through different pieces,” Miller said.

Stepping away frequently when working on multiples allows him to avoid tunnel vision, “I can always reassess the direction.” 

Most paintings are varnished once he’s done. He likes the subtle finish of satin varnish mixed with cold wax for a less reflective sheen.

Mystery blooms

“Recently I’ve been painting abstract florals. There aren’t many rules when painting florals,” Miller stated. One gets the impression he wouldn’t follow any if there were. He enjoys using brighter colors than he would in his landscapes.

Shane Miller
Shane Miller

“I don’t know one flower from the next. I just paint whatever shape looks great and my wife will say, “That looks like a lily.” For Miller, it’s about creating a composition that feels right.

A left-brained creative?

Miller has a penchant for numbers and organization. “I have systems to keep track of everything,” he said. His paintings have an identifier that correlates to a spreadsheet and an internal tracking system. He can trace any piece, whether it’s at the studio, at a gallery or sold.

Miller dove into the accounting cycle and relishes keeping up with his books. Documenting his endeavors makes him feel accomplished. 

A logbook holds records of the colors and dates of every layer of every painting — all steps taken to achieve the end result. These come in handy when clients request something similar to one of his older works.

“Painting is a very subtle thing, especially working in layers. It could be hard to recall every step,” Miller explained.

Commissions

At shows like WAM, you might not find exactly what you’re looking for, but if you like his style, Miller can create a unique piece for you. One can request a painting reminiscent of a location — the Carolinas, a marsh, the coast or mountains — and any desired elements for the piece. 

Miller then gets to work. A 20% deposit gets the ball rolling. Within a month, one can expect to see photos and videos of a piece for final approval.

Shop Shane Miller Art

Meet Miller and see his work at WAM. So that buyers can purchase with confidence, he is responsive to inquiries from his website, shaneartistry.com or through Instagram @shane.artistry. 

“Art washes away from the soul the dust of everyday life.” — Pablo Picasso

Miller espouses Picasso’s sentiment. He feels painting or any creative outlet is an escape from the mundane and rejuvenates the spirit.

Jennifer Keim – JKEIM Fine Art and Lifestyle Design

Jennifer Keim
Jennifer Keim

Becoming JKEIM

Atlanta artist Jennifer Keim switches between oils, pastels and mixed media to best capture her subjects’ personalities. She’s been fostering her artistic talent since fourth grade at the behest of the late Jill Chancey Philips, a summer camp instructor at the Columbus Museum who noticed she had something special. 

Keim studied under Philips until earning a Bachelor of Fine Arts in drawing and painting at Auburn University. Philips owned the gallery and studio where Keim spent her young adult summers learning the business side of being a professional artist.

She credits her mentor for emphasizing grit and form. “It’s so important understanding technique before you can evolve your style. You have to understand dimensions, perspectives and shading to bring a subject onto the page,” she said.

Keim worked in advertising for practical reasons until a successful solo art show convinced her she could do art full-time. She felt “suffocated” behind the computer, so in 2007 she left graphic design for a career as a painter.

Art therapy 

An unfinished space in her home is Keim’s special place. Nails dot the walls where pieces have come and gone. Paint and resin splashes adorn the studio floor. Her beautiful work surrounds her on all sides.

Seeing how color and shadowing can bring the beauty of a subject up off the page has always intrigued Keim for whom painting is a creative outlet. “It feels good. If I’m a little cranky, my husband says, ‘You might need to go to the studio for a bit.’”

Off to the Races 

The jockeys and detailed horses of the pastel-on-wood Off to the Races series feature clean lines and vibrant colors. Keim captures the energy of the horse races. “My favorite part is doing the kickup,” she said.

Fun fact: Mud can splatter up to 20 feet behind a galloping horse. 

Starting with a pencil drawing is key as the nonporous wood allows for only one or two strokes of pastel. After 20 years of working with high gloss resin, Keim is still surprised by the chemical reaction that occurs when it’s poured over pastels on raw wood. It enriches the woodgrain, melts the pastels heightening the colors and creates an almost 3D effect.

