Arts & Literature
Tough-Love Teacher Preps NHS Drama Students for Stage and Life
Photos by Richard Phillips.
Gina Peverley Parrish, Norcross High School (NHS) Theatre Director, is the first to admit it. She’s strict. She doesn’t coddle kids. She would never hand out a participation trophy.
Her Thespian Troupe members must become familiar with all aspects of theatre, from lighting to sound. They make their own costumes and build next-level sets. They’re expected to show up for rehearsals after school and on weekends and to give every performance everything they’ve got.
“When a student who is thinking about auditioning for a show asks me if it is hard work, my response is, ‘You bet it is,’” Parrish said. “Nothing makes me more proud than when someone says after a show how shocked they were that they were watching a high school show. It seemed so much more professional than they had imagined. In class and at rehearsal, we want to have fun, learn about theatre, and always demonstrate a strong work ethic.”
For Parrish, now in her 30th year of teaching drama at NHS, this has been a recipe for success. The NHS Thespian Troupe slayed at Georgia High School Association competition this fall, taking first place at the Region 7AAAAAAA One-Act Play State Championships with a performance from the musical comedy “Nunsense.”
Claire Sauls, a junior, won Best Actress, and seniors Makena Hilsmier and Ella Bullock were named to the competition’s All-Star Cast.
Earlier this fall, Claire was cast in the 2022 All State Theatre Opening Number Production for the Georgia State Thespian Conference.
While sweet, these victories are par for the course for Parrish, who was inducted into the national Educational Theatre Association’s Hall of Fame in 2017 and who’s seen some of her students become professional actors.
“We’ve won our region many times, been to state many times. We won one state championship, in 2009. For me, once we get to state, to be honest, it’s not whether we win or not. It’s that the kids get there, and they do the very best job that they can do,” she said.
‘You learn how to command a room’
Claire plans to go into an arts field after high school and enjoys the competitive aspect of theatre troupe. “You get the chance to feel what a true competition is like … which will be really helpful in the real world,” she said.
Of the drama program, she said, “I love how many opportunities are given to me. There’s always a chance to do better roles and learn fundamentals like dancing and singing.”
Ella and Makena aren’t planning drama-related careers, but they say theatre education has helped them in many ways.
For Ella, the program has been a great way to make friends and she said it has boosted her organizational skills. “You take on a lot of responsibilities in drama and I think that really prepares you for the outside world,” she said.
Makena says the program “helped me come into my own as an actor, as a performer, and well, as just a person.”
Drama is also helping her prepare to become a teacher, she said. “You learn how to be confident with yourself. You learn how to command a room. I’m one of the co-presidents of our troupe, so I’m really working on my leadership, work ethic and team-building skills,” Makena said.
A family at school
The two seniors’ mothers, Kristi Bullock and D’Anne Hilsmier, are Drama Booster Club co-presidents. “For the last couple of years, we have been joined at the hip, planning and organizing the needs for the drama department and students,” Bullock said.
She credits the troupe’s success in large part to Parrish’s leadership, which she says goes well beyond what happens on stage.
“She’s like a football coach. … She can be very direct. There’s lots of tears and laughter and she doesn’t hold back criticism. She’s truly just trying to make them their best self on stage,” Bullock said. “So it can be challenging, but the reward is when they get the standing ovations and they win the region competition and all that kind of stuff.”
Claire appreciates the wealth of knowledge that Parrish, known by the nickname “Pev,” shares with her students. As Makena puts it, Parrish is “just all around an amazing teacher.”
After working in theatre in New York City and Virginia, Parrish decided she wanted to teach high school theatre and got her Master’s in Education from the University of Virginia.
She taught in Orange, Va. for three years, moved to Duluth in 1992 and then began teaching at NHS.
“High school is a last chance for a lot of kids to do a little bit of everything,” Parrish said. “I have a bunch of football players and water polo players that will be auditioning for our spring musical, ‘Grease,’ so that’s kind of fun.”
