Arts & Literature
Wesleyan School Student Artists Talk About Their Artwork And What Inspires Them
Published
3 years agoon
Young Artists, Makenna Wazevich and EG Pickering, Participating in the Upcoming Wesleyan Artist Market
The Wesleyan Artist Market is back again for another year to celebrate incredible local artists. On this episode of Peachtree Corners Life, Rico Figliolini is joined by two young artists, Makenna Wazevich and EG Pickering. Today they’re here to share their artistic inspirations, aspirations, and presence at this year’s market.
Resources:
Wesleyan Artist Market
EG’s Instagram: @egg.illu
Makenna’s Instagram: @hearttohomemadeco
Timestamp:
[00:00:30] – Intro
[00:01:45] – About EG
[00:05:04] – About Makenna
[00:06:34] – Digital Art and Physical Art
[00:09:30] – Inspirations
[00:16:01] – Moving into Creative Careers
[00:19:34] – Fun Facts about EG and Makenna
[00:23:10] – Closing
Podcast Transcript:
[00:00:30] Rico: Hi everyone. This is Rico Figliolini, host of Peachtree Corners Life and publisher of Peachtree Corners Magazine, the host of these podcasts and the sponsor. We have special guests today. Wesleyan Artist’s Market is coming up soon and we’re going to be doing coverage on that in our next issue highlighting three different artists that live or work or are around Peachtree Corners. But two today that we’re talking to are student artists, that have a very different way they do their artwork. And I wanted to be able to bring them on. And we’re going to be talking about some of their artwork, their experiences, and we’ll be asking them questions about who they are, what they like, and what type of artwork they like to do as well. So let me bring them on. We have on the top left is Makenna Wazevich, and on the bottom is EG Pickering. Glad to have you guys on. So I did this last year with two other student artists, and we talk about the individuals. So I’m going to bring on, we’re going to do EG first, right? We’re going to bring on EG first and we’re going to let her talk about her artwork and the type of artwork you do, and I’m going to try to share some of that, if I don’t mess it up right now, on this podcast. So tell us a bit about what you do and why you chose to exhibit at Wesleyan Artist Market.
[00:01:45] EG: Sure. I’ve been doing art since, pretty much for my entire life. Doing art well into high school seemed a pretty obvious choice for me. I’m in AP art right now. So I joined the artist market just last year for the first time. But it was a really good experience, so I thought I’d try that again. So as for the kind of art that I do, I try to incorporate a few different styles just because I’m always learning. I’m trying to constantly improve my artwork. So I try to do a little bit of realism. I’ve tried to do some cartoon kind of stuff. And occasionally I try to do some like abstract. So it really kind of depends on what I’m feeling that day.
[00:02:33] Rico: So some of your artwork is the Carnation that we showed before.
[00:02:37] EG: I’m really proud of that one.
[00:02:38] Rico: It’s a really good piece. If I can remove my logo would be even better, I guess. I really like that piece. I think that that was a great realistic sort of piece like that. The other piece that we showed before was the Koy Pond that you did. But you also do a lot of fantastical type, if you will.
[00:02:56] EG: I do, yes.
[00:02:57] Rico: And those are inspired by different things? Different pieces of work, I guess? Here’s another one.
[00:03:03] EG: Yeah. So this one in particular was actually a part of my AP art project. So yeah, I really like that one.
[00:03:12] Rico: What was that inspired by? Almost feels like Harry Potter.
[00:03:17] EG: Actually I don’t, I don’t know that it was directly inspired by anything. Well, that’s not true. It was inspired by, oh my gosh, there’s a phrase. I cannot believe I’ve forgotten the phrase that I was inspired by for my own artwork, but it was inspired by a specific phrase. But yeah, I just, I tried to incorporate that. And tried to make it really fantastical and whimsical and just happy.
[00:03:38] Rico: Yeah, and you did a nice job up on that. Here’s another one that you did as well.
[00:03:42] EG: Yeah, that was last year. And this was, you know, when pretty much everything was at home. So I actually had a little bit of trouble creating this one at home, because mostly I didn’t know where I was going with it at first. You should have seen the canvas before I landed on that, but.
[00:04:02] Rico: Now you do everything in Procreate, you said on your iPad?
[00:04:06] EG: Most things, yes.
[00:04:07] Rico: So when you’re doing that type of work, are you able to change things up fairly quick? I don’t know how many people may know Procreate if it’s similar to photoshop or not.
[00:04:17] EG: Yeah, that’s one of the main benefits of digital art actually is that you can change things really quickly. You can kind of change the size, the color, the value. So if you know anything about like photo editing, that knowledge would be really helpful in digital art.