The family is warned before a resin session begins with “Do not enter; mommy is pouring.” Then it’s literally off to the races. It takes two to three minutes to precisely mix the concoction of resin and hardener and another 15 minutes to pour the epoxy before it gets too sticky. 

Keim releases air bubbles with a torch and walks away for three days, hoping no bugs land on the curing resin. The finished pieces, with their glossy sheen and beveled edges, do not require a frame.

Generation Wild collection

An African safari in 2009 left Keim forever enchanted by the way of the wild — how the animals communicate, the smells, the circle of life. “It makes your heart beat in a different way. I still get chill bumps from it,” she said.

Capturing animals is all in the eyes in Keim’s view. “Start with the eyes. If you don’t get them right, you might as well start over,” she explains. “I have to feel like they’re blinking at me before I can move on.”

Fly Guys

“My Fly Guys collection started from my husband’s grandfather’s fly box in the studio. I was up late one night and started tinkering around with it. Creative moments,” Keim said. 

Textiles

Whose Booze? It’s what Keim likes to call her set of four hand painted linen cocktail napkins with a hemstitch, each in a different color for easy glassware identification. They’ll be available at WAM for the first time this year.

Keim also makes tea towels, scarves that double as cover-ups and more. The painted fabrics are durable and washable.

Shop JKEIM

Find Keim’s artwork and textiles at WAM, Marguerite’s in Brookhaven, B.D. Jeffries in Atlanta or visit her website, jkeim.com.

A day in the life

“I jump around like a ping-pong ball, which keeps me in the groove” is how Keim describes her workday. There are textiles drying on tables and on the floor, scarves on mannequins. It’s a carefully timed game of drying stations in anticipation of the next color. Snuck in between is a layer being added to an animal piece. 

She prefers coastal and mountain pieces in oils with visible palette knife blade marks. “I like to work with oil on linen or canvas with a venetian red backing. I was trained to emulate the masters,” she said.

Keim keeps a supply of canvases painted with a venetian red basecoat in all sizes at the ready, in case there’s something she wishes to paint immediately.

Commissions

Keim completes commissions of all sorts. Even her textiles can be personalized. Pinpointing what the client is interested in comes first. Next, learning what the space is like.

She’s been known to bring an assortment of works to homes to see what size works best with the ceiling height and the environment. A 50% deposit gets a commission underway. 

The best part

Keim wants her work to incite nostalgia, cheer and joy. For her, the best part about being an artist is having people connect to a piece she was inspired to create.

“You’re getting a little piece of me in every one of my original works,” she said. “When all those happy moments combine, that really is magical for me.”

See you at WAM’s 25th!

I’m positive you’ll enjoy meeting these gifted artists at WAM. The show is the springtime indulgence we’ve all come to expect. Exhibitors are looking forward to meeting you and sharing their zeal for art with you.

Thanks for one exquisitely imaginative quarter of a century, WAM!

Patrizia hails from Toronto, Canada where she earned an Honors B.A. in French and Italian studies at York University, and a B.Ed. at the University of Toronto. This trilingual former French teacher has called Georgia home since 1998. She and her family have enjoyed living, working and playing in Peachtree Corners since 2013.

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Perimeter Ballet Celebrates 30 Years of Dance and Inspiration

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Ballet dancers on stage during a production of Cinderella. The dancers are posed in front of a lit backdrop of Cinderella's castle.

Perimeter Ballet celebrates its 30th anniversary this year. Founded in September 1995, the faith-based ballet school in Johns Creek has long been an integral part of the local arts scene and the community.

What began as a bare-bones program held in the sanctuary of Perimeter Church — on carpeted concrete floors, using the backs of chairs for barres — has grown into a respected school of more than 200 students. Ranging in age from five to 18, the young dancers at Perimeter Ballet are not only committed to the study of dance but also to using their gifts to share their faith.

Ballet dancers on stage for The Nutcracker. Two dancers are leaping as the others stand around them in the background
From The Nutcracker; photo courtesy of Catherine Maxwell and Perimeter Ballet

According to the program’s website, their purpose is to “emphasize character along with technique … to counter the natural tendency towards self-absorption in the ballet studio.”

They are “very committed to teaching children to dance — to develop discipline, technique and musicality. [But] the Christian instructors [also] train the students in a context that understands that there’s a reason to dance.”

