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Wesleyan School Student Artists Talk About Their Artwork And What Inspires Them

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Young Artists, Makenna Wazevich and EG Pickering, Participating in the Upcoming Wesleyan Artist Market

The Wesleyan Artist Market is back again for another year to celebrate incredible local artists. On this episode of Peachtree Corners Life, Rico Figliolini is joined by two young artists, Makenna Wazevich and EG Pickering. Today they’re here to share their artistic inspirations, aspirations, and presence at this year’s market.

Resources:

Wesleyan Artist Market
EG’s Instagram: @egg.illu
Makenna’s Instagram: @hearttohomemadeco

Timestamp:

[00:00:30] – Intro
[00:01:45] – About EG
[00:05:04] – About Makenna
[00:06:34] – Digital Art and Physical Art
[00:09:30] – Inspirations
[00:16:01] – Moving into Creative Careers
[00:19:34] – Fun Facts about EG and Makenna
[00:23:10] – Closing


Podcast Transcript:

[00:00:30] Rico: Hi everyone. This is Rico Figliolini, host of Peachtree Corners Life and publisher of Peachtree Corners Magazine, the host of these podcasts and the sponsor. We have special guests today. Wesleyan Artist’s Market is coming up soon and we’re going to be doing coverage on that in our next issue highlighting three different artists that live or work or are around Peachtree Corners. But two today that we’re talking to are student artists, that have a very different way they do their artwork. And I wanted to be able to bring them on. And we’re going to be talking about some of their artwork, their experiences, and we’ll be asking them questions about who they are, what they like, and what type of artwork they like to do as well. So let me bring them on. We have on the top left is Makenna Wazevich, and on the bottom is EG Pickering. Glad to have you guys on. So I did this last year with two other student artists, and we talk about the individuals. So I’m going to bring on, we’re going to do EG first, right? We’re going to bring on EG first and we’re going to let her talk about her artwork and the type of artwork you do, and I’m going to try to share some of that, if I don’t mess it up right now, on this podcast. So tell us a bit about what you do and why you chose to exhibit at Wesleyan Artist Market.

[00:01:45] EG: Sure. I’ve been doing art since, pretty much for my entire life. Doing art well into high school seemed a pretty obvious choice for me. I’m in AP art right now. So I joined the artist market just last year for the first time. But it was a really good experience, so I thought I’d try that again. So as for the kind of art that I do, I try to incorporate a few different styles just because I’m always learning. I’m trying to constantly improve my artwork. So I try to do a little bit of realism. I’ve tried to do some cartoon kind of stuff. And occasionally I try to do some like abstract. So it really kind of depends on what I’m feeling that day.

[00:02:33] Rico: So some of your artwork is the Carnation that we showed before.

[00:02:37] EG: I’m really proud of that one.

[00:02:38] Rico: It’s a really good piece. If I can remove my logo would be even better, I guess. I really like that piece. I think that that was a great realistic sort of piece like that. The other piece that we showed before was the Koy Pond that you did. But you also do a lot of fantastical type, if you will.

[00:02:56] EG: I do, yes.

[00:02:57] Rico: And those are inspired by different things? Different pieces of work, I guess? Here’s another one.

[00:03:03] EG: Yeah. So this one in particular was actually a part of my AP art project. So yeah, I really like that one.

[00:03:12] Rico: What was that inspired by? Almost feels like Harry Potter.

[00:03:17] EG: Actually I don’t, I don’t know that it was directly inspired by anything. Well, that’s not true. It was inspired by, oh my gosh, there’s a phrase. I cannot believe I’ve forgotten the phrase that I was inspired by for my own artwork, but it was inspired by a specific phrase. But yeah, I just, I tried to incorporate that. And tried to make it really fantastical and whimsical and just happy.

[00:03:38] Rico: Yeah, and you did a nice job up on that. Here’s another one that you did as well.

[00:03:42] EG: Yeah, that was last year. And this was, you know, when pretty much everything was at home. So I actually had a little bit of trouble creating this one at home, because mostly I didn’t know where I was going with it at first. You should have seen the canvas before I landed on that, but.

[00:04:02] Rico: Now you do everything in Procreate, you said on your iPad?

[00:04:06] EG: Most things, yes.

[00:04:07] Rico: So when you’re doing that type of work, are you able to change things up fairly quick? I don’t know how many people may know Procreate if it’s similar to photoshop or not.

[00:04:17] EG: Yeah, that’s one of the main benefits of digital art actually is that you can change things really quickly. You can kind of change the size, the color, the value. So if you know anything about like photo editing, that knowledge would be really helpful in digital art.

[00:04:32] Rico: Cool. Alright, so let’s also bring on Makenna Hey, McKenna. So tell us a little bit, as we do this one, I’m going to also share some of your artwork as well. Tell us a little bit about yourself, what type of work you do. You’re very different medium. You started out when you were nine years old sewing. And it’s an interesting, because not everyone does this, obviously. But it’s cool, right, because it’s also three dimensions. Feel it in your hand, fabrics and all that. There’s so much more to it as well. So tell us a little bit about that and I’ll bring on some artwork.