[00:04:32] Rico: Cool. Alright, so let’s also bring on Makenna Hey, McKenna. So tell us a little bit, as we do this one, I’m going to also share some of your artwork as well. Tell us a little bit about yourself, what type of work you do. You’re very different medium. You started out when you were nine years old sewing. And it’s an interesting, because not everyone does this, obviously. But it’s cool, right, because it’s also three dimensions. Feel it in your hand, fabrics and all that. There’s so much more to it as well. So tell us a little bit about that and I’ll bring on some artwork.
[00:05:04] Makenna: Like you said, I started when I was nine. I can’t remember like directly what inspired me to start sewing, but I got a sewing machine for Christmas and I took some lessons and I started doing it at home more. And just kind of creating my own patterns and kind of just going to the fabric store, and picking out different things and putting some of this stuff together. I’ve been doing the Artist Market for a couple years now. I can’t remember exactly how many years, but I started when I was in fifth grade. And I really liked doing it because it’s great exposure for like my business. And I’ve gotten a lot of customers from it.
[00:05:48] Rico: So you have a business doing this? You’re actually selling artwork that you’re doing. Here’s another one that you did that we want to share with people. You want to tell us a little bit about that one as well?
[00:05:59] Makenna: Yes. So these are my patches. I have three different sizes. And this is actually the large pouch. That’s the small one. I try to make them in all different like patterns and colors. So it’s kind of versatile for everyone. And that’s what I’m looking for when I’m going into the fabric store. And this is my Necessities Pouch, which is the smallest one.
[00:06:20] Rico: Alright, cool. And I think we have another picture.
[00:06:23] Makenna: All of my artworks are like different, things that I sell. So I have bookmarks, pouches, pillowcases, scrunchies, all that kind of stuff.
[00:06:34] Rico: Cool. Great. So I appreciate you ladies sharing the type of work you do. You know, it’s interesting going from, fabric sewing, because you’re looking at the outside, but there’s also an inside. There’s seamstress work you have to do. You’re actually creating a pattern before you do any of that work, correct?
[00:06:51] Makenna: Yes.
[00:06:51] Rico: So have you ever thought about doing outfits, skirts, dresses?
[00:06:55] Makenna: When I did lessons a couple of years ago, I made shirts and stuff. But it’s a little bit harder. So I prefer making like smaller stuff like this. I find like a lot more people find it more interesting, especially for younger ages.
[00:07:08] Rico: Gotcha. And you actually go to different places, or different home shows, I guess? To sell your stuff there?
[00:07:16] Makenna: Yeah, I’ve been to a couple of different shows. In 2021, I did the Wesleyan Artist’s Market, but it was online. And then I did a show at Marist, which is their, I want to say it’s their holiday tradition show. And then I did one at Lake Oconee.
[00:07:32] Rico: Oh, okay, cool. And people can always find your work online as well.
[00:07:37] Makenna: Yes. I have an Instagram, which is where I post pictures sometimes of some of the stuff I make. I do a lot of custom orders for people.
[00:07:46] Rico: Alright, cool. Now getting to EG, the work you do, obviously Procreate. Are you able to translate that? I know that as a publisher, I know that you could probably take your artwork digitally and actually put it on canvas electricly. You can put her on posters and stuff. Have you done that? Or have you tried the crypto art, encrypted art work?
[00:08:07] EG: Oh, NFTs?
[00:08:10] Rico: NFTs, thank you. I always mess that up. Sorry about that, yeah NFTs. Because that would be, that would be perfect, right?
[00:08:20] EG: I have not tried NFTs yet. Mostly because I don’t know much about them. To be honest, what I have heard about them, isn’t the best. So I’m a little wary of that. But otherwise there are a lot of transferable skills for digital art. So for example, before I was using Procreate, I was using Photoshop. And before Photoshop, I was using some free third-party software. And before that I was using like Kidpics when I was four, you know? But yeah, they’re the, you know, it just kind of builds up over time.
[00:08:53] Rico: Right. When you do these things, I mean, you’re going to be at the Artist’s Market so how do you sell the artwork there? I understand how a pillow can be sold there because it’s a physical item. So, but how would you sell your artwork?
[00:09:06] EG: So, I use a third party company to print them, print my artwork onto stuff. Because I can’t, I unfortunately don’t have the tools at home to print my artwork on a cup.
[00:09:19] Rico: So, is that what you print your stuff on cups? Or do you do other types of things?
[00:09:23] EG: That’s just an example. I’m not quite sure yet if I’m going to offer my artwork on cups this year, but I might.
[00:09:30] Rico: Okay. Makenna, which artist or filmmaker or author do you take inspiration from?