30 years of dance and faith

Current director, Becky Brown, has led the school for several years, growing the program while faithfully following Perimeter Ballet’s original mission. She oversees weekly classes, summer dance camps and annual productions, including an acclaimed Spring Recital and a presentation of The Nutcracker each December.

For the 30th anniversary, Brown is excited to continue the creative work of the ballet school and share their artistry and message with a larger audience.

A middle aged woman with blonde hair, wearing all black, standing amidst a group of young ballerinas, posing and wearing pink tutus.
Becky Brown with dancers 2018; photo courtesy of Catherine Maxwell and Perimeter Ballet

“This year will certainly be a special time for us as we celebrate and look back on 30 wonderful years of Perimeter Ballet and 20 years for our performing company, For His Glory,” she said. “We will be performing the Nutcracker December 11–13 and will have some beautiful new costumes to commemorate the occasion. We look forward to seeing  many of our alumni and their families at the performance.”

Classes and instructors

Open to the community at large, weekly classes at Perimeter Ballet range from Creative Movement, PreBallet and grade-level classes for preschoolers through third grade to more advanced classes (two or more times per week) for older students.

Summer camp sessions as well as intermediate level and advanced level intensives are also offered. For the upper-level intensives, students work on their ballet technique but also branch out into jazz and other forms of dance.

A group of dancers on stage for a finale. They all stand with an arm raised, looking up with blue and white lighting.
Behold cast finale; photo courtesy of Catherine Maxwell and Perimeter Ballet

The school’s nine teachers are skilled not just as instructors but as performers themselves, having years of experience dancing with companies such as Ballet Southeast, Atlanta Ballet, North Atlanta Dance Academy and the Metropolitan Opera Ballet. They bring that experience and their Christian faith to all of their classes and interactions with the young students.

For His Glory

In addition to the work they do as a ballet school, Perimeter Ballet also has an audition-selected performance company — For His Glory.

With three levels, made up of dedicated students striving to advance their skills and reach their “God-given potential while giving glory to [their] Lord and Savior, Jesus Christ,” the program presents several high-quality productions throughout the year.

a group of young ballet dancers standing in a stairwell next to an open door. They are in a circle with heads bowed, praying before going onstage for their performance.
photo courtesy of Perimeter Ballet

As Perimeter Ballet shares on their website: “Dancers are trained in the ballet classics as well as contemporary forms of dance, which are used in performances, worship settings and outreach. Classical ballets … in the group’s repertoire include Cinderella, Sleeping Beauty, Coppélia, excerpts from Four Seasons and La Fille Mal Gardee. In addition to Christmas and other outreach programs, For His Glory has danced internationally in London, India and Belarus.”

The group most recently performed Beauty & the Beast for two successful shows on stage at the Perimeter Church Sanctuary in early February of this year.

Impact and inspiration

All of this — the focus on faith and commitment to dance, the classes, intensives and stunning productions — have been a decades-long inspiration to the community and especially the student dancers who take part.

Many of the students stay with Perimeter Ballet for much of their childhood, learning and growing in dance as well as in their faith from elementary age through high school. That kind of involvement can clearly impact every aspect of their lives, from discipline learned to how they choose to interact with and be in the world.

A group of young ballet dancers onstage performing Cinderella.
Cinderella 2018; photo courtesy of Catherine Maxwell and Perimeter Ballet

One student, Anne Bradley Maxwell has been taking ballet with the Perimeter program since she was three years old. Now a high school junior in Peachtree Corners, she’s reflected on her time at the school and in the performance company as well as Perimeter Ballet’s milestone anniversary.

“For fifteen years … I matured within this unique, local community arts program,” she shared. “This year marks the 30th anniversary of its founding … and I’m honored to say I’ve been a student for half of that era. The talented instructors in [the] program not only helped advance me into an accomplished ballerina but also into a more faithful servant of Jesus Christ using dance as a form of worship.”

A lifelong journey

“This lifelong journey included annual seasonal training, auditions, numerous external summer intensives and wonderful performances on stages across the nation and abroad, for audiences ranging from a few dozen to several thousand,” Maxwell continued.