She’s proud of NHS Drama “and the many graduates who have moved on and become productive members of society.”
“Our theatre program, much like that of sports, band and others, gives students a family at school — an outlet and place to belong. For some, if it were not for their extracurricular activity, they might not have stayed in school,” Parrish said. “That is one of the things I am most proud of, being a part of an amazing group of teachers who care so much about their kids and give all they have to ensure their success.”
In Their Own Words
Actors Chandler Massey and Brad Benedict are both alumni of the NHS Thespian Troupe.
Massey, a three-time Daytime Emmy Award winner, is a regular on the soap opera “Days of Our Lives” and has appeared in several drama series. Benedict is an actor, producer and a regular on the prime-time series, “The Oval.”
Peachtree Corners Magazine asked the actors to share a highlight of their time in the troupe and tell us how the drama program and teacher Gina Parrish impacted their lives. We also asked them for a message for current students.
Brad Benedict
Participated in Norcross Theatre in the spring of 2003 and graduated from NHS in 2004.
The highlight of my time in Norcross Theatre was the spring musical my junior year, “Bye Bye Birdie.” I had no formal acting experience going in, and ended up being cast in the leading role, Albert Peterson, with several song and dance numbers. A memory for a lifetime.
Benedict with Gina Parrish. Bye Bye BIrdie (NHS) 2003. OVAL on BET
Norcross Theatre changed my life forever. It was the first, and only time, I ever auditioned for any acting role before moving to Los Angeles to pursue a professional acting career. “Bye Bye Birdie” gave me my first real taste of the stage and performance, and I immediately fell in love. It was one of the scariest things I had ever done to that point, but also one of the most rewarding and character building.
I was a completely green actor who Ms. Pev, as we called her during my days at NHS, was willing to take a chance on and groom and believe in. In doing so, she had a hand in changing my life forever for the better. Her gamble on casting me, and willingness to help me grow, instilled a sense of belief in my soul that, by putting myself out there, and with a lot of hard work, I could achieve anything. She ignited a spark that I have carried with me ever since that has led me to take chances, bet on myself, choose the path less traveled, and, in turn, has brought overflowing fulfillment to my life. I am forever grateful.
OVAL on BET. NHS Drama, Bye Bye Birdie (NHS) 2003.
I’m currently living my dream as a cast member on a TV show, created and directed by Tyler Perry, called “The Oval,” that airs on BET Networks. We just finished filming our fourth season last week. I also filmed a movie that will be released on Netflix in 2022 called “A Jazzman’s Blues,” where I play a small-town sheriff in the 1940s. ‘Jazzman’ is probably the project I am most proud to have been a part of to date.
To all those students with a big dream, I leave you with this quote by Theodore Roosevelt that has meant so much to me:
“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again; … who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”
Chandler Massey
Participated in Norcross Theatre from 2006-2009 and graduated from NHS in 2009.
My favorite moment would probably be playing the lead in the musical “Little Shop of Horrors” my sophomore year. It was my first big role and helped me gain a lot of confidence.
It feels weird to type Gina Parrish, so I will just refer to her as Pev from now on (we all called her that).
Massey’s time at Norcross High School.
If it weren’t for Pev, I would be a financial analyst (or something similarly dry) right now. She gave all of us misfit theater kids a home, a place where we felt we belonged and could contribute in a meaningful way. She was a drill sergeant, and she cared more about us as individuals than any teacher I have ever had. She transformed me from a child with crippling social anxiety to a young man who didn’t think twice about singing and dancing in front of hundreds of members of the community.
The Norcross Theatre wing felt like it existed on a different plane than the rest of the school, a consequence of the incredible environment Pev fostered. She demonstrated to all of us the value of developing a strong work ethic. She instilled in us a love of working together to create something bigger than ourselves. It wasn’t even about acting, or singing, or dancing. It was about us, a group that for the most part didn’t fit in anywhere else. She gave us a home, and thanks to her I had the resolve to pursue a career in the arts.