[00:05:04] Makenna: Like you said, I started when I was nine. I can’t remember like directly what inspired me to start sewing, but I got a sewing machine for Christmas and I took some lessons and I started doing it at home more. And just kind of creating my own patterns and kind of just going to the fabric store, and picking out different things and putting some of this stuff together. I’ve been doing the Artist Market for a couple years now. I can’t remember exactly how many years, but I started when I was in fifth grade. And I really liked doing it because it’s great exposure for like my business. And I’ve gotten a lot of customers from it.

[00:05:48] Rico: So you have a business doing this? You’re actually selling artwork that you’re doing. Here’s another one that you did that we want to share with people. You want to tell us a little bit about that one as well?

[00:05:59] Makenna: Yes. So these are my patches. I have three different sizes. And this is actually the large pouch. That’s the small one. I try to make them in all different like patterns and colors. So it’s kind of versatile for everyone. And that’s what I’m looking for when I’m going into the fabric store. And this is my Necessities Pouch, which is the smallest one.

[00:06:20] Rico: Alright, cool. And I think we have another picture.

[00:06:23] Makenna: All of my artworks are like different, things that I sell. So I have bookmarks, pouches, pillowcases, scrunchies, all that kind of stuff.

[00:06:34] Rico: Cool. Great. So I appreciate you ladies sharing the type of work you do. You know, it’s interesting going from, fabric sewing, because you’re looking at the outside, but there’s also an inside. There’s seamstress work you have to do. You’re actually creating a pattern before you do any of that work, correct?

[00:06:51] Makenna: Yes.

[00:06:51] Rico: So have you ever thought about doing outfits, skirts, dresses?

[00:06:55] Makenna: When I did lessons a couple of years ago, I made shirts and stuff. But it’s a little bit harder. So I prefer making like smaller stuff like this. I find like a lot more people find it more interesting, especially for younger ages.

[00:07:08] Rico: Gotcha. And you actually go to different places, or different home shows, I guess? To sell your stuff there?

[00:07:16] Makenna: Yeah, I’ve been to a couple of different shows. In 2021, I did the Wesleyan Artist’s Market, but it was online. And then I did a show at Marist, which is their, I want to say it’s their holiday tradition show. And then I did one at Lake Oconee.

[00:07:32] Rico: Oh, okay, cool. And people can always find your work online as well.

[00:07:37] Makenna: Yes. I have an Instagram, which is where I post pictures sometimes of some of the stuff I make. I do a lot of custom orders for people.

[00:07:46] Rico: Alright, cool. Now getting to EG, the work you do, obviously Procreate. Are you able to translate that? I know that as a publisher, I know that you could probably take your artwork digitally and actually put it on canvas electricly. You can put her on posters and stuff. Have you done that? Or have you tried the crypto art, encrypted art work?

[00:08:07] EG: Oh, NFTs?

[00:08:10] Rico: NFTs, thank you. I always mess that up. Sorry about that, yeah NFTs. Because that would be, that would be perfect, right?

[00:08:20] EG: I have not tried NFTs yet. Mostly because I don’t know much about them. To be honest, what I have heard about them, isn’t the best. So I’m a little wary of that. But otherwise there are a lot of transferable skills for digital art. So for example, before I was using Procreate, I was using Photoshop. And before Photoshop, I was using some free third-party software. And before that I was using like Kidpics when I was four, you know? But yeah, they’re the, you know, it just kind of builds up over time.

[00:08:53] Rico: Right. When you do these things, I mean, you’re going to be at the Artist’s Market so how do you sell the artwork there? I understand how a pillow can be sold there because it’s a physical item. So, but how would you sell your artwork?

[00:09:06] EG: So, I use a third party company to print them, print my artwork onto stuff. Because I can’t, I unfortunately don’t have the tools at home to print my artwork on a cup.

[00:09:19] Rico: So, is that what you print your stuff on cups? Or do you do other types of things?

[00:09:23] EG: That’s just an example. I’m not quite sure yet if I’m going to offer my artwork on cups this year, but I might.

[00:09:30] Rico: Okay. Makenna, which artist or filmmaker or author do you take inspiration from?

[00:09:36] Makenna: There’s not like a specific person. But I actually do remember when I started, got my interest in sewing was when I was younger, I used to watch Project Runway with my mom and that’s kind of like what got me into thinking to want to sew.

[00:09:51] Rico: Okay. And that’s good. I mean, you have your own sewing machine, obviously, right?

[00:09:55] Makenna: Yeah, I do it all from home.

[00:09:59] Rico: Right, cool. And that’s not easy, I’ve got to tell you. I mean, my mother-in-law used to sew and she had a sewing machine, old fashioned, electric. Just being a seamstress work, my wife’s whole family are pattern makers, seamstresses from New York and stuff. And they would make these beautiful dresses. In fact, we made her engagement dress from something I designed. That’ll never happen again, that’s a long time ago. And it’s difficult, so you can imagine, so you can appreciate that, I think. EG what about you? A specific person or artist or artwork that you find inspiration from?