“… Taking ballet has instilled in me a deep understanding of perseverance and resilience. Pursuing excellence in ballet required me to overcome physical and emotional challenges … I learned to seek out solutions — whether physical therapy for healing my body or prayer and reflection to rejuvenate my spirit. These experiences have strengthened my ability to face setbacks, adapt and emerge stronger.

Ballet has cultivated in me a unique combination of athleticism, discipline and creative imagination. The most elegant performances emerge from the interplay of technical mastery and creative expression. The collaborative nature of ballet, where individuals work in harmony to create something greater than themselves, informs my approach to teamwork and innovation, both in the classroom and community.”

A high school aged ballerina on stage as Lumiere in a production of Beauty and the Beast
Anne Bradley Maxwell in Beauty and the Beast; photos courtesy of Catherine Maxwell

“… Ballet has [also] given me the gift of joy — both in experiencing it personally as a testament to Christ’s goodness and in sharing it with audiences. This joy, while intangible, is a powerful force that I hope to bring into my next chapters following high school. Whether through teaching movement, choreographing performances or exploring ways to expand ballet offerings, I aspire to enrich the community with the beauty and joy of dance.

… My time at Perimeter Ballet has equipped me with perseverance, discipline, creativity and a passion for sharing joy — qualities that I am excited to further cultivate as a young adult. These will not only enhance my personal journey but also contribute meaningfully to the rich tapestry of life. As I enter my senior year later this fall, I am full of gratitude for the solid foundation of technique and creative expression honoring God as the giver of my talent.”

Upcoming events

Perimeter Ballet’s Annual Spring Recital will be held in the Perimeter Church Sanctuary on Thursday, May 1 and Friday, May 2 from 7 p.m. to 8:15 p.m.

Summer camp sessions are scheduled for June and July. Registration will open on April 15.

2025-2026 classes will start in August with registration opening on April 15.

With help from Anne Bradley, the school is also planning a fundraiser event later in the year to mark the 30th anniversary.

For more information, visit perimeterballet.com.

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Q&A with Terry Gabbard, Norcross High’s New Theatre Director

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A middle-aged man with short hair and glasses. He's wearing a grey long-sleeved shirt and his arms are crossed in front of him. He's standing in front of an empty high school theatre stage with a purple curtain behind him.

The Norcross High School drama department has a reputation for presenting quality productions each year, and 2024-2025 is no exception. They staged a one-act show of “The Legend of Sleepy Hollow” in October followed by “Miss Nelson is Missing” in January. Next up for NHS Theatre is Matilda the Musical, set to open in April.

Leading the department this year is NHS’ new theatre director, Terry Gabbard, who came to Norcross with degrees in educational theatre and educational leadership, as well as over 20 years of public school theatre teaching and directing experience.

An award-winning director and playwright, he received the prestigious John W. Parker Award for excellence in directing in 2015, has had numerous productions named “distinguished play” from the North Carolina Theatre Conference and has three Best Musical wins from the Blumey Awards (Charlotte, NC’s version of the Tony awards).

Gabbard has also published two plays, one of which, “Our Place,” was named one of the top ten most produced short plays in American high schools.

Additionally, in 2020, his production of “Puffs” (a clever and comedic play set in the world of Harry Potter) was selected as one of only a handful of productions in America to perform at the International Thespian Society festival.

Though busy with preparations for Matilda, Gabbard recently took the time to answer a few questions about his career, his love of theatre and what’s next for the NHS drama department.

Which productions have you worked on since joining NHS?

We started off performing The Legend of Sleepy Hollow in October, and we did a performance of Miss Nelson is Missing in January. 

Where did you teach and direct before coming to Norcross?  

I always explain that my wife supports my teaching habit, so we tend to move as her opportunities change.

I’ve taught mostly in high schools in Florida, North Carolina and now Georgia. I have taught in Gwinnett Public Schools before at Paul Duke STEM and in Cobb County at Campbell High School. 

How did the move to NHS come about?

After leaving GCPS for a short few years, I was anxious to get back to this system and this community, and when this opportunity presented itself, I jumped at the chance.