[00:09:36] Makenna: There’s not like a specific person. But I actually do remember when I started, got my interest in sewing was when I was younger, I used to watch Project Runway with my mom and that’s kind of like what got me into thinking to want to sew.
[00:09:51] Rico: Okay. And that’s good. I mean, you have your own sewing machine, obviously, right?
[00:09:55] Makenna: Yeah, I do it all from home.
[00:09:59] Rico: Right, cool. And that’s not easy, I’ve got to tell you. I mean, my mother-in-law used to sew and she had a sewing machine, old fashioned, electric. Just being a seamstress work, my wife’s whole family are pattern makers, seamstresses from New York and stuff. And they would make these beautiful dresses. In fact, we made her engagement dress from something I designed. That’ll never happen again, that’s a long time ago. And it’s difficult, so you can imagine, so you can appreciate that, I think. EG what about you? A specific person or artist or artwork that you find inspiration from?
[00:10:32] EG: Honestly I draw my inspiration from a lot of what I see on social media. For example like, Instagram, Pinterest. I know those are kind of basic sources, but I like following different artists with different styles. I just think it’s so fascinating to me, how many styles are out there and how artists can incorporate styles of other artists into their own style. So it becomes like a conglomeration of styles and I just, I think that’s so cool.
[00:11:01] Rico: That is cool. And I also on Instagram and Pinterest follow a lot of different artists. And the great part about that is that they’re from all over the world. I mean, and there’s another source that Adobe has, which is I think It’s a portfolio site. Yeah, you should look into that if you’re into Adobe and stuff, because it’s the same thing like Pinterest, actually their boards and stuff like that, right? But you’re following an artist and they keep posting, it’s almost like blog posts, with their art work. You’re right. I mean, you can find inspiration anywhere that way, and it can even be photography, I would imagine. That might inspire and illustrate a type of work. Is there any art that you identify most with? If you could pick a piece of art out there, is there any artwork that you would identify with?
[00:11:43] EG: Like, that I’ve done or?
[00:11:45] Rico: That’s out there or that you’ve done, whichever one is fine.
[00:11:49] EG: I don’t have a specific piece of artwork that other people have done that I identify the most with. But I do have a genre that I identify a lot with. Or just like a kind of feeling that, that I identify with. It’s just, art that has a lot of emotion behind it. I think when you have emotion behind it, it just, it automatically becomes a lot more powerful. And even if you don’t know what exactly emotion that artist is communicating, it’s still felt. And actually, I learned recently, well I saw recently a project that, a previous AP art student had done and I was so drawn to it. It was very illustrative, pastel colors, and very whimsical and fantastical. So it, it definitely drew me in. I kind of related to that style of art. But then I found out it had this very tragic source of inspiration that they had drawn from and all of a sudden it all made sense. I just, I really, I was really impressed by it.
[00:12:55] Rico: Artwork that comes with a story. I think it makes that artwork even more have feeling. I think that’s why some paintings are worth millions of dollars. It’s basically because of the artists and the pain, maybe that they felt as they were doing that artwork. Makenna, do you have an inspiration like that, that you draw from? Any favorite place that you work from?
[00:13:14] Makenna: Not really. Sometimes once I start one pattern or like project or a product, whatever you want to call it, I usually get ideas from more. So like in the past with my patches, I’ve done, obviously I’ve made different sizes of them and one time I even did patchwork. So I did different fabrics on the outside. So I just kind of like work with it and make different things and make my own inspiration, if that makes sense.
[00:13:42] Rico: It does. And what types of fabrics do you like working best in?
[00:13:46] Makenna: Cotton is the easiest to work in. I do a lot of flannel. And then when I make my pillow cases, those are flannel and there’s a border around them if that makes sense. And it’s a Minky almost, so it’s much softer.
[00:14:02] Rico: Do you go out, there’s fabric places I know, do you go out and look at all the fabric? I mean, there’s tons. You can go into one of these stores and there’s thousands of them.
[00:14:11] Makenna: Yes. I typically go to Joann’s because they always have good coupons, which helps. And they have, like a wall of all their cotton fabrics and all the different colors. And so it’s easy to like go in with what you’re looking for. But it’s also good to keep an open mindset, because there’s so many different options.
[00:14:28] Rico: Sure. I can imagine, you can spend hours doing that, just looking at, through all the fabrics. Then even the stuff that you put onto it, right? The accents that you put onto it or sew onto it, depending on the project. So the Joanne’s probably the store that you go to versus any other store I would imagine. But are there other stores that you might go to where, maybe Home Goods or something where you’re there and you’re noticing stuff and you say, Hmm that’s cool. I’d like that. Maybe that’s inspiring. Do you see that? Do you see yourself doing that? When you go shopping?