[00:10:32] EG: Honestly I draw my inspiration from a lot of what I see on social media. For example like, Instagram, Pinterest. I know those are kind of basic sources, but I like following different artists with different styles. I just think it’s so fascinating to me, how many styles are out there and how artists can incorporate styles of other artists into their own style. So it becomes like a conglomeration of styles and I just, I think that’s so cool.

[00:11:01] Rico: That is cool. And I also on Instagram and Pinterest follow a lot of different artists. And the great part about that is that they’re from all over the world. I mean, and there’s another source that Adobe has, which is I think It’s a portfolio site. Yeah, you should look into that if you’re into Adobe and stuff, because it’s the same thing like Pinterest, actually their boards and stuff like that, right? But you’re following an artist and they keep posting, it’s almost like blog posts, with their art work. You’re right. I mean, you can find inspiration anywhere that way, and it can even be photography, I would imagine. That might inspire and illustrate a type of work. Is there any art that you identify most with? If you could pick a piece of art out there, is there any artwork that you would identify with?

[00:11:43] EG: Like, that I’ve done or?

[00:11:45] Rico: That’s out there or that you’ve done, whichever one is fine.

[00:11:49] EG: I don’t have a specific piece of artwork that other people have done that I identify the most with. But I do have a genre that I identify a lot with. Or just like a kind of feeling that, that I identify with. It’s just, art that has a lot of emotion behind it. I think when you have emotion behind it, it just, it automatically becomes a lot more powerful. And even if you don’t know what exactly emotion that artist is communicating, it’s still felt. And actually, I learned recently, well I saw recently a project that, a previous AP art student had done and I was so drawn to it. It was very illustrative, pastel colors, and very whimsical and fantastical. So it, it definitely drew me in. I kind of related to that style of art. But then I found out it had this very tragic source of inspiration that they had drawn from and all of a sudden it all made sense. I just, I really, I was really impressed by it.

[00:12:55] Rico: Artwork that comes with a story. I think it makes that artwork even more have feeling. I think that’s why some paintings are worth millions of dollars. It’s basically because of the artists and the pain, maybe that they felt as they were doing that artwork. Makenna, do you have an inspiration like that, that you draw from? Any favorite place that you work from?

[00:13:14] Makenna: Not really. Sometimes once I start one pattern or like project or a product, whatever you want to call it, I usually get ideas from more. So like in the past with my patches, I’ve done, obviously I’ve made different sizes of them and one time I even did patchwork. So I did different fabrics on the outside. So I just kind of like work with it and make different things and make my own inspiration, if that makes sense.

[00:13:42] Rico: It does. And what types of fabrics do you like working best in?

[00:13:46] Makenna: Cotton is the easiest to work in. I do a lot of flannel. And then when I make my pillow cases, those are flannel and there’s a border around them if that makes sense. And it’s a Minky almost, so it’s much softer.

[00:14:02] Rico: Do you go out, there’s fabric places I know, do you go out and look at all the fabric? I mean, there’s tons. You can go into one of these stores and there’s thousands of them.

[00:14:11] Makenna: Yes. I typically go to Joann’s because they always have good coupons, which helps. And they have, like a wall of all their cotton fabrics and all the different colors. And so it’s easy to like go in with what you’re looking for. But it’s also good to keep an open mindset, because there’s so many different options.

[00:14:28] Rico: Sure. I can imagine, you can spend hours doing that, just looking at, through all the fabrics. Then even the stuff that you put onto it, right? The accents that you put onto it or sew onto it, depending on the project. So the Joanne’s probably the store that you go to versus any other store I would imagine. But are there other stores that you might go to where, maybe Home Goods or something where you’re there and you’re noticing stuff and you say, Hmm that’s cool. I’d like that. Maybe that’s inspiring. Do you see that? Do you see yourself doing that? When you go shopping?

[00:14:59] Makenna: I do that all the time, yeah.

[00:15:02] Rico: Cool. EG what about, there’s inspiration that you can find in all sorts of places. I know that you said Instagram, Pinterest and stuff, and genres right? I know one of the things that you pointed out, I think you like whimsical artwork and stuff. Anime was one of the areas there or anime art, which has also varies, right? Because there’s a lot of different ways to do that. Are there any specific animes that you enjoy that’s inspired you or artists within that realm?

[00:15:30] EG: So, like you said, anime is a very diverse genre. So certain kinds of artwork from that genre, I’ll say. One that I really, really like is Studio Ghibli. Because I had heard about their movies and their stories and these beautiful, beautiful backgrounds that they’ve used. And so I started watching them. And man, I agree wholeheartedly with those assessments. They’re absolutely gorgeous films. But they do follow the anime style. So that’s one of my main inspirations.

[00:16:01] Rico: Cool. They’re fantastic movies. It’s a shame that, what’s his name? Miyazaki retired. Actually, he might be coming out to do one more movie, I think. But my kids, Disney movies and those movies. So studio Ghibli is a great place. Let’s go into a little bit of some other questions, as far as, you’re doing artwork. Some people do artwork like they do sports, right? Some people do sports and they realize they’d love to be in that sport, but that’s not where they’re going to be. So they’re going to study law or something else like, you know, something different. Or maybe even physical therapy, so something somewhat related. But people are different, right? But you’re getting into art and you want to stay there, right? I mean, you want to go on to college or, maybe SCAD even, to do studies in art. Is that where you want to head to? And what ultimately, where ultimately, would you want to find yourself in like five, six years after you get out of school?