Have you always had a love for theatre?

I started participating in theatre when I was in 9th grade and have never stopped. For me, the thing that drew me to the art form was the sense of community that theatre creates. 

What led you to pursue a career teaching and directing? Was there a specific moment that you realized it was what you wanted to do? 

When I was a senior in high school, my theatre director let me direct a play in his theatre [for] one class. This is when I realized how much I loved directing and coaching other actors. 

What was it like to win the John W. Parker award in 2015? And to be recognized with so many other honors? 

I have been blessed to have been recognized several times by my peers and the organizations I’ve partnered with. It’s always nice to have these recognitions, but I have come to believe that any high school theatre production is a miracle in and of itself.

Producing theatre in high schools is always a challenge and getting to opening night is always a huge accomplishment. 

Will you continue playwriting in addition to your work as NHS theatre director?

I haven’t written any plays in some time, but I’m definitely starting to get the itch. All of my plays have premiered at the schools where I was teaching. I imagine a world premier will happen at Norcross pretty soon. 

What can you share about the school’s upcoming Matilda the Musical production? Is it one that you’ve directed in the past?

I have never directed Matilda, and I am extremely excited for the challenge. The music is incredible, and the characters are big and over the top. 

What plans do you have for the NHS theatre program for the remainder of this year and next year?

After Matilda, things wrap up for us. I haven’t yet decided what shows to tackle next year. I know that I want to find plays that have a different tone than the pieces we did this year. The shows have been comedic this year. Something more dramatic is definitely in our future. 

Poster for a high school production of Matilda the Musical with dates, graphics and QR code.

The NHS production of Matilda the Musical opens in April.

Dates and show times are:

  • Thursday, April 24 at 7 p.m.
  • Friday, April 25 at 7 p.m.
  • Saturday, April 26 at 7 p.m.
  • Sunday, April 27 at 2 p.m.

For more information, visit nhs-drama.com.

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The Extraordinary Lives of Ordinary People: Q&A with Author Dan Leonard

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A man with short dark and grey hair wearing sunglasses and a black, long-sleeved zip up. He's standing by the railing of a boat in Milford Sound New Zealand with water and tall cliffs behind him. He's smiling and the sky above is dark blue with a few wispy white clouds.

Dan Leonard has called Peachtree Corners home for the past 42 years, working in the IT field, building a strong community of personal and professional connections and leading the local Bikes and Friends Cycling Club.

Most recently, he wrote and released his first book — a memoir titled “The Extraordinary Lives of Ordinary People” — adding ‘published author’ to his list of accomplishments.

Drawing on the physical challenges Dan faced (and overcame) while growing up, as well as inspiration from others, the book dives into themes of resilience and personal growth while painting a vivid picture of his family life in New England during the 60s and 70s.

Through personal narrative, he takes readers on a thought-provoking journey through his childhood and adolescence, sharing “formative experiences that were shaped by his Italian-American and Irish-German heritage.”

Dan spoke with us recently about his memoir, sharing his thoughts on the writing process, lessons learned and his future plans.

Front and back book covers for The Extraordinary Lives of Ordinary People by Dan Leonard. The front cover has a photo of the author outdoors in a grassy field with mountains behind him. The back cover has book description and QR code.
photo courtesy of Dan Leonard

What inspired you to write a memoir? What challenges, if any, did you face?

On the surface, like many people my age closing in on 70, I wanted to leave a legacy, telling my story of resilience and transformation to hopefully inspire others.

I once read that people should consider their mental health before writing a memoir. At the time I didn’t quite appreciate that statement. Like many outgoing people, I usually enjoyed talking about myself, especially while trying to relate to others.

Writing my memoir turned out to be a very positive experience since I tried to explore my story with honesty and compassion while highlighting the people and experiences that had the most influence on me. However, in the final throes of completing a rough draft, I spent nearly two weeks without sleep and experienced daytime dream-like episodes.

For example, I have a former classmate who is a successful screenwriter, and I was intent on getting him my manuscript because I thought it might make a compelling movie!   

The book took me over a year [to write] and was a worthwhile and enjoyable experience and, I would say, cathartic as well.