I’m not really good at giving advice, but I will say that at some point you will stumble upon something that makes hours feel like minutes. One sure path to a meaningful life is to pursue that thing despite the difficulties and obstacles that will inevitably rise up to challenge you.
Memorable Moments of Parrish
Gina Parrish is a very accomplished Drama Director and pushes her students to be the best they can be. I’ve seen her frustrated with them, yelling at them and at the same time loving them and encouraging them fully. That’s the Gina Parrish I knew some 25 years ago when she did a Community Play inviting adult actors to be a part of the cast for “Fiddler on the Roof”.
I happened to be one of those cast members who was given the role of “Lazar Wolf the Butcher” while my 10th Grade Daughter played the role of my “Dead Wife”. Gina also cast some very accomplished local adult actors in that play along with parents such as myself. It was one of the most memorable experiences of my life.
When I walked into that Theatre yesterday and spoke to Gina and saw what she had done with these High School Thespians, the awards and fame they have received was noticeable immediately. I also saw many of the theatrical techniques she instilled and directed into some very talented youth, so much like I experienced 25 years ago.
I came to tears yesterday when Gina asked me to critique the play. I told them how much I appreciated their talents and saw so much of what I knew to be Gina’s hand at making a memorable performance. I also told them that they will always remember their days at Norcross High School Drama and will always appreciate what Gina gives them in the way of encouragement to be the best they can be.
Support the Troupe!
A message from Kristi Bullock, NHS Drama Booster Club co-president
“First and foremost, come to our shows. We rely on ticket sales and there’s nothing that makes a better show and experience for the students than to have a full theatre. That is why they exist!
Second, when at the show, buy concessions including fresh popcorn! All proceeds go to NHS Drama and fund future shows — the bigger the budget, the better the show.”
The Booster Club also asks for donations to the Brady Bullock Memorial Scholarship Fund, which benefits NHS Drama seniors. The scholarship honors the memory of Bullock’s son and his love for the drama program. Brady lost his battle with brain cancer in his junior year.
For more information, contact Bullock at kbullock@tropicalsmoothie.com.
Upcoming productions
The NHS Thespian Troupe typically puts on four shows each year. Their One-Act play has already been presented.
■ The musical comedy “Nunsense” will be performed Dec. 9-12.
■ “The Wizard of Oz: Youth Edition,” runs March 3-6, 2022.
■ The musical “Grease” will be presented May 5-8, 2022.
Keep up with the troupe at nhs-drama.com and on Facebook, Instagram, Twitter and Snapchat.
Dan Leonard has called Peachtree Corners home for the past 42 years, working in the IT field, building a strong community of personal and professional connections and leading the local Bikes and Friends Cycling Club.
Most recently, he wrote and released his first book — a memoir titled “The Extraordinary Lives of Ordinary People” — adding ‘published author’ to his list of accomplishments.
Drawing on the physical challenges Dan faced (and overcame) while growing up, as well as inspiration from others, the book dives into themes of resilience and personal growth while painting a vivid picture of his family life in New England during the 60s and 70s.
Through personal narrative, he takes readers on a thought-provoking journey through his childhood and adolescence, sharing “formative experiences that were shaped by his Italian-American and Irish-German heritage.”
Dan spoke with us recently about his memoir, sharing his thoughts on the writing process, lessons learned and his future plans.
What inspired you to write a memoir? What challenges, if any, did you face?
On the surface, like many people my age closing in on 70, I wanted to leave a legacy, telling my story of resilience and transformation to hopefully inspire others.
I once read that people should consider their mental health before writing a memoir. At the time I didn’t quite appreciate that statement. Like many outgoing people, I usually enjoyed talking about myself, especially while trying to relate to others.
Writing my memoir turned out to be a very positive experience since I tried to explore my story with honesty and compassion while highlighting the people and experiences that had the most influence on me. However, in the final throes of completing a rough draft, I spent nearly two weeks without sleep and experienced daytime dream-like episodes.