[00:14:59] Makenna: I do that all the time, yeah.
[00:15:02] Rico: Cool. EG what about, there’s inspiration that you can find in all sorts of places. I know that you said Instagram, Pinterest and stuff, and genres right? I know one of the things that you pointed out, I think you like whimsical artwork and stuff. Anime was one of the areas there or anime art, which has also varies, right? Because there’s a lot of different ways to do that. Are there any specific animes that you enjoy that’s inspired you or artists within that realm?
[00:15:30] EG: So, like you said, anime is a very diverse genre. So certain kinds of artwork from that genre, I’ll say. One that I really, really like is Studio Ghibli. Because I had heard about their movies and their stories and these beautiful, beautiful backgrounds that they’ve used. And so I started watching them. And man, I agree wholeheartedly with those assessments. They’re absolutely gorgeous films. But they do follow the anime style. So that’s one of my main inspirations.
[00:16:01] Rico: Cool. They’re fantastic movies. It’s a shame that, what’s his name? Miyazaki retired. Actually, he might be coming out to do one more movie, I think. But my kids, Disney movies and those movies. So studio Ghibli is a great place. Let’s go into a little bit of some other questions, as far as, you’re doing artwork. Some people do artwork like they do sports, right? Some people do sports and they realize they’d love to be in that sport, but that’s not where they’re going to be. So they’re going to study law or something else like, you know, something different. Or maybe even physical therapy, so something somewhat related. But people are different, right? But you’re getting into art and you want to stay there, right? I mean, you want to go on to college or, maybe SCAD even, to do studies in art. Is that where you want to head to? And what ultimately, where ultimately, would you want to find yourself in like five, six years after you get out of school?
[00:16:56] EG: That’s honestly a great question. I really have found that I really would like to stay in a creative field. Just because I think, you know working on an Excel document, I think, in an office setting. I do understand that that’s not an option for a lot of people. But I realized that there is just as much risk in doing that as following what you really want to do. I guess in, in your heart or in your gut. So I really, I do want to do something creative. Even if I have to go a long way to get there. But yeah, I’m also interested in like photography and writing. So those are also creative paths that I could end up going down.
[00:17:40] Rico: Alright, cool. Yeah, the world is changing, right? It used to be before, a decade ago, 10 years ago, if you were a graphic designer. Pretty much, you were a graphic designer and you weren’t doing other things. That changed. You know, obviously kids in school, even my kids, as they were going through high school, they were taking Photoshop actually in middle school, they were doing even Photoshop. So right. And HTML and programming even. Even if you weren’t in school doing it. For example, I remember my daughter she loves, I think it’s Horse Isle, which was a horse riding game. And you’d have to make your own sort of website within that world. So she learned HTML by herself. She learned how to use Photoshop by herself, different brushes and stuff. I was just impressed, one day when I saw her doing, I was like, where’d you get those brushes? Did you download that? She’s like, no, I made those. And I was like, what? Really? So if you want to do these things and you have that talent and she’s not going that way, she’s doing something else. But it was a good fun time for her to be able to do that. Makenna, you’re doing work that I know from my experience with my family seamstresses and stuff like that, that worked for large dress companies and design firms, fashion companies. We used to get dresses in the warehouses in New York. Sometimes they’d let us in and we’d go shopping. Your type of work is a bit different though. And you can sell that stuff on Etsy. I mean, you become your own business easily, just as well as illustration too. So tell me what you want to do. Where do you want to be when you leave high school? Where do you think you’ll be going to and where do you want to be six, seven years from now?
[00:19:10] Makenna: I have a long time since I’m still a freshman until I kind of decide where I want to go and what I want to do. But I’ve definitely thought about fashion designing or kind of growing my business, as maybe even if it’s just on the side. I’ve also, I’m a gymnast so I’ve also thought about doing something that relates to sports. So like sports medicine or physical therapy, like you said.
[00:19:34] Rico: Cool. And there’s nothing wrong with having a business on the side. Sometimes that becomes lifestyle money. What’s called lifestyle money, right? It adds to your other income. And who knows? It may take off and you might end up being full-time doing that. We never know. Let’s go through a couple of other questions that are not necessarily on the artwork, but sort of hopefully a little bit more revealing of the type of person you may be. And I’ve asked these questions of other people sometimes. What superpower would you have and why? And let’s start with EG on that one.