[00:16:56] EG: That’s honestly a great question. I really have found that I really would like to stay in a creative field. Just because I think, you know working on an Excel document, I think, in an office setting. I do understand that that’s not an option for a lot of people. But I realized that there is just as much risk in doing that as following what you really want to do. I guess in, in your heart or in your gut. So I really, I do want to do something creative. Even if I have to go a long way to get there. But yeah, I’m also interested in like photography and writing. So those are also creative paths that I could end up going down.

[00:17:40] Rico: Alright, cool. Yeah, the world is changing, right? It used to be before, a decade ago, 10 years ago, if you were a graphic designer. Pretty much, you were a graphic designer and you weren’t doing other things. That changed. You know, obviously kids in school, even my kids, as they were going through high school, they were taking Photoshop actually in middle school, they were doing even Photoshop. So right. And HTML and programming even. Even if you weren’t in school doing it. For example, I remember my daughter she loves, I think it’s Horse Isle, which was a horse riding game. And you’d have to make your own sort of website within that world. So she learned HTML by herself. She learned how to use Photoshop by herself, different brushes and stuff. I was just impressed, one day when I saw her doing, I was like, where’d you get those brushes? Did you download that? She’s like, no, I made those. And I was like, what? Really? So if you want to do these things and you have that talent and she’s not going that way, she’s doing something else. But it was a good fun time for her to be able to do that. Makenna, you’re doing work that I know from my experience with my family seamstresses and stuff like that, that worked for large dress companies and design firms, fashion companies. We used to get dresses in the warehouses in New York. Sometimes they’d let us in and we’d go shopping. Your type of work is a bit different though. And you can sell that stuff on Etsy. I mean, you become your own business easily, just as well as illustration too. So tell me what you want to do. Where do you want to be when you leave high school? Where do you think you’ll be going to and where do you want to be six, seven years from now?

[00:19:10] Makenna: I have a long time since I’m still a freshman until I kind of decide where I want to go and what I want to do. But I’ve definitely thought about fashion designing or kind of growing my business, as maybe even if it’s just on the side. I’ve also, I’m a gymnast so I’ve also thought about doing something that relates to sports. So like sports medicine or physical therapy, like you said.

[00:19:34] Rico: Cool. And there’s nothing wrong with having a business on the side. Sometimes that becomes lifestyle money. What’s called lifestyle money, right? It adds to your other income. And who knows? It may take off and you might end up being full-time doing that. We never know. Let’s go through a couple of other questions that are not necessarily on the artwork, but sort of hopefully a little bit more revealing of the type of person you may be. And I’ve asked these questions of other people sometimes. What superpower would you have and why? And let’s start with EG on that one.

[00:20:04] EG: I’m going to be honest, I have thought a lot about this. I have not been able to come up with a complete answer. Because there’s a lot of super powers out there and choosing one seems, you know, you might choose one and then you’re like, ah, I wish I’d chosen that one. But, I think overall one of the best ones out there is flying. And I know that’s really like, that’s one of the more popular ones, but it’s for a good reason. Because being an artist specifically, I could just casually float up over Atlanta one day and sketch that. That’d be fun.

[00:20:40] Rico: That would be. What about you Makenna? What superpowers, if you could pick one, would you have and why?

[00:20:46] Makenna: I don’t know. Maybe super strength. And there’s not like an exact reason. Like, I don’t know. It just sounds cool. Just randomly like lift up a car or something.

[00:20:55] Rico: Alright, alright. Super strength is always good. What wouldn’t you do without? Let’s start with Makenna, maybe. If there was something that’s your favorite thing, I guess, that you wouldn’t do without. It could be anything. It could be time.

[00:21:09] Makenna: That’s a really hard question.

[00:21:10] Rico: It is. It’s more, really like life question, actually.

[00:21:13] Makenna: I’m not sure.

[00:21:14] Rico: Okay. EG, do you want to step in and say one? Do you have one?

[00:21:18] EG: I mean, I use my iPad and my Apple Pencil pretty much every day. I’ve actually started bringing them to school because I draw on them every single day. So pretty much my iPad and my Apple Pencil are essential to my life right now.

[00:21:35] Rico: Cool. Makenna, do you use anything to like sketch or keep a diary? Do you do any of that as well?

[00:21:41] Makenna: I do a lot of my stuff on paper. All my patterns are made of those either posterboard or cardstock. And so I’m able to like draw it out and like take measurements. I usually write it down in a notebook, what the measurements are and stuff. And like what I want it to look like.

[00:21:57] Rico: Alright, cool. So the next few questions are just the standard Q and A’s that I drop in towards the end of an interview. What’s your favorite food EG?

[00:22:06] EG: Ooh, as far as snack food, that would definitely be popcorn. I make popcorn a lot. So much so that we actually have a popcorn popper and we have to buy popcorn kernels, but it is really good. It is really good.