For example, I have a former classmate who is a successful screenwriter, and I was intent on getting him my manuscript because I thought it might make a compelling movie!
The book took me over a year [to write] and was a worthwhile and enjoyable experience and, I would say, cathartic as well.
Can you share a little about your background? Had you written or published anything prior to this?
I spent 42 years in the Information Technology field mostly working closely with major corporations helping them streamline and digitize their operations. I began in sales and marketing and moved to management later in my career.
I have always enjoyed writing for pleasure, but much of my writing was business oriented and expected to be short and concise. I have been interviewed many times in my career leading to industry centric publications but nothing with sole direct personal benefit such as my recent memoir or upcoming novel.
The book is about resilience and recognizing that ordinary moments can have an extraordinary impact on one’s life. Have you always seen the world this way? Or was it something that came to you over time?
I have always been deeply introspective but with a strong desire to relate well with others and make friends.
Given my humble beginnings experiencing many physical challenges from night time seizures, pronated ankles, severe allergies, a slight lisp and ADD among other things, I never felt like I was working from a position of strength. I typically felt like the underdog, especially anxious to prove to both myself and others that I could be just as good.
Each triumph seemed to require an extraordinary effort sometimes just to meet the norm.
What was the most difficult or unexpected thing you encountered writing and publishing the book?
To be completely honest, the most difficult thing was to convince myself that my story was worth telling and that other people besides my family and closest friends would be truly interested.
Who was I, really? I was never a CEO, famous athlete, politician or war hero. I was just a regular guy who lived a mostly ordinary life but, in many cases, encountered extraordinary challenges.
Maybe partly because I have a tendency to be bold and take on challenges that I am not always prepared for, I would sometimes get in my head and say, “well everybody has a story, some lots more interesting than yours, so why would anyone be interested in yours?”
Early and mid-stream through my writing, there were days and even weeks when I let these thoughts stall my writing, but fortunately they were only temporary.
What lessons did you learn from the process?
You’ll have to read my book!
When I began writing the book, I was at a point where I had retired from my 42-year career and was no longer actively consulting. My life involved spending as much time as possible cycling with my club, Bikes and Friends, completing home projects and spending time with family.
I would typically rise at 7 or 8 a.m., unless I had an early bike ride, and move through the day at a very comfortable pace. Finally completing the book and committing to a marketing campaign and future publications over the next several months has given me a renewed purpose. I now start my day at 6 a.m., go to the gym and work harder, write as much as possible and seek out more purposeful endeavors.
I met [recently] with the City of Peachtree Corners to begin planning a charity ride later this year. And I am evaluating a board position at a local non-profit.
What’s the main thing you’d like readers to take away from Extraordinary Lives?
That their life is every bit as valuable as others, and if they have any interest in sharing their story or anything that they desire then to do it to their fullest!
You’re traveling for events to promote the book. Will you be doing any promotional events closer to home?
Yes, I will be speaking at the local Fowler YMCA in March, and as my book marketing reaches a proposed 300 platforms over the next few weeks, I expect to have at least a few nearby book signings and presence in local bookstores.
Do you have plans to write another book?
Absolutely! I am currently working on a futuristic sci-fi novel based on a group of cyclists called “Defending His Life,” which will hopefully be available by June.
The Extraordinary Lives of Ordinary People is available on Amazon. Are there other places readers can purchase the book?
It will also be available on BN.com and in select Barnes and Noble stores. My publisher hub partner plans to push 200+ copies out to select bookstores, so hopefully many other places [as well].
Is there anything else you’d like to share?
Many people my age relate to the way things used to be, where only famous people wrote books and they were limited to highly selective publishing houses that controlled their intellectual property.
It’s a new world, anyone that has something to say can say it, and there are so many different mediums available today. Be bold and get out there and say it. Your reward will go way beyond practical measures and may certainly open up new opportunities.
If nothing else, writing my memoir has given me an opportunity to reengage with people that I haven’t talked with or thought about in years and even decades.