[00:20:04] EG: I’m going to be honest, I have thought a lot about this. I have not been able to come up with a complete answer. Because there’s a lot of super powers out there and choosing one seems, you know, you might choose one and then you’re like, ah, I wish I’d chosen that one. But, I think overall one of the best ones out there is flying. And I know that’s really like, that’s one of the more popular ones, but it’s for a good reason. Because being an artist specifically, I could just casually float up over Atlanta one day and sketch that. That’d be fun.
[00:20:40] Rico: That would be. What about you Makenna? What superpowers, if you could pick one, would you have and why?
[00:20:46] Makenna: I don’t know. Maybe super strength. And there’s not like an exact reason. Like, I don’t know. It just sounds cool. Just randomly like lift up a car or something.
[00:20:55] Rico: Alright, alright. Super strength is always good. What wouldn’t you do without? Let’s start with Makenna, maybe. If there was something that’s your favorite thing, I guess, that you wouldn’t do without. It could be anything. It could be time.
[00:21:09] Makenna: That’s a really hard question.
[00:21:10] Rico: It is. It’s more, really like life question, actually.
[00:21:13] Makenna: I’m not sure.
[00:21:14] Rico: Okay. EG, do you want to step in and say one? Do you have one?
[00:21:18] EG: I mean, I use my iPad and my Apple Pencil pretty much every day. I’ve actually started bringing them to school because I draw on them every single day. So pretty much my iPad and my Apple Pencil are essential to my life right now.
[00:21:35] Rico: Cool. Makenna, do you use anything to like sketch or keep a diary? Do you do any of that as well?
[00:21:41] Makenna: I do a lot of my stuff on paper. All my patterns are made of those either posterboard or cardstock. And so I’m able to like draw it out and like take measurements. I usually write it down in a notebook, what the measurements are and stuff. And like what I want it to look like.
[00:21:57] Rico: Alright, cool. So the next few questions are just the standard Q and A’s that I drop in towards the end of an interview. What’s your favorite food EG?
[00:22:06] EG: Ooh, as far as snack food, that would definitely be popcorn. I make popcorn a lot. So much so that we actually have a popcorn popper and we have to buy popcorn kernels, but it is really good. It is really good.
[00:22:20] Rico: Makenna what about you?
[00:22:22] Makenna: Favorite food is probably any type of Italian food. I love pasta or pizza.
[00:22:27] Rico: Okay. And what’s your favorite book or movie EG?
[00:22:31] EG: I actually have not ever been able to come up with an answer for this one. But I do really, really like the Marvel movies. I’m a big fan of those.
[00:22:41] Rico: How about your makenna?
[00:22:42] Makenna: That’s so hard. It always changes whenever I watch a new movie. I’m not the best at like keeping up and reading books, but I just like stick to the one’s we have to read for school. But movie, it’s really hard. But like she said, I also liked Marvel movies and like Disney movies.
[00:22:58] Rico: Do either of you speak a language other than English?
[00:23:01] EG: I’m trying to learn French. I’m in French classes right now, so.
[00:23:05] Makenna: Yeah, I’m the same. I’m taking French at school, but I’m definitely not fluent.
[00:23:10] Rico: Oh yeah, French is not easy. I spoke a little bad Italian and I decided to take French in high school, which was just a mistake. I should’ve stuck with an Italian, that would have been an easy A. So, let’s go for one last thing that I’d like both of you, one at a time, we’ll start with EG. Where can people, obviously the Instagram, your Instagram addresses are both below your names, above your heads on this video. But where can people find or follow you? Are there different places and where can they purchase artwork? Obviously, you’re going to be at Wesleyan Artist Market so they can visit that too.
[00:23:46] EG: Yes. Please come visit me at the Wesleyan Artist Market, I’ll have a lot of stuff out. But yes, obviously the Instagram. And then I also have a Red Bubble, if you don’t know what a Red Bubble is, it’s basically again, this service that you can upload your art onto and you can get that in pretty much everything. So I have uploaded just a few things to Red Bubble, but I’m hoping to upload more soon.
[00:24:13] Rico: I haven’t heard of that one, alright. What about you Makenna? Where can people find out about you and buy your products and stuff?
[00:24:20] Makenna: Definitely through my Instagram, like DM me. My email is also in my bio of my Instagram, for my business. That’s the main place. You can also find me at a boutique at Lake Oconee, it’s called the Artisans Village. And I used to be in a boutique in Atlanta, but they recently closed. But yeah.
[00:24:42] Rico: Cool, great. The Wesleyan Artist’s Market is happening in April. We’re going to have show notes to this video podcast. Obviously if you’re listening to this on Spotify or iHeartRadio, just Google Wesleyan Artist Market, and you’ll be able to find out the date and such. But we’ll have the link in the show notes on this. Feel free to look for other artists, but certainly EG Pickering and Makenna Wazevich. Check them out because they’re talented kids. I appreciate your time here with me Makenna and EG. My name is Rico Figliolini. I want to thank you all for listening in to this podcast and check out Wesleyan Artist Market.