[00:22:20] Rico: Makenna what about you?

[00:22:22] Makenna: Favorite food is probably any type of Italian food. I love pasta or pizza.

[00:22:27] Rico: Okay. And what’s your favorite book or movie EG?

[00:22:31] EG: I actually have not ever been able to come up with an answer for this one. But I do really, really like the Marvel movies. I’m a big fan of those.

[00:22:41] Rico: How about your makenna?

[00:22:42] Makenna: That’s so hard. It always changes whenever I watch a new movie. I’m not the best at like keeping up and reading books, but I just like stick to the one’s we have to read for school. But movie, it’s really hard. But like she said, I also liked Marvel movies and like Disney movies.

[00:22:58] Rico: Do either of you speak a language other than English?

[00:23:01] EG: I’m trying to learn French. I’m in French classes right now, so.

[00:23:05] Makenna: Yeah, I’m the same. I’m taking French at school, but I’m definitely not fluent.

[00:23:10] Rico: Oh yeah, French is not easy. I spoke a little bad Italian and I decided to take French in high school, which was just a mistake. I should’ve stuck with an Italian, that would have been an easy A. So, let’s go for one last thing that I’d like both of you, one at a time, we’ll start with EG. Where can people, obviously the Instagram, your Instagram addresses are both below your names, above your heads on this video. But where can people find or follow you? Are there different places and where can they purchase artwork? Obviously, you’re going to be at Wesleyan Artist Market so they can visit that too.

[00:23:46] EG: Yes. Please come visit me at the Wesleyan Artist Market, I’ll have a lot of stuff out. But yes, obviously the Instagram. And then I also have a Red Bubble, if you don’t know what a Red Bubble is, it’s basically again, this service that you can upload your art onto and you can get that in pretty much everything. So I have uploaded just a few things to Red Bubble, but I’m hoping to upload more soon.

[00:24:13] Rico: I haven’t heard of that one, alright. What about you Makenna? Where can people find out about you and buy your products and stuff?

[00:24:20] Makenna: Definitely through my Instagram, like DM me. My email is also in my bio of my Instagram, for my business. That’s the main place. You can also find me at a boutique at Lake Oconee, it’s called the Artisans Village. And I used to be in a boutique in Atlanta, but they recently closed. But yeah.

[00:24:42] Rico: Cool, great. The Wesleyan Artist’s Market is happening in April. We’re going to have show notes to this video podcast. Obviously if you’re listening to this on Spotify or iHeartRadio, just Google Wesleyan Artist Market, and you’ll be able to find out the date and such. But we’ll have the link in the show notes on this. Feel free to look for other artists, but certainly EG Pickering and Makenna Wazevich. Check them out because they’re talented kids. I appreciate your time here with me Makenna and EG. My name is Rico Figliolini. I want to thank you all for listening in to this podcast and check out Wesleyan Artist Market.

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Arts & Literature

Perimeter Ballet Celebrates 30 Years of Dance and Inspiration

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Ballet dancers on stage during a production of Cinderella. The dancers are posed in front of a lit backdrop of Cinderella's castle.

Perimeter Ballet celebrates its 30th anniversary this year. Founded in September 1995, the faith-based ballet school in Johns Creek has long been an integral part of the local arts scene and the community.

What began as a bare-bones program held in the sanctuary of Perimeter Church — on carpeted concrete floors, using the backs of chairs for barres — has grown into a respected school of more than 200 students. Ranging in age from five to 18, the young dancers at Perimeter Ballet are not only committed to the study of dance but also to using their gifts to share their faith.

Ballet dancers on stage for The Nutcracker. Two dancers are leaping as the others stand around them in the background
From The Nutcracker; photo courtesy of Catherine Maxwell and Perimeter Ballet

According to the program’s website, their purpose is to “emphasize character along with technique … to counter the natural tendency towards self-absorption in the ballet studio.”

They are “very committed to teaching children to dance — to develop discipline, technique and musicality. [But] the Christian instructors [also] train the students in a context that understands that there’s a reason to dance.”

30 years of dance and faith

Current director, Becky Brown, has led the school for several years, growing the program while faithfully following Perimeter Ballet’s original mission. She oversees weekly classes, summer dance camps and annual productions, including an acclaimed Spring Recital and a presentation of The Nutcracker each December.

For the 30th anniversary, Brown is excited to continue the creative work of the ballet school and share their artistry and message with a larger audience.

A middle aged woman with blonde hair, wearing all black, standing amidst a group of young ballerinas, posing and wearing pink tutus.
Becky Brown with dancers 2018; photo courtesy of Catherine Maxwell and Perimeter Ballet

“This year will certainly be a special time for us as we celebrate and look back on 30 wonderful years of Perimeter Ballet and 20 years for our performing company, For His Glory,” she said. “We will be performing the Nutcracker December 11–13 and will have some beautiful new costumes to commemorate the occasion. We look forward to seeing  many of our alumni and their families at the performance.”

Classes and instructors

Open to the community at large, weekly classes at Perimeter Ballet range from Creative Movement, PreBallet and grade-level classes for preschoolers through third grade to more advanced classes (two or more times per week) for older students.