About The Extraordinary Lives of Ordinary People
From enduring challenges and overcoming adversity to honoring the strength of family bonds, Dan’s debut book offers a look at how ordinary moments can have an extraordinary impact.
The memoir is currently available on Amazon as an e-book, hardback and paperback. It should soon be available on bn.com, at our local Barnes and Noble and in other bookstores as well.
For more information about Dan Leonard, visit booksbydanleonard.com.
Local children’s author and illustrator, Katie Morgan Lester, recently released a new book — the third in her Morgan Farm Books series. Launched last year, Gracie the Goat is all about the importance of being a good listener. Inspired by Lester’s own pet goat from childhood, it tells the tale of Gracie and her adventures in meeting a new friend.
Gracie the Goat follows two previous titles in the series: Picky Pig Pete and Raymond the Rooster. Each of the books includes simple life lessons, as well as rhyming lines, watercolor illustrations and photos of the real animals the stories are based on — elements that appeal to younger kids as well as early readers.
We recently caught up with the Peachtree Corners author to hear more about her life, the book series and what inspires her work.
How long have you lived in Peachtree Corners?
My husband Mark and I have lived in Peachtree Corners for approximately 20 years. We knew even before having our son Brandon (who is now 17 years old and a junior at Norcross High School), that we loved the area and the people here.
We adore the street we live on with such loving neighbors. We’ve been blessed to be in Peachtree Corners with others providing such a sense of community.
In addition to creating children’s books, I am also a cardio instructor at the local YMCA, and I teach a part time preschool class and an after-school art class at Simpsonwood United Methodist Church.
What led you to want to write children’s books?
I grew up on a South Carolina farm with many types of animals. As a child and throughout my adulthood, I have loved to draw illustrations.
I graduated from Furman University with a studio art degree, [then] worked in advertising and marketing for 20 years but always did artwork as a side business — my favorite things to paint being children’s room décor and murals.
Once I had our son Brandon, I aspired to create a children’s book with my own illustrations to dedicate to him. I slowly began creating a rhyming story and the characters to include. I used the farm I grew up on as the setting, and all of the animal characters in my books are based on real ones from there.
Where did the idea for the series come from?
My maiden name is Morgan and the name of the farm I grew up on is Morgan Farms. The farm is the setting for all of my books. To use Morgan Farm Books as my series name came naturally and keeps me connected to my family roots.
Each book has an important message for children: Picky Pig Pete teaches children to try something new — whether that’s a new food or an activity — and can be a help to [those with picky eaters]. Raymond the Rooster is a great message that friends come in all colors, shapes and sizes. And Gracie the Goat teaches children to be good listeners.
While each book has its own story and can easily be purchased separately, I felt having a series title would connect my current and future books. It can also give encouragement for those that buy the books to want to continue the series.
How many books do you plan to write and illustrate in the series?
I enjoy writing and illustrating children’s books so much that I would love to continue for years to come. I do not have any specific number of books in mind, but will continue on as long as there are more farm animals and stories to write.
The third book is out now, and you’re working on the next one. Can you share anything about it?
I am currently writing my fourth book. As with the others, I’m pulling out one of the current animals to be the main character and hope to have it completed by the end of 2025. The message for that one will be about emotions.
Please keep checking in with me [at my website] as I’ll begin to provide more information on that book soon!
What ages are your books intended for?
The books are great for baby gifts all the way up to approximately eight years old. With the rhyming in each, the books are perfect for early readers. I do add a little bit of humor to each to make them enjoyable for parents as well.
Where can parents find your books?
The Morgan Farm Books can be purchased directly through me or my website. This allows me to write a personalized, encouraging note to your child(ren) and sign each one.
Website: morganfarmbooks.com/purchase-book
Instagram: instagram.com/morganfarmbooks
Facebook: facebook.com/morganfarmbooks
Combos may be purchased as well, which is a book paired with a small stuffed animal, lovingly packaged as a gift. I’m also available for in-person visits or virtual author/illustrator events featuring the books from my series.