Can you share a little about your background? Had you written or published anything prior to this?

I spent 42 years in the Information Technology field mostly working closely with major corporations helping them streamline and digitize their operations. I began in sales and marketing and moved to management later in my career.

I have always enjoyed writing for pleasure, but much of my writing was business oriented and expected to be short and concise. I have been interviewed many times in my career leading to industry centric publications but nothing with sole direct personal benefit such as my recent memoir or upcoming novel. 

The book is about resilience and recognizing that ordinary moments can have an extraordinary impact on one’s life. Have you always seen the world this way? Or was it something that came to you over time?

I have always been deeply introspective but with a strong desire to relate well with others and make friends.

Given my humble beginnings experiencing many physical challenges from night time seizures, pronated ankles, severe allergies, a slight lisp and ADD among other things, I never felt like I was working from a position of strength. I typically felt like the underdog, especially anxious to prove to both myself and others that I could be just as good.

Each triumph seemed to require an extraordinary effort sometimes just to meet the norm. 

What was the most difficult or unexpected thing you encountered writing and publishing the book?

To be completely honest, the most difficult thing was to convince myself that my story was worth telling and that other people besides my family and closest friends would be truly interested.

Who was I, really? I was never a CEO, famous athlete, politician or war hero. I was just a regular guy who lived a mostly ordinary life but, in many cases, encountered extraordinary challenges.

Maybe partly because I have a tendency to be bold and take on challenges that I am not always prepared for, I would sometimes get in my head and say, “well everybody has a story, some lots more interesting than yours, so why would anyone be interested in yours?”

Early and mid-stream through my writing, there were days and even weeks when I let these thoughts stall my writing, but fortunately they were only temporary.  

What lessons did you learn from the process?

You’ll have to read my book!

When I began writing the book, I was at a point where I had retired from my 42-year career and was no longer actively consulting. My life involved spending as much time as possible cycling with my club, Bikes and Friends, completing home projects and spending time with family.

I would typically rise at 7 or 8 a.m., unless I had an early bike ride, and move through the day at a very comfortable pace. Finally completing the book and committing to a marketing campaign and future publications over the next several months has given me a renewed purpose. I now start my day at 6 a.m., go to the gym and work harder, write as much as possible and seek out more purposeful endeavors.

I met [recently] with the City of Peachtree Corners to begin planning a charity ride later this year. And I am evaluating a board position at a local non-profit.   

What’s the main thing you’d like readers to take away from Extraordinary Lives?

That their life is every bit as valuable as others, and if they have any interest in sharing their story or anything that they desire then to do it to their fullest!  

You’re traveling for events to promote the book. Will you be doing any promotional events closer to home?

Yes, I will be speaking at the local Fowler YMCA on March 14, and as my book marketing reaches a proposed 300 platforms over the next few weeks, I expect to have at least a few nearby book signings and presence in local bookstores.  

Do you have plans to write another book?

Absolutely! I am currently working on a futuristic sci-fi novel based on a group of cyclists called “Defending His Life,” which will hopefully be available by June.

The Extraordinary Lives of Ordinary People is available on Amazon. Are there other places readers can purchase the book?

It will also be available on BN.com and in select Barnes and Noble stores. My publisher hub partner plans to push 200+ copies out to select bookstores, so hopefully many other places [as well].

Is there anything else you’d like to share?

Many people my age relate to the way things used to be, where only famous people wrote books and they were limited to highly selective publishing houses that controlled their intellectual property.

It’s a new world, anyone that has something to say can say it, and there are so many different mediums available today. Be bold and get out there and say it. Your reward will go way beyond practical measures and may certainly open up new opportunities.

If nothing else, writing my memoir has given me an opportunity to reengage with people that I haven’t talked with or thought about in years and even decades.

About The Extraordinary Lives of Ordinary People

From enduring challenges and overcoming adversity to honoring the strength of family bonds, Dan’s debut book offers a look at how ordinary moments can have an extraordinary impact.

The memoir is currently available on Amazon as an e-book, hardback and paperback. It should soon be available on bn.com, at our local Barnes and Noble and in other bookstores as well.

For more information about Dan Leonard, visit booksbydanleonard.com.

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