Summer camp sessions as well as intermediate level and advanced level intensives are also offered. For the upper-level intensives, students work on their ballet technique but also branch out into jazz and other forms of dance.

A group of dancers on stage for a finale. They all stand with an arm raised, looking up with blue and white lighting.
Behold cast finale; photo courtesy of Catherine Maxwell and Perimeter Ballet

The school’s nine teachers are skilled not just as instructors but as performers themselves, having years of experience dancing with companies such as Ballet Southeast, Atlanta Ballet, North Atlanta Dance Academy and the Metropolitan Opera Ballet. They bring that experience and their Christian faith to all of their classes and interactions with the young students.

For His Glory

In addition to the work they do as a ballet school, Perimeter Ballet also has an audition-selected performance company — For His Glory.

With three levels, made up of dedicated students striving to advance their skills and reach their “God-given potential while giving glory to [their] Lord and Savior, Jesus Christ,” the program presents several high-quality productions throughout the year.

a group of young ballet dancers standing in a stairwell next to an open door. They are in a circle with heads bowed, praying before going onstage for their performance.
photo courtesy of Perimeter Ballet

As Perimeter Ballet shares on their website: “Dancers are trained in the ballet classics as well as contemporary forms of dance, which are used in performances, worship settings and outreach. Classical ballets … in the group’s repertoire include Cinderella, Sleeping Beauty, Coppélia, excerpts from Four Seasons and La Fille Mal Gardee. In addition to Christmas and other outreach programs, For His Glory has danced internationally in London, India and Belarus.”

The group most recently performed Beauty & the Beast for two successful shows on stage at the Perimeter Church Sanctuary in early February of this year.

Impact and inspiration

All of this — the focus on faith and commitment to dance, the classes, intensives and stunning productions — have been a decades-long inspiration to the community and especially the student dancers who take part.

Many of the students stay with Perimeter Ballet for much of their childhood, learning and growing in dance as well as in their faith from elementary age through high school. That kind of involvement can clearly impact every aspect of their lives, from discipline learned to how they choose to interact with and be in the world.

A group of young ballet dancers onstage performing Cinderella.
Cinderella 2018; photo courtesy of Catherine Maxwell and Perimeter Ballet

One student, Anne Bradley Maxwell has been taking ballet with the Perimeter program since she was three years old. Now a high school junior in Peachtree Corners, she’s reflected on her time at the school and in the performance company as well as Perimeter Ballet’s milestone anniversary.

“For fifteen years … I matured within this unique, local community arts program,” she shared. “This year marks the 30th anniversary of its founding … and I’m honored to say I’ve been a student for half of that era. The talented instructors in [the] program not only helped advance me into an accomplished ballerina but also into a more faithful servant of Jesus Christ using dance as a form of worship.”

A lifelong journey

“This lifelong journey included annual seasonal training, auditions, numerous external summer intensives and wonderful performances on stages across the nation and abroad, for audiences ranging from a few dozen to several thousand,” Maxwell continued.

“… Taking ballet has instilled in me a deep understanding of perseverance and resilience. Pursuing excellence in ballet required me to overcome physical and emotional challenges … I learned to seek out solutions — whether physical therapy for healing my body or prayer and reflection to rejuvenate my spirit. These experiences have strengthened my ability to face setbacks, adapt and emerge stronger.

Ballet has cultivated in me a unique combination of athleticism, discipline and creative imagination. The most elegant performances emerge from the interplay of technical mastery and creative expression. The collaborative nature of ballet, where individuals work in harmony to create something greater than themselves, informs my approach to teamwork and innovation, both in the classroom and community.”

A high school aged ballerina on stage as Lumiere in a production of Beauty and the Beast
Anne Bradley Maxwell in Beauty and the Beast; photos courtesy of Catherine Maxwell

“… Ballet has [also] given me the gift of joy — both in experiencing it personally as a testament to Christ’s goodness and in sharing it with audiences. This joy, while intangible, is a powerful force that I hope to bring into my next chapters following high school. Whether through teaching movement, choreographing performances or exploring ways to expand ballet offerings, I aspire to enrich the community with the beauty and joy of dance.

… My time at Perimeter Ballet has equipped me with perseverance, discipline, creativity and a passion for sharing joy — qualities that I am excited to further cultivate as a young adult. These will not only enhance my personal journey but also contribute meaningfully to the rich tapestry of life. As I enter my senior year later this fall, I am full of gratitude for the solid foundation of technique and creative expression honoring God as the giver of my talent.”

Upcoming events

Perimeter Ballet’s Annual Spring Recital will be held in the Perimeter Church Sanctuary on Thursday, May 1 and Friday, May 2 from 7 p.m. to 8:15 p.m.

Summer camp sessions are scheduled for June and July. Registration will open on April 15.

2025-2026 classes will start in August with registration opening on April 15.

With help from Anne Bradley, the school is also planning a fundraiser event later in the year to mark the 30th anniversary.

For more information, visit perimeterballet.com.