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The Extraordinary Lives of Ordinary People: Q&A with Author Dan Leonard
Published
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February 22, 2025Dan Leonard has called Peachtree Corners home for the past 42 years, working in the IT field, building a strong community of personal and professional connections and leading the local Bikes and Friends Cycling Club.
Most recently, he wrote and released his first book — a memoir titled “The Extraordinary Lives of Ordinary People” — adding ‘published author’ to his list of accomplishments.
Drawing on the physical challenges Dan faced (and overcame) while growing up, as well as inspiration from others, the book dives into themes of resilience and personal growth while painting a vivid picture of his family life in New England during the 60s and 70s.
Through personal narrative, he takes readers on a thought-provoking journey through his childhood and adolescence, sharing “formative experiences that were shaped by his Italian-American and Irish-German heritage.”
Dan spoke with us recently about his memoir, sharing his thoughts on the writing process, lessons learned and his future plans.
What inspired you to write a memoir? What challenges, if any, did you face?
On the surface, like many people my age closing in on 70, I wanted to leave a legacy, telling my story of resilience and transformation to hopefully inspire others.
I once read that people should consider their mental health before writing a memoir. At the time I didn’t quite appreciate that statement. Like many outgoing people, I usually enjoyed talking about myself, especially while trying to relate to others.
Writing my memoir turned out to be a very positive experience since I tried to explore my story with honesty and compassion while highlighting the people and experiences that had the most influence on me. However, in the final throes of completing a rough draft, I spent nearly two weeks without sleep and experienced daytime dream-like episodes.
For example, I have a former classmate who is a successful screenwriter, and I was intent on getting him my manuscript because I thought it might make a compelling movie!
The book took me over a year [to write] and was a worthwhile and enjoyable experience and, I would say, cathartic as well.
Can you share a little about your background? Had you written or published anything prior to this?
I spent 42 years in the Information Technology field mostly working closely with major corporations helping them streamline and digitize their operations. I began in sales and marketing and moved to management later in my career.
I have always enjoyed writing for pleasure, but much of my writing was business oriented and expected to be short and concise. I have been interviewed many times in my career leading to industry centric publications but nothing with sole direct personal benefit such as my recent memoir or upcoming novel.
The book is about resilience and recognizing that ordinary moments can have an extraordinary impact on one’s life. Have you always seen the world this way? Or was it something that came to you over time?
I have always been deeply introspective but with a strong desire to relate well with others and make friends.
Given my humble beginnings experiencing many physical challenges from night time seizures, pronated ankles, severe allergies, a slight lisp and ADD among other things, I never felt like I was working from a position of strength. I typically felt like the underdog, especially anxious to prove to both myself and others that I could be just as good.
Each triumph seemed to require an extraordinary effort sometimes just to meet the norm.
What was the most difficult or unexpected thing you encountered writing and publishing the book?
To be completely honest, the most difficult thing was to convince myself that my story was worth telling and that other people besides my family and closest friends would be truly interested.
Who was I, really? I was never a CEO, famous athlete, politician or war hero. I was just a regular guy who lived a mostly ordinary life but, in many cases, encountered extraordinary challenges.
Maybe partly because I have a tendency to be bold and take on challenges that I am not always prepared for, I would sometimes get in my head and say, “well everybody has a story, some lots more interesting than yours, so why would anyone be interested in yours?”
Early and mid-stream through my writing, there were days and even weeks when I let these thoughts stall my writing, but fortunately they were only temporary.
What lessons did you learn from the process?
You’ll have to read my book!
When I began writing the book, I was at a point where I had retired from my 42-year career and was no longer actively consulting. My life involved spending as much time as possible cycling with my club, Bikes and Friends, completing home projects and spending time with family.
I would typically rise at 7 or 8 a.m., unless I had an early bike ride, and move through the day at a very comfortable pace. Finally completing the book and committing to a marketing campaign and future publications over the next several months has given me a renewed purpose. I now start my day at 6 a.m., go to the gym and work harder, write as much as possible and seek out more purposeful endeavors.
I met [recently] with the City of Peachtree Corners to begin planning a charity ride later this year. And I am evaluating a board position at a local non-profit.
What’s the main thing you’d like readers to take away from Extraordinary Lives?
That their life is every bit as valuable as others, and if they have any interest in sharing their story or anything that they desire then to do it to their fullest!
You’re traveling for events to promote the book. Will you be doing any promotional events closer to home?