For more information, visit morganfarmbooks.com.
The special exhibition of the Medford and Loraine Johnston Collection will run January 17 through May 25, 2025
In the mid-1970s, artist and Georgia State University professor Medford Johnston, along with his wife and collaborator Loraine, began collecting works by artists who were in the vanguard of contemporary art. Today, they hold one of the finest collections of postwar American drawings and related objects of its kind, now numbering more than 85 works.
In 2025, the High Museum of Art will present Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection, featuring their collected works, which is a promised gift to the museum. Featuring artists such as Sol LeWitt, Brice Marden, Elizabeth Murray, Martin Puryear, Ed Ruscha, Al Taylor, Anne Truitt, Stanley Whitney and Terry Winters, among others, the exhibition will demonstrate how establishing the parameters of an art collection requires infinite patience, focus, discipline and a keen eye.
“The Johnstons have been friends of the High for a very long time. They’ve also built an impressive collection featuring works by many of the 20th century’s most significant abstract artists,” said the High’s Director Rand Suffolk. “We are honored that they have promised to leave their collection to the Museum where it will be preserved for future generations — and we are delighted that they are sharing it with our audiences now, hopefully inspiring the next generation of art collectors and supporters.”
A curated collection
The Johnstons’ story is a testament to, in the words of the High’s Wieland Family Senior Curator of Modern and Contemporary Art, Michael Rooks, “knowing the difference between what is right and what is almost right” when building a collection.
Although the Johnstons acquired several paintings and objects when they first began collecting in 1972, they quickly narrowed their focus to drawing, primarily by artists working on the frontlines of abstraction in the mid-1960s during a time of great innovation and experimentation.
Rooks added, “Med and Loraine’s collection struck me at once by its single-minded focus on a specific moment in time, which was essentially the time of their contemporaries. The artists in their collection are like close friends to the Johnstons — in fact many are or were. What is equally astonishing about the collection is the Johnstons’ dogged pursuit of quality. Their in-depth knowledge of each artist’s practice combined with their understanding of specific qualities to look for — or more appropriately, to hold out for — will be a revelation to emerging collectors.”
The Johnstons have built their collection with the High in mind as the benefactor of their passion and discernment. For them, their collection “is a labor of love, pursued over more than 50 years, and we are delighted to be able to help the High Museum document and celebrate these important artists working during the same decades as our lives.”
About the exhibit
Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection will be presented in the Special Exhibition Galleries on the second level of the High’s Stent Family Wing.
The exhibit is organized by the High Museum of Art and made possible through the generosity of sponsors:
- Premier Exhibition Series Sponsor Delta Air Lines, Inc.
- Premier Exhibition Series Supporters Mr. Joseph H. Boland, Jr., The Fay S. and W. Barrett Howell Family Foundation, Harry Norman Realtors and wish Foundation
- Benefactor Exhibition Series Supporters Robin and Hilton Howell
- Ambassador Exhibition Series Supporters Loomis Charitable Foundation and Mrs. Harriet H. Warren
- Contributing Exhibition Series Supporters Farideh and Al Azadi, Mary and Neil Johnson, Mr. and Mrs. Baxter Jones, Megan and Garrett Langley, Margot and Danny McCaul, Wade A. Rakes II and Nicholas Miller and Belinda Stanley-Majors and Dwayne Majors.
Support has also been provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, RJR Nabisco Exhibition Endowment Fund and USI Insurance Services.
About the High Museum of Art
Located in the heart of Atlanta, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs.
Housed within facilities designed by Pritzker Prize-winning architects Richard Meier and Renzo Piano, the High features a collection of more than 19,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from prehistory through the present; and significant holdings of European paintings and works on paper.
The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.
For more information about the High or to purchase tickets, visit high.org.
Top image: (from the collection) Terry Winters (American, born 1949), Orb, 2020, oil on paper, The Johnston Collection. © Terry Winters, Courtesy Matthew Marks Gallery, New York.
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