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Arts & Literature

Q&A with Terry Gabbard, Norcross High’s New Theatre Director

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A middle-aged man with short hair and glasses. He's wearing a grey long-sleeved shirt and his arms are crossed in front of him. He's standing in front of an empty high school theatre stage with a purple curtain behind him.

The Norcross High School drama department has a reputation for presenting quality productions each year, and 2024-2025 is no exception. They staged a one-act show of “The Legend of Sleepy Hollow” in October followed by “Miss Nelson is Missing” in January. Next up for NHS Theatre is Matilda the Musical, set to open in April.

Leading the department this year is NHS’ new theatre director, Terry Gabbard, who came to Norcross with degrees in educational theatre and educational leadership, as well as over 20 years of public school theatre teaching and directing experience.

An award-winning director and playwright, he received the prestigious John W. Parker Award for excellence in directing in 2015, has had numerous productions named “distinguished play” from the North Carolina Theatre Conference and has three Best Musical wins from the Blumey Awards (Charlotte, NC’s version of the Tony awards).

Gabbard has also published two plays, one of which, “Our Place,” was named one of the top ten most produced short plays in American high schools.

Additionally, in 2020, his production of “Puffs” (a clever and comedic play set in the world of Harry Potter) was selected as one of only a handful of productions in America to perform at the International Thespian Society festival.

Though busy with preparations for Matilda, Gabbard recently took the time to answer a few questions about his career, his love of theatre and what’s next for the NHS drama department.

Which productions have you worked on since joining NHS?

We started off performing The Legend of Sleepy Hollow in October, and we did a performance of Miss Nelson is Missing in January. 

Where did you teach and direct before coming to Norcross?  

I always explain that my wife supports my teaching habit, so we tend to move as her opportunities change.

I’ve taught mostly in high schools in Florida, North Carolina and now Georgia. I have taught in Gwinnett Public Schools before at Paul Duke STEM and in Cobb County at Campbell High School. 

How did the move to NHS come about?

After leaving GCPS for a short few years, I was anxious to get back to this system and this community, and when this opportunity presented itself, I jumped at the chance.

Have you always had a love for theatre?

I started participating in theatre when I was in 9th grade and have never stopped. For me, the thing that drew me to the art form was the sense of community that theatre creates. 

What led you to pursue a career teaching and directing? Was there a specific moment that you realized it was what you wanted to do? 

When I was a senior in high school, my theatre director let me direct a play in his theatre [for] one class. This is when I realized how much I loved directing and coaching other actors. 

What was it like to win the John W. Parker award in 2015? And to be recognized with so many other honors? 

I have been blessed to have been recognized several times by my peers and the organizations I’ve partnered with. It’s always nice to have these recognitions, but I have come to believe that any high school theatre production is a miracle in and of itself.

Producing theatre in high schools is always a challenge and getting to opening night is always a huge accomplishment. 

Will you continue playwriting in addition to your work as NHS theatre director?

I haven’t written any plays in some time, but I’m definitely starting to get the itch. All of my plays have premiered at the schools where I was teaching. I imagine a world premier will happen at Norcross pretty soon. 

What can you share about the school’s upcoming Matilda the Musical production? Is it one that you’ve directed in the past?

I have never directed Matilda, and I am extremely excited for the challenge. The music is incredible, and the characters are big and over the top. 

What plans do you have for the NHS theatre program for the remainder of this year and next year?

After Matilda, things wrap up for us. I haven’t yet decided what shows to tackle next year. I know that I want to find plays that have a different tone than the pieces we did this year. The shows have been comedic this year. Something more dramatic is definitely in our future. 

Poster for a high school production of Matilda the Musical with dates, graphics and QR code.

The NHS production of Matilda the Musical opens in April.

Dates and show times are:

  • Thursday, April 24 at 7 p.m.
  • Friday, April 25 at 7 p.m.
  • Saturday, April 26 at 7 p.m.
  • Sunday, April 27 at 2 p.m.

For more information, visit nhs-drama.com.

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Arts & Literature

The Extraordinary Lives of Ordinary People: Q&A with Author Dan Leonard

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A man with short dark and grey hair wearing sunglasses and a black, long-sleeved zip up. He's standing by the railing of a boat in Milford Sound New Zealand with water and tall cliffs behind him. He's smiling and the sky above is dark blue with a few wispy white clouds.

Dan Leonard has called Peachtree Corners home for the past 42 years, working in the IT field, building a strong community of personal and professional connections and leading the local Bikes and Friends Cycling Club.

Most recently, he wrote and released his first book — a memoir titled “The Extraordinary Lives of Ordinary People” — adding ‘published author’ to his list of accomplishments.

Drawing on the physical challenges Dan faced (and overcame) while growing up, as well as inspiration from others, the book dives into themes of resilience and personal growth while painting a vivid picture of his family life in New England during the 60s and 70s.

Through personal narrative, he takes readers on a thought-provoking journey through his childhood and adolescence, sharing “formative experiences that were shaped by his Italian-American and Irish-German heritage.”

Dan spoke with us recently about his memoir, sharing his thoughts on the writing process, lessons learned and his future plans.