Yes, I will be speaking at the local Fowler YMCA on March 14, and as my book marketing reaches a proposed 300 platforms over the next few weeks, I expect to have at least a few nearby book signings and presence in local bookstores.
Do you have plans to write another book?
Absolutely! I am currently working on a futuristic sci-fi novel based on a group of cyclists called “Defending His Life,” which will hopefully be available by June.
The Extraordinary Lives of Ordinary People is available on Amazon. Are there other places readers can purchase the book?
It will also be available on BN.com and in select Barnes and Noble stores. My publisher hub partner plans to push 200+ copies out to select bookstores, so hopefully many other places [as well].
Is there anything else you’d like to share?
Many people my age relate to the way things used to be, where only famous people wrote books and they were limited to highly selective publishing houses that controlled their intellectual property.
It’s a new world, anyone that has something to say can say it, and there are so many different mediums available today. Be bold and get out there and say it. Your reward will go way beyond practical measures and may certainly open up new opportunities.
If nothing else, writing my memoir has given me an opportunity to reengage with people that I haven’t talked with or thought about in years and even decades.
About The Extraordinary Lives of Ordinary People
From enduring challenges and overcoming adversity to honoring the strength of family bonds, Dan’s debut book offers a look at how ordinary moments can have an extraordinary impact.
The memoir is currently available on Amazon as an e-book, hardback and paperback. It should soon be available on bn.com, at our local Barnes and Noble and in other bookstores as well.
For more information about Dan Leonard, visit booksbydanleonard.com.
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Arts & Literature
Tales From the Farm: Q&A with Local Indie Children’s Author, Katie Morgan Lester
Published
4 weeks agoon
January 27, 2025Local children’s author and illustrator, Katie Morgan Lester, recently released a new book — the third in her Morgan Farm Books series. Launched last year, Gracie the Goat is all about the importance of being a good listener. Inspired by Lester’s own pet goat from childhood, it tells the tale of Gracie and her adventures in meeting a new friend.
Gracie the Goat follows two previous titles in the series: Picky Pig Pete and Raymond the Rooster. Each of the books includes simple life lessons, as well as rhyming lines, watercolor illustrations and photos of the real animals the stories are based on — elements that appeal to younger kids as well as early readers.
We recently caught up with the Peachtree Corners author to hear more about her life, the book series and what inspires her work.
How long have you lived in Peachtree Corners?
My husband Mark and I have lived in Peachtree Corners for approximately 20 years. We knew even before having our son Brandon (who is now 17 years old and a junior at Norcross High School), that we loved the area and the people here.
We adore the street we live on with such loving neighbors. We’ve been blessed to be in Peachtree Corners with others providing such a sense of community.
In addition to creating children’s books, I am also a cardio instructor at the local YMCA, and I teach a part time preschool class and an after-school art class at Simpsonwood United Methodist Church.
What led you to want to write children’s books?
I grew up on a South Carolina farm with many types of animals. As a child and throughout my adulthood, I have loved to draw illustrations.
I graduated from Furman University with a studio art degree, [then] worked in advertising and marketing for 20 years but always did artwork as a side business — my favorite things to paint being children’s room décor and murals.
Once I had our son Brandon, I aspired to create a children’s book with my own illustrations to dedicate to him. I slowly began creating a rhyming story and the characters to include. I used the farm I grew up on as the setting, and all of the animal characters in my books are based on real ones from there.
Where did the idea for the series come from?
My maiden name is Morgan and the name of the farm I grew up on is Morgan Farms. The farm is the setting for all of my books. To use Morgan Farm Books as my series name came naturally and keeps me connected to my family roots.
Each book has an important message for children: Picky Pig Pete teaches children to try something new — whether that’s a new food or an activity — and can be a help to [those with picky eaters]. Raymond the Rooster is a great message that friends come in all colors, shapes and sizes. And Gracie the Goat teaches children to be good listeners.
While each book has its own story and can easily be purchased separately, I felt having a series title would connect my current and future books. It can also give encouragement for those that buy the books to want to continue the series.
How many books do you plan to write and illustrate in the series?
I enjoy writing and illustrating children’s books so much that I would love to continue for years to come. I do not have any specific number of books in mind, but will continue on as long as there are more farm animals and stories to write.
The third book is out now, and you’re working on the next one. Can you share anything about it?
I am currently writing my fourth book. As with the others, I’m pulling out one of the current animals to be the main character and hope to have it completed by the end of 2025. The message for that one will be about emotions.
Please keep checking in with me [at my website] as I’ll begin to provide more information on that book soon!
What ages are your books intended for?
The books are great for baby gifts all the way up to approximately eight years old. With the rhyming in each, the books are perfect for early readers. I do add a little bit of humor to each to make them enjoyable for parents as well.
Where can parents find your books?
The Morgan Farm Books can be purchased directly through me or my website. This allows me to write a personalized, encouraging note to your child(ren) and sign each one.
Website: morganfarmbooks.com/purchase-book
Instagram: instagram.com/morganfarmbooks
Facebook: facebook.com/morganfarmbooks
Combos may be purchased as well, which is a book paired with a small stuffed animal, lovingly packaged as a gift. I’m also available for in-person visits or virtual author/illustrator events featuring the books from my series.
For more information, visit morganfarmbooks.com.
Related
Around Atlanta
The High Museum to Showcase “Thinking Eye, Seeing Mind”
Published
2 months agoon
December 12, 2024The special exhibition of the Medford and Loraine Johnston Collection will run January 17 through May 25, 2025
In the mid-1970s, artist and Georgia State University professor Medford Johnston, along with his wife and collaborator Loraine, began collecting works by artists who were in the vanguard of contemporary art. Today, they hold one of the finest collections of postwar American drawings and related objects of its kind, now numbering more than 85 works.
In 2025, the High Museum of Art will present Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection, featuring their collected works, which is a promised gift to the museum. Featuring artists such as Sol LeWitt, Brice Marden, Elizabeth Murray, Martin Puryear, Ed Ruscha, Al Taylor, Anne Truitt, Stanley Whitney and Terry Winters, among others, the exhibition will demonstrate how establishing the parameters of an art collection requires infinite patience, focus, discipline and a keen eye.
“The Johnstons have been friends of the High for a very long time. They’ve also built an impressive collection featuring works by many of the 20th century’s most significant abstract artists,” said the High’s Director Rand Suffolk. “We are honored that they have promised to leave their collection to the Museum where it will be preserved for future generations — and we are delighted that they are sharing it with our audiences now, hopefully inspiring the next generation of art collectors and supporters.”
A curated collection
The Johnstons’ story is a testament to, in the words of the High’s Wieland Family Senior Curator of Modern and Contemporary Art, Michael Rooks, “knowing the difference between what is right and what is almost right” when building a collection.
Although the Johnstons acquired several paintings and objects when they first began collecting in 1972, they quickly narrowed their focus to drawing, primarily by artists working on the frontlines of abstraction in the mid-1960s during a time of great innovation and experimentation.
Rooks added, “Med and Loraine’s collection struck me at once by its single-minded focus on a specific moment in time, which was essentially the time of their contemporaries. The artists in their collection are like close friends to the Johnstons — in fact many are or were. What is equally astonishing about the collection is the Johnstons’ dogged pursuit of quality. Their in-depth knowledge of each artist’s practice combined with their understanding of specific qualities to look for — or more appropriately, to hold out for — will be a revelation to emerging collectors.”
The Johnstons have built their collection with the High in mind as the benefactor of their passion and discernment. For them, their collection “is a labor of love, pursued over more than 50 years, and we are delighted to be able to help the High Museum document and celebrate these important artists working during the same decades as our lives.”
About the exhibit
Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection will be presented in the Special Exhibition Galleries on the second level of the High’s Stent Family Wing.
The exhibit is organized by the High Museum of Art and made possible through the generosity of sponsors:
- Premier Exhibition Series Sponsor Delta Air Lines, Inc.
- Premier Exhibition Series Supporters Mr. Joseph H. Boland, Jr., The Fay S. and W. Barrett Howell Family Foundation, Harry Norman Realtors and wish Foundation
- Benefactor Exhibition Series Supporters Robin and Hilton Howell
- Ambassador Exhibition Series Supporters Loomis Charitable Foundation and Mrs. Harriet H. Warren
- Contributing Exhibition Series Supporters Farideh and Al Azadi, Mary and Neil Johnson, Mr. and Mrs. Baxter Jones, Megan and Garrett Langley, Margot and Danny McCaul, Wade A. Rakes II and Nicholas Miller and Belinda Stanley-Majors and Dwayne Majors.
Support has also been provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, RJR Nabisco Exhibition Endowment Fund and USI Insurance Services.
About the High Museum of Art
Located in the heart of Atlanta, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs.
Housed within facilities designed by Pritzker Prize-winning architects Richard Meier and Renzo Piano, the High features a collection of more than 19,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from prehistory through the present; and significant holdings of European paintings and works on paper.
The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.
For more information about the High or to purchase tickets, visit high.org.
Top image: (from the collection) Terry Winters (American, born 1949), Orb, 2020, oil on paper, The Johnston Collection. © Terry Winters, Courtesy Matthew Marks Gallery, New York.
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