Front and back book covers for The Extraordinary Lives of Ordinary People by Dan Leonard. The front cover has a photo of the author outdoors in a grassy field with mountains behind him. The back cover has book description and QR code.
photo courtesy of Dan Leonard

What inspired you to write a memoir? What challenges, if any, did you face?

On the surface, like many people my age closing in on 70, I wanted to leave a legacy, telling my story of resilience and transformation to hopefully inspire others.

I once read that people should consider their mental health before writing a memoir. At the time I didn’t quite appreciate that statement. Like many outgoing people, I usually enjoyed talking about myself, especially while trying to relate to others.

Writing my memoir turned out to be a very positive experience since I tried to explore my story with honesty and compassion while highlighting the people and experiences that had the most influence on me. However, in the final throes of completing a rough draft, I spent nearly two weeks without sleep and experienced daytime dream-like episodes.

For example, I have a former classmate who is a successful screenwriter, and I was intent on getting him my manuscript because I thought it might make a compelling movie!   

The book took me over a year [to write] and was a worthwhile and enjoyable experience and, I would say, cathartic as well.

Can you share a little about your background? Had you written or published anything prior to this?

I spent 42 years in the Information Technology field mostly working closely with major corporations helping them streamline and digitize their operations. I began in sales and marketing and moved to management later in my career.

I have always enjoyed writing for pleasure, but much of my writing was business oriented and expected to be short and concise. I have been interviewed many times in my career leading to industry centric publications but nothing with sole direct personal benefit such as my recent memoir or upcoming novel. 

The book is about resilience and recognizing that ordinary moments can have an extraordinary impact on one’s life. Have you always seen the world this way? Or was it something that came to you over time?

I have always been deeply introspective but with a strong desire to relate well with others and make friends.

Given my humble beginnings experiencing many physical challenges from night time seizures, pronated ankles, severe allergies, a slight lisp and ADD among other things, I never felt like I was working from a position of strength. I typically felt like the underdog, especially anxious to prove to both myself and others that I could be just as good.

Each triumph seemed to require an extraordinary effort sometimes just to meet the norm. 

What was the most difficult or unexpected thing you encountered writing and publishing the book?

To be completely honest, the most difficult thing was to convince myself that my story was worth telling and that other people besides my family and closest friends would be truly interested.

Who was I, really? I was never a CEO, famous athlete, politician or war hero. I was just a regular guy who lived a mostly ordinary life but, in many cases, encountered extraordinary challenges.

Maybe partly because I have a tendency to be bold and take on challenges that I am not always prepared for, I would sometimes get in my head and say, “well everybody has a story, some lots more interesting than yours, so why would anyone be interested in yours?”

Early and mid-stream through my writing, there were days and even weeks when I let these thoughts stall my writing, but fortunately they were only temporary.  

What lessons did you learn from the process?

You’ll have to read my book!

When I began writing the book, I was at a point where I had retired from my 42-year career and was no longer actively consulting. My life involved spending as much time as possible cycling with my club, Bikes and Friends, completing home projects and spending time with family.

I would typically rise at 7 or 8 a.m., unless I had an early bike ride, and move through the day at a very comfortable pace. Finally completing the book and committing to a marketing campaign and future publications over the next several months has given me a renewed purpose. I now start my day at 6 a.m., go to the gym and work harder, write as much as possible and seek out more purposeful endeavors.

I met [recently] with the City of Peachtree Corners to begin planning a charity ride later this year. And I am evaluating a board position at a local non-profit.   

What’s the main thing you’d like readers to take away from Extraordinary Lives?

That their life is every bit as valuable as others, and if they have any interest in sharing their story or anything that they desire then to do it to their fullest!  

You’re traveling for events to promote the book. Will you be doing any promotional events closer to home?

Yes, I will be speaking at the local Fowler YMCA on March 14, and as my book marketing reaches a proposed 300 platforms over the next few weeks, I expect to have at least a few nearby book signings and presence in local bookstores.  

Do you have plans to write another book?

Absolutely! I am currently working on a futuristic sci-fi novel based on a group of cyclists called “Defending His Life,” which will hopefully be available by June.

The Extraordinary Lives of Ordinary People is available on Amazon. Are there other places readers can purchase the book?

It will also be available on BN.com and in select Barnes and Noble stores. My publisher hub partner plans to push 200+ copies out to select bookstores, so hopefully many other places [as well].

Is there anything else you’d like to share?

Many people my age relate to the way things used to be, where only famous people wrote books and they were limited to highly selective publishing houses that controlled their intellectual property.

It’s a new world, anyone that has something to say can say it, and there are so many different mediums available today. Be bold and get out there and say it. Your reward will go way beyond practical measures and may certainly open up new opportunities.

If nothing else, writing my memoir has given me an opportunity to reengage with people that I haven’t talked with or thought about in years and even decades.

About The Extraordinary Lives of Ordinary People

From enduring challenges and overcoming adversity to honoring the strength of family bonds, Dan’s debut book offers a look at how ordinary moments can have an extraordinary impact.

The memoir is currently available on Amazon as an e-book, hardback and paperback. It should soon be available on bn.com, at our local Barnes and Noble and in other bookstores as well.

For more information about Dan Leonard, visit booksbydanleonard.com